Script Quotes
Quotes tagged as "script"
Showing 61-90 of 202
“Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars.
But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all.
To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to
get ahead.
The truth is, you don’t.
If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again.
If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it.
Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.”
―
But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all.
To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to
get ahead.
The truth is, you don’t.
If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again.
If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it.
Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.”
―
“It felt a little as if we'd found a script that had been written just for us, and we were reading through the beginning quickly [...] hurrying so we could get to the part that mattered, whatever that was to be.”
― Annie on My Mind
― Annie on My Mind
“The same solution--that Easter Island was once part of a much larger landmass--would also explain another, very different puzzle, namely the so-called Rongo Rongo script. It is unprecedented in human history for a sophisticated fully developed writing system to be invented and put into use by a small, isolated island community. Yet Easter Island does have its own script, examples of which, mostly incised on wooden boards, copies of copies of copies of much older lost originals, were collected in the nineteenth century and have found their way into a number of museums around the world. None remain on Easter Island itself and even in the period when they were collected no native Easter Islanders were able to read them.”
― Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization
― Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization
“If the director himself writes the script or screenplay of the drama, movie etc., the direction becomes perfect because he already imagined each shot nicely in his brain while writing the screenplay!”
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“The only thing that I am sure of is that we are mysteries to others, as much as to ourselves.”
― AZ
― AZ
“I am alone as the pearl is alone in its shell. I have withdrawn into myself, but the sea – life hits me and forces me to open. It opens my womb, takes out my round pearl – soul, and strings it on a necklace. I cannot breathe under its weight. It holds all my dear, lost pearls...”
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“It's not important whether you worked hard or not. Ultimately it's about how the movie is. Nothing else matters.”
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“দি ডিরেক্টর নিজে নাটক, চলচ্চিত্র ইত্যাদির চিত্রনাট্য লিখেন, তবে ডিরেকশন নিখুঁত হয় কারণ তিনি চিত্রনাট্য লেখার সময় প্রতিটি শট তার মস্তিষ্কে সুন্দরভাবে কল্পনা করে নেন!”
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“যদি ডিরেক্টর নিজে নাটক, চলচ্চিত্র ইত্যাদির চিত্রনাট্য লিখেন, তবে ডিরেকশন নিখুঁত হয় কারণ তিনি চিত্রনাট্য লেখার সময় প্রতিটি শট তার মস্তিষ্কে সুন্দরভাবে কল্পনা করে নেন!”
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“I have both paper and pencil. And as I write out the script of my life, I’m not worried about how I hold the paper, but I am worried about how I hold the pen.”
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“There was no doubt, the world is orbis quadratus, mundus quadratus, and its balance rests on the number four – a symbol of firmness, order and legality.”
― AZ
― AZ
“In the square field of the game he has found the ground mirror of the circular plan of the heavenly sphere. Through play, he was becoming aware of the crux gemmata – the sign of Christ, and he created the letters of the Glagolitic script, and turned the trinitarian game into a tetragonic one. He had made the Glagolitic script, a game of four gospels in which the symbol of Christ’s name is placed. The Glagolitic is his game with three marbles – one for each of the messengers of the good news.”
― AZ
― AZ
“I will return to the books... Constantine is right; books are more merciful towards each other than people.”
― AZ
― AZ
“What would I wish for the one who is mine? I would wish him a good, knowledgeable sense, a resilient gut, and the capability for survival. Wrong... it is not enough just to survive... To the one who is mine, I would also wish faith that will renew and heal him from the pains of existence.”
― AZ
― AZ
“You began the letter with the form of the cross, and the sound “A,” a symbol of a man and a Christian. With the first nine letters you said that it is good to live honorably in this world. Your signs are letters. Your letters are numbers. Your letters are also symbols.”
― AZ
― AZ
“Your letters are birds. Caught in your net, stirred from their flight... Their wings are our written down speech. Landing and takeoff is conducted according to the rules. The rules you call grammar, but it is nothing other than geometry.”
― AZ
― AZ
“I myself was passionate about games and contests... I wanted to be the first in translation, wandering and writing.”
― AZ
― AZ
“They believed that the very name Croat comes from the word mountain (gora)... They were competing in the reading of the Bible and the chapters in which their name was mentioned: Isa 10, 29; Isa 10, 31; Ezek 27, 9; Ps 83, 8.”
― AZ
― AZ
“Wild animals, that is what we are, John. You believe in man and his laws, and laws would not be necessary if we were not wild animals. Look at my cat, he does not attack you, even though you have desecrated his territory. We men, we are wild. Rabid and petulant... In a rabid dog too, one can see only – a short life.”
― AZ
― AZ
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