Post Apocalyptic

Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in an agrarian, non-technological future world, or a world where only scattered elements of technology remain. There is a considerable degree of blurring between this form of science fiction and that which deals with dystopias.

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The Fever King (Feverwake, #1)
The Wall
The Quiet at the End of the World
Undaunted (Fetch, #2)
Dealing in Dreams
Permafrost
The Last 8 (The Last 8, #1)
The Walking Dead, Vol. 31: The Rotten Core
Griff (Hell Squad, #17)
Demon Night (Resurrection Chronicles, #6)
Talen
Terminal Uprising  (Janitors of the Post-Apocalypse, #2)
Trump Sky Alpha
For the Power (For the Blood #2)
Apocalypse Five (Archive of the Fives Book 1)
April's Fools
Winter World (The Long Winter #1)
Permafrost
Praying for Rain (Praying for Rain Trilogy, #1)
Fallen Academy: Year One (Fallen Academy, #1)
The Walking Dead, Vol. 31: The Rotten Core
The Girl With All the Gifts (The Girl With All the Gifts, #1)
Seed
The Last
The Wall
We Are Legion (We Are Bob) (Bobiverse, #1)
Shifter's Shadow (Legion of Angels #5)
Children of Time (Children of Time #1)
The Gender Game (The Gender Game, #1)
Solitude (Dimension Space #1)
The Road
The Hunger Games (The Hunger Games, #1)
Catching Fire (The Hunger Games, #2)
Station Eleven
Mockingjay (The Hunger Games, #3)
World War Z: An Oral History of the Zombie War
The Stand
The Passage (The Passage, #1)
The 5th Wave (The 5th Wave, #1)
Oryx and Crake (MaddAddam, #1)
Wool Omnibus (Silo, #1)
Divergent (Divergent, #1)
The Maze Runner (The Maze Runner, #1)
Angelfall (Penryn & the End of Days, #1)
The Girl With All the Gifts (The Girl With All the Gifts, #1)

Emmy Laybourne
Your mother hollers that you’re going to miss the bus. She can see it coming down the street. You don’t stop and hug her and tell her you love her. You don’t thank her for being a good, kind, patient mother. Of course not -- you vault down down the stairs and make a run for the corner. Only if it’s the last time you’ll ever see your mother, you sort of start to wish you’d stopped and did those things. Maybe even missed the bus. But the bus was barreling down our street so I ran.
Emmy Laybourne

…I wonder what actually this hospital is, why I am in it and who I am. I have no time to find out. I die, with my arms stretched towards the spotlights. Then whiteness. My body is still there somewhere… Buried in the extremely bright lights of empty hope.
Alexandar Tomov, Future Gone

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