Sof
https://www.goodreads.com/softheloaf
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currently-reading (260)
read (1585)
did-not-finish (4)
love-stories-to-read (311)
los-angeles (157)
trauma-fiction (155)
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“Writing is, like gender or dominatricing, a kind of performance. But the craft of writing is primarily an art of making decisions. I often like to terrorize my students by insisting that every single notation—every piece of punctuation, every word, every paragraph break—in a piece of writing is a decision. You know when something is done, I tell them (they always want to know how to know when something is done), when you know the argument for every single choice, when not a single apostrophe has slipped by uninterrogated, when every word has been swapped for its synonym and then recovered. I don’t mean to take the fun out of creation, or even to impose my own laborious process on them, but I actually believe this. Not in the first draft, or even the fifth, but by the end, I want to have stripped as many tics and defaults, as many blind choices as is in my power. I want to be awake to all my choices.”
― Body Work: The Radical Power of Personal Narrative
― Body Work: The Radical Power of Personal Narrative
“I have found that a fulfilling writing life is one in which the creative process merges with the other necessary processes of good living, which only the individual can define.”
― Body Work: The Radical Power of Personal Narrative
― Body Work: The Radical Power of Personal Narrative
“Once I realized that I inevitably fail whenever I try to navigate borders, I decided to stay within the confines of my house as much as possible. And since this house has many windows, through which the neighbours and their children can easily see me, and catch me trespassing borders even when I’m in my own house, I hung the curtains, although I’ll inevitably forget to close them sometimes.”
― Minor Detail
― Minor Detail
“Queer' not as being about who you're having sex with (that can be a dimension of it); but 'queer' as being about the self that is at odds with everything around it and that has to invent and create and find a place to speak and to thrive and to live.”
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“Listen to me: It is not gauche to write about trauma. It is subversive. The stigma of victimhood is a timeworn tool of oppressive powers to gaslight the people they subjugate into believing that by naming their disempowerment they are being dramatic, whining, attention-grabbing, or else beating a dead horse. By convincing us to police our own and one another’s stories, they have enlisted us in the project of our own continued disempowerment.”
― Body Work: The Radical Power of Personal Narrative
― Body Work: The Radical Power of Personal Narrative
Our Shared Shelf
— 222837 members
— last activity 13 hours, 29 min ago
OUR SHARED SHELF IS CURRENTLY DORMANT AND NOT MANAGED BY EMMA AND HER TEAM. Dear Readers, As part of my work with UN Women, I have started reading ...more
a tired heroine
— 8 members
— last activity Aug 15, 2018 02:44PM
tired heroines rejoice. this is a digital book club. we want to intersectionalize + queerify literature and this is our space to do it!!
Swarthmore Summer Book Groups
— 29 members
— last activity Aug 10, 2020 08:56AM
A Goodreads group for the Swarthmore Summer Book Groups
Sof’s 2025 Year in Books
Take a look at Sof’s Year in Books, including some fun facts about their reading.
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Favorite Genres
Classics, Contemporary, Fiction, History, Horror, Literary Fiction, Memoir, Music, Non-fiction, Philosophy, Poetry, Romance, Science, Thriller, Young-adult, gender, sexuality, gender-studies, essays, drama, theatre, queer, lgbt, gay, gothic, nature, anthropology, cults, fairy-tale-retellings, ghost-stories, lesbian, noir, cultural, wicca, magical-realism, feminism, theory, plays, film, beauty-and-the-beast, books-about-books, historical-romance, death, vampires, post-apocalyptic, ecology, southern-gothic, lesbian-fiction, fairy-tales, transgender, novella, contemporary-romance, physics, disability, folklore, and disability-studies
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