Films Quotes

Quotes tagged as "films" Showing 1-30 of 148
Nick Hornby
“It's no good pretending that any relationship has a future if your record collections disagree violently or if your favorite films wouldn't even speak to each other if they met at a party.”
Nick Hornby

Lemmy Kilmister
“People don't read any more. It's a sad state of affairs. Reading's the only thing that allows you to use your imagination. When you watch films it's someone else's vision, isn't it?"

[Interview in The Independent, 15 October 2005]”
Lemmy Kilmister

Anthony Burgess
“It's funny how the colors of the real world only seem really real when you watch them on a screen.”
anthony burgess, A Clockwork Orange

Tim Burton
“Movies are like an expensive form of therapy for me.”
Tim Burton

Steve Martin
“You know what your problem is, it's that you haven't seen enough movies - all of life's riddles are answered in the movies."
Steve Martin”
Steve Martin

Pauline Kael
“A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.”
Pauline Kael, For Keeps: 30 Years at the Movies

Lee Matthew Goldberg
“Hollywood is bigger down right now by sequels, by the uninspired. Well, my M.O. is a two-hour feast for your senses. That means starting the concept of filmmaking from scratch, making it your own.”
Lee Matthew Goldberg, Slow Down

Nicole Yatsonsky
“People who LIKE movies have a favorite. People who LOVE movies couldn't possibly choose.”
Nicole Yatsonsky

Stanley Kubrick
“If chess has any relationship to film-making, it would be in the way it helps you develop patience and discipline in choosing between alternatives at a time when an impulsive decision seems very attractive.”
Stanley Kubrick

William S. Burroughs
“Out of the closets and into the museums, libraries, architectural monuments, concert halls, bookstores, recording studios and film studios of the world. Everything belongs to the inspired and dedicated thief…. Words, colors, light, sounds, stone, wood, bronze belong to the living artist. They belong to anyone who can use them. Loot the Louvre! A bas l’originalité, the sterile and assertive ego that imprisons us as it creates. Vive le vol-pure, shameless, total. We are not responsible. Steal anything in sight.”
William Burroughs

“I hate most people. And I don’t want to, it’s an awful way to be. But the human race gives me no comfort. I find myself turning to books and films for comfort still. It’s repulsive, because one’s life consists of people, not things.”

Martin Amis
“I am easily moved to tears and rarely survive a visit to the cinema without shedding them, racked, as I am, by the most perfunctory, meretricious or even callously sentimental attempts at poignancy (something about the exterior of the human face, so vast and palpable, with the eyes and the lips: it is all writ too large for me, too immediate for me.)”
Martin Amis, Experience: A Memoir

Roger Ebert
“Every great film should seem new every time you see it."
Roger Ebert”
Roger Ebert

Stanley Kubrick
“A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later?"
Stanley Kubrick”
Stanley Kubrick

Federico Fellini
“The only place where you can be a dictator and still be loved is on the movie set”
Federico Fellini

John Kennedy Toole
“Social Note: I have sought escape in the Prytania on more than one occasion, pulled by the attractions of some technicolored horrors, filmed abortions that were offenses against any criteria of taste and decency, reels and reels of perversion and blasphemy that stunned my disbelieving eyes, the shocked my virginal mind, and sealed my valve.”
John Kennedy Toole, A Confederacy of Dunces

Billy Wilder
“Jerry: Oh, you don't understand, Osgood! Ehhhh... I'm a man.
Osgood: Well, nobody's perfect.

Billy Wilder, Some Like It Hot

Andy Warhol
“It's the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it."
Andy Warhol”
Andy Warhol

Oliver Stone
“Films might get to you and your subconscious and make a little difference, but when the vigilante drum beats, the mob screams and the conformists go along with it. There have to be people who are non-conformists.”
Oliver Stone

Connie Willis
“That's what the movies do. They don't entertain us, they don't send the message: 'We care.' They give us lines to say, they assign us parts: John Wayne, Theda Bara, Shirley Temple, take your pick.”
Connie Willis, Remake

Gregory Peck
“If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being blown to bits with bazookas and automatic assault rifles with no gory detail left unexploited, if they are going to encourage anxious, ambitious actors, directors, writers and producers to continue their assault on the English language by reducing the vocabularies of their characters to half a dozen words, with one colorful but overused Anglo-Saxon verb and one unbeautiful Anglo-Saxon noun covering just about every situation, then I would like to suggest that they stop and think about this: making millions is not the whole ball game, fellows. Pride of workmanship is worth more. Artistry is worth more.”
Gregory Peck

Krzysztof Kieślowski
“It's an obsession of mine, that different people, in different places, are thinking the same thing, but for different reasons. I try to make films which connect people.”
Krzysztof Kieślowski
tags: films

Mick LaSalle
“Hollywood’s motives in marketing sex may have been cynical—Hollywood’s motives always are. But in providing audiences with sophisticated fare, it was also responding to real cultural changes that had happened within American society. Hollywood was a few years behind the trend, of course, but that’s nothing new. Don’t forget, this is the same industry that for seventy years has made wonderful, passionate, stirring anti-war movies six or seven years after every war, never during one.”
Mick LaSalle, Complicated Women: Sex and Power in Pre-Code Hollywood

Stewart Stafford
“The foundation of Hollywood alchemically turned celluloid into gold and insincerity into an art form.”
Stewart Stafford

Ellen Read
“Have you seen the movie of The Thirty Nine Steps?”
“I saw an old one with Kenneth More.”
Ellen Read, When Jacarandas Bloom

Leif Enger
“film contains over two miles of celluloid so is quite heavy, properly so since it contains the labor of hundreds of people over many months to produce your two hour vacation.”
Leif Enger, Virgil Wander

David Bordwell
“Someone might ask, if the dynamic of innovation consists of schema and revision, where does true originality come from? Is there no single work we can point to as the ultimate source of this or that new storrytelling strategy? I'm inclined to say there is no such source. Artists working in mass art forms find originality by revising schemas in circulation, or by revising ones that have fallen into disuse.”
David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

Thomas C. Foster
“Films and television let us experience other lives vicariously, or perhaps voyeuristically, as we watch those lives play out. But in a novel, we can become those characters, we can identify from the inside with someone whose life is radically different from our own. Best of all, when it’s over … we get to be ourselves again, changed slightly or profoundly by the experience, possessed of new insights perhaps, but recognizably us once more.”
Thomas C. Foster, How to Read Novels Like a Professor: A Jaunty Exploration of the World's Favorite Literary Form

Mohammed Zaki Ansari
“Acting is very overrated profession
If you really want to be a fan, you can find better people and profession, rather than an actor whose work depends on fake things.”
Mohammed Zaki Ansari, "Zaki's Gift Of Love"

V.E. Schwab
“Of all the inventions Addie has seen ushered into the world—steam-powered trains, electric lights, photography, and phones, and airplanes, and computers—movies might just be her favorite one.
Books are wonderful, portable, lasting, but sitting there, in the darkened theater, the wide screen filling her vision, the world falls away, and for a few short hours she is someone else, plunged into romance and intrigue and comedy and adventure. All of it complete with 4K picture and stereo sound.
A quiet heaviness fills her chest when the credits roll. For a while she was weightless, but now she returns to herself, sinking until her feet are back on the ground.”
V.E. Schwab, The Invisible Life of Addie LaRue

« previous 1 3 4 5