Srishti Chowdhury

“I've been melted into something
too easy to spill. I make more
and more of myself in order

to make more and more of the baby.
He takes it, this making. And somehow
he's made more of me, too.”
― Brenda Shaughnessy, Our Andromeda

“Even the silence
has a story to tell you.
Just listen. Listen.”
― Jacqueline Woodson, Brown Girl Dreaming

“This is a story, told the way you say stories should be told: Somebody grew up, fell in love, and spent a winter with her lover in the country. This, of course, is the barest outline, and futile to discuss. It’s as pointless as throwing birdseed on the ground while snow still falls fast. Who expects small things to survive when even the largest get lost? People forget years and remember moments. Seconds and symbols are left to sum things up: the black shroud over the pool. Love, in its shortest form, becomes a word. What I remember about all that time is one winter. The snow. Even now, saying “snow,” my lips move so that they kiss air. No mention has been made of the snowplow that seemed always to be there, scraping snow off our narrow road — an artery cleared, though neither of us could have said where the heart was.”
― Ann Beattie, Where You'll Find Me and Other Stories

“I’ve been looking at all the ordinary staples of flirting," says Julia, "like biting your lip and looking away just a second too late, and laughing a lot and finding every excuse to touch, light fingertips on a forearm or a thigh that emphasize and punctuate the laughter. I’ve been thinking about what a comfort these things are, these textbook methods, precisely because they need no decoding, no translation. Once, a long time ago, you could probably bite your lip and it would mean, I am almost overcome with desiring you. Now you bite your lip and it means, I want you to see that I am almost overcome with desiring you, so I am using the plainest and most universally accepted symbol I can think of to make you see. Now it means, Both of us know the implications of my biting my lip, and what I am trying to say. We are speaking a language, you and I together, a language that we did not invent, a language that is not unique to our uttering. We are speaking someone else’s lines. It’s a comfort.”
― Eleanor Catton, The Rehearsal