John Berger


Born
in Highams Park, London, England, The United Kingdom
November 05, 1926

Died
January 02, 2017

Genre

Influences


John Peter Berger was an English art critic, novelist, painter and author. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to a BBC series, is often used as a college text.

Later he was self exiled to continental Europe, living between the french Alps in summer and the suburbs of Paris in winter. Since then, his production has increased considerably, including a variety of genres, from novel to social essay, or poetry. One of the most common themes that appears on his books is the dialectics established between modernity and memory and loss,

Another of his most remarkable works has been the trilogy titled Into Their Labours, that includes the books Pig Earth (1979), Once In E
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Average rating: 3.86 · 268,525 ratings · 3,734 reviews · 171 distinct worksSimilar authors
Ways of Seeing

3.84 avg rating — 237,999 ratings — published 1972 — 49 editions
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About Looking

4.03 avg rating — 6,489 ratings — published 1980 — 24 editions
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G.

3.59 avg rating — 2,761 ratings — published 1972 — 42 editions
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To the Wedding

3.95 avg rating — 2,205 ratings — published 1995 — 26 editions
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And Our Faces, My Heart, Br...

4.15 avg rating — 1,731 ratings — published 1984 — 22 editions
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Pig Earth

4.02 avg rating — 981 ratings — published 1979 — 28 editions
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From A to X: A Story in Let...

3.83 avg rating — 1,070 ratings — published 2008 — 19 editions
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Here Is Where We Meet

3.88 avg rating — 1,111 ratings — published 2005 — 23 editions
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The Shape of a Pocket

4.10 avg rating — 843 ratings — published 2001 — 18 editions
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Confabulations

4.01 avg rating — 908 ratings — published 2016 — 11 editions
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More books by John Berger…
Pig Earth Once In Europa Lilac And Flag Into Their Labours
(4 books)
by
4.08 avg rating — 1,679 ratings

“When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.”
John Berger, Keeping a Rendezvous

“You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
John Berger, Ways of Seeing

“A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....

One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.”
John Berger, Ways of Seeing

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