Southern Gothic

Southern Gothic is a subgenre of the gothic novel, unique to American literature.

Southern Gothic is like its parent genre in that it relies on supernatural, ironic, or unusual events to guide the plot. It is unlike its parent genre in that it uses these tools not solely for the sake of suspense, but also to explore social issues and reveal the cultural character of the American South. One of the most notable features of the genre is "the grotesque." Southern Gothic authors commonly use deeply flawed, grotesque characters for greater narrative range and more opportunities to highlight unpleasan
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New Releases Tagged "Southern Gothic"

Dark and Shallow Lies
Summer Sons
When the Reckoning Comes
Revelator
Dark and Shallow Lies
If the Creek Don't Rise
Revelator
When the Reckoning Comes
Sing, Unburied, Sing
Moon Lake
The Family Plot
The Boatman's Daughter
Like Lions (Bull Mountain, #2)
The Weight of Lies
Every Single Secret
The King of Bones and Ashes (Witches of New Orleans, #1)
Hard Cash Valley (Bull Mountain, #3)
The Heavenly Table
Burying the Honeysuckle Girls
To Kill a Mockingbird
Wise Blood
As I Lay Dying
The Sound and the Fury
The Heart Is a Lonely Hunter
Child of God
A Good Man Is Hard to Find and Other Stories
The Devil All the Time
Midnight in the Garden of Good and Evil
The Complete Stories
Light in August
Absalom, Absalom!
The Violent Bear It Away
Suttree
Outer Dark

Related Genres

William Gay
In the molten fire where he lay he could watch the slow machinations of eternity, the cosmic miracle of each second being born, eggshaped, silverplated, phallic, time thrusting itself gleaming through the worn and worthless husk of the microsecond previous, halting, beginning to show the slow and infinitesimal accreations of decay in the clocking away of life in a mechanism encoded at the moment of conception, withering, shunted aside by time's next orgasmic thrust, and all to the beating of som ...more
William Gay, The Long Home

William Faulkner
He turned doctor. One of his first patients was his wife. Possibly he kept her alive. At least, he enabled her to produce life, though he was fifty and she past forty when the son was born. That son grew to manhood among phantoms, and side by side with a ghost.
William Faulkner, Light in August

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Cherry Bounce
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