Galway Kinnell
Born
in Providence, Rhode Island, The United States
February 01, 1927
Died
October 28, 2014
Genre
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The Book Of Nightmares: A Landmark Visionary Poem in Ten Parts and American Poetry Masterpiece
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published
1971
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11 editions
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|
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A New Selected Poems
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published
2000
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10 editions
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|
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Selected Poems
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published
1980
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9 editions
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|
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Strong Is Your Hold
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published
2006
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18 editions
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|
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When One Has Lived a Long Time Alone
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published
1990
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6 editions
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Imperfect Thirst: Powerful Poetry on Love and Nature by National Book Award Winner Galway Kinnell
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published
1994
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11 editions
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Mortal Acts Mortal Words
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published
1980
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4 editions
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|
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Three Books: Body Rags; Mortal Acts, Mortal Words; The Past
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published
1993
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6 editions
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Body Rags: Poems
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published
1968
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14 editions
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|
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Collected Poems
by
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published
2017
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4 editions
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“Wait
Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven't they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become lovely again.
Second-hand gloves will become lovely again,
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.
Wait.
Don't go too early.
You're tired. But everyone's tired.
But no one is tired enough.
Only wait a while and listen.
Music of hair,
Music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear,
the flute of your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.”
―
Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven't they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become lovely again.
Second-hand gloves will become lovely again,
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.
Wait.
Don't go too early.
You're tired. But everyone's tired.
But no one is tired enough.
Only wait a while and listen.
Music of hair,
Music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear,
the flute of your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.”
―
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