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Hype Books
Showing 1-50 of 5,322
The Hunger Games (The Hunger Games, #1)
by (shelved 21 times as hype)
avg rating 4.36 — 10,334,020 ratings — published 2008
The Cruel Prince (The Folk of the Air, #1)
by (shelved 15 times as hype)
avg rating 4.00 — 1,890,620 ratings — published 2018
The Seven Husbands of Evelyn Hugo (Hardcover)
by (shelved 15 times as hype)
avg rating 4.39 — 4,482,743 ratings — published 2017
Caraval (Caraval, #1)
by (shelved 14 times as hype)
avg rating 3.97 — 993,175 ratings — published 2016
Divergent (Divergent, #1)
by (shelved 14 times as hype)
avg rating 4.13 — 4,504,134 ratings — published 2011
Mockingjay (The Hunger Games, #3)
by (shelved 14 times as hype)
avg rating 4.13 — 3,900,357 ratings — published 2010
Where the Crawdads Sing (ebook)
by (shelved 13 times as hype)
avg rating 4.37 — 3,816,564 ratings — published 2018
Fourth Wing (The Empyrean, #1)
by (shelved 12 times as hype)
avg rating 4.56 — 4,031,042 ratings — published 2023
The Midnight Library (The Midnight World, #1)
by (shelved 12 times as hype)
avg rating 3.97 — 2,708,999 ratings — published 2020
Normal People (Hardcover)
by (shelved 12 times as hype)
avg rating 3.81 — 2,018,787 ratings — published 2018
The Book Thief (Kindle Edition)
by (shelved 12 times as hype)
avg rating 4.39 — 2,993,333 ratings — published 2005
A Game of Thrones (A Song of Ice and Fire, #1)
by (shelved 12 times as hype)
avg rating 4.45 — 2,830,190 ratings — published 1996
Catching Fire (The Hunger Games, #2)
by (shelved 12 times as hype)
avg rating 4.37 — 4,363,003 ratings — published 2009
Throne of Glass (Throne of Glass, #1)
by (shelved 12 times as hype)
avg rating 4.18 — 2,738,304 ratings — published 2012
The Fault in Our Stars (Hardcover)
by (shelved 12 times as hype)
avg rating 4.12 — 5,905,656 ratings — published 2012
The Night Circus (Hardcover)
by (shelved 12 times as hype)
avg rating 3.99 — 1,144,451 ratings — published 2011
Circe (Hardcover)
by (shelved 11 times as hype)
avg rating 4.22 — 1,499,162 ratings — published 2018
The Way of Kings (The Stormlight Archive, #1)
by (shelved 11 times as hype)
avg rating 4.66 — 734,312 ratings — published 2010
Cinder (The Lunar Chronicles, #1)
by (shelved 11 times as hype)
avg rating 4.12 — 1,039,162 ratings — published 2012
The Hobbit, or There and Back Again (Paperback)
by (shelved 11 times as hype)
avg rating 4.30 — 4,658,092 ratings — published 1937
Six of Crows (Six of Crows, #1)
by (shelved 10 times as hype)
avg rating 4.45 — 1,223,253 ratings — published 2015
The Fellowship of the Ring (The Lord of the Rings, #1)
by (shelved 10 times as hype)
avg rating 4.41 — 3,250,387 ratings — published 1954
Twilight (The Twilight Saga, #1)
by (shelved 10 times as hype)
avg rating 3.68 — 7,542,772 ratings — published 2005
Tomorrow, and Tomorrow, and Tomorrow (Paperback)
by (shelved 9 times as hype)
avg rating 4.10 — 1,483,959 ratings — published 2022
The Invisible Life of Addie LaRue (Hardcover)
by (shelved 9 times as hype)
avg rating 4.15 — 1,644,520 ratings — published 2020
The Girl With the Dragon Tattoo (Millennium, #1)
by (shelved 9 times as hype)
avg rating 4.18 — 3,539,876 ratings — published 2005
The Help (Hardcover)
by (shelved 9 times as hype)
avg rating 4.47 — 3,109,199 ratings — published 2009
A Little Life (Hardcover)
by (shelved 9 times as hype)
avg rating 4.26 — 1,023,098 ratings — published 2015
An Ember in the Ashes (An Ember in the Ashes, #1)
by (shelved 9 times as hype)
avg rating 4.23 — 365,522 ratings — published 2015
A Court of Thorns and Roses (A Court of Thorns and Roses, #1)
by (shelved 9 times as hype)
avg rating 4.14 — 4,658,930 ratings — published 2015
All the Light We Cannot See (Hardcover)
by (shelved 9 times as hype)
avg rating 4.30 — 2,081,594 ratings — published 2014
Red Rising (Red Rising Saga, #1)
by (shelved 9 times as hype)
avg rating 4.27 — 1,013,340 ratings — published 2014
Shadow and Bone (Shadow and Bone, #1)
by (shelved 9 times as hype)
avg rating 3.91 — 1,159,405 ratings — published 2012
Shatter Me (Shatter Me, #1)
by (shelved 9 times as hype)
avg rating 3.84 — 1,333,608 ratings — published 2011
The Kite Runner (Paperback)
by (shelved 9 times as hype)
avg rating 4.36 — 3,627,895 ratings — published 2003
Lessons in Chemistry (Paperback)
by (shelved 8 times as hype)
avg rating 4.28 — 1,918,992 ratings — published 2022
Yellowface (Paperback)
by (shelved 8 times as hype)
avg rating 3.71 — 1,187,179 ratings — published 2023
The Love Hypothesis (Paperback)
by (shelved 8 times as hype)
avg rating 4.09 — 2,215,231 ratings — published 2021
A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1)
by (shelved 8 times as hype)
avg rating 4.28 — 1,948,060 ratings — published 2019
People We Meet on Vacation (Kindle Edition)
by (shelved 8 times as hype)
avg rating 3.84 — 1,991,154 ratings — published 2021
Daisy Jones & The Six (Hardcover)
by (shelved 8 times as hype)
avg rating 4.19 — 1,963,364 ratings — published 2019
The Song of Achilles (Paperback)
by (shelved 8 times as hype)
avg rating 4.30 — 2,208,282 ratings — published 2011
Strange the Dreamer (Strange the Dreamer, #1)
by (shelved 8 times as hype)
avg rating 4.27 — 141,466 ratings — published 2017
Station Eleven (Hardcover)
by (shelved 8 times as hype)
avg rating 4.06 — 653,651 ratings — published 2014
The Martian (Hardcover)
by (shelved 8 times as hype)
avg rating 4.42 — 1,391,623 ratings — published 2011
New Moon (The Twilight Saga, #2)
by (shelved 8 times as hype)
avg rating 3.63 — 2,189,985 ratings — published 2006
Yesteryear (Hardcover)
by (shelved 7 times as hype)
avg rating 3.83 — 1,103,085 ratings — published 2026
Dungeon Crawler Carl (Dungeon Crawler Carl, #1)
by (shelved 7 times as hype)
avg rating 4.42 — 696,666 ratings — published 2020
Divine Rivals (Letters of Enchantment, #1)
by (shelved 7 times as hype)
avg rating 4.14 — 808,558 ratings — published 2023
“The tragedy of art is the misalignment of merit and the perception thereof. A hype is a classic example of positive (from the creator’s perspective) misalignment. Van Gogh is a classic example of negative misalignment, a poor laggard who may enjoy the fruits of his labour rotting under the ground. Van Gogh went unrecognized, ostracized, and is now celebrated as many who have come before him, and many who will come after him. Therefore, I declare here, the Wisdom of the Crowd does not apply to art.”
― Tales Untold
― Tales Untold
“[Refers to 121 children taken into care in Cleveland due to suspected abuse (1987) and later returned to their parents]
Sue Richardson, the child abuse consultant at the heart of the crisis, watched as cases began to unravel:
“All the focus started to fall on the medical findings; other supportive evidence, mainly which we held in the social services department, started to be screened out. A situation developed where the cases either were proven or fell on the basis of medical evidence alone. Other evidence that was available to the court, very often then, never got put. We would have had statement from the child, the social workers and the child psychologist’s evidence from interviewing. We would have evidence of prior concerns, either from social workers or teachers, about the child’s behaviour or other symptoms that they might have been showing, which were completely aside from the medical findings. (Channel 4 1997)
Ten years after the Cleveland crisis, Sue Richardson was adamant that evidence relating to children’s safety was not presented to the courts which subsequently returned those children to their parents:
“I am saying that very clearly. In some cases, evidence was not put in the court. In other cases, agreements were made between lawyers not to put the case to the court at all, particularly as the crisis developed. Latterly, that children were sent home subject to informal agreements or agreements between lawyers. The cases never even got as far as the court. (Channel 4, 1997)”
Nor is Richardson alone. Jayne Wynne, one of the Leeds paediatricians who had pioneered the use of RAD as an indicator of sexual abuse and who subsequently had detailed knowledge of many of the Cleveland children, remains concerned by the haphazard approach of the courts to their protection.
I think the implication is that the children were left unprotected. The children who were being abused unfortunately returned to homes and the abuse may well have been ongoing. (Channel 4 1997)”
― Creative Responses to Child Sexual Abuse: Challenges and Dilemmas
Sue Richardson, the child abuse consultant at the heart of the crisis, watched as cases began to unravel:
“All the focus started to fall on the medical findings; other supportive evidence, mainly which we held in the social services department, started to be screened out. A situation developed where the cases either were proven or fell on the basis of medical evidence alone. Other evidence that was available to the court, very often then, never got put. We would have had statement from the child, the social workers and the child psychologist’s evidence from interviewing. We would have evidence of prior concerns, either from social workers or teachers, about the child’s behaviour or other symptoms that they might have been showing, which were completely aside from the medical findings. (Channel 4 1997)
Ten years after the Cleveland crisis, Sue Richardson was adamant that evidence relating to children’s safety was not presented to the courts which subsequently returned those children to their parents:
“I am saying that very clearly. In some cases, evidence was not put in the court. In other cases, agreements were made between lawyers not to put the case to the court at all, particularly as the crisis developed. Latterly, that children were sent home subject to informal agreements or agreements between lawyers. The cases never even got as far as the court. (Channel 4, 1997)”
Nor is Richardson alone. Jayne Wynne, one of the Leeds paediatricians who had pioneered the use of RAD as an indicator of sexual abuse and who subsequently had detailed knowledge of many of the Cleveland children, remains concerned by the haphazard approach of the courts to their protection.
I think the implication is that the children were left unprotected. The children who were being abused unfortunately returned to homes and the abuse may well have been ongoing. (Channel 4 1997)”
― Creative Responses to Child Sexual Abuse: Challenges and Dilemmas













