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Alan Moore's Neon...
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Programming in C
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The Great Republic
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Albert Camus
“It happens that the stage sets collapse. Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm – this path is easily followed most of the time. But one day the “why” arises and everything begins in that weariness tinged with amazement.”
Albert Camus, The Myth of Sisyphus

Robert Rodríguez
“He said that I had creative talent, but what I really needed to do
if I wanted to be successful was to become technical. He said that just about
anyone can become technical, but not everyone can be creative. And there are
a lot of creative people who never get anywhere because they don't have
technical skills. Part of what makes a person creative is his lack of emphasis
on things technical. My boss said that if you are someone who is already
creative, and then you become technical, then you are unstoppable. I like that.
Creative and technical.”
Robert Rodríguez, Rebel Without a Crew, or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player

Chuck Palahniuk
“You are not special. You're not a beautiful and unique snowflake. You're the same decaying organic matter as everything else. We're all part of the same compost heap. We're all singing, all dancing crap of the world.”
Chuck Palahniuk, Fight Club

Sally Rooney
“He knows that a lot of the literary people in college see books primarily as a way of appearing cultured, It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about. Even the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing.”
Sally Rooney, Normal People

Robert Rodríguez
“You learn to tell stories by telling stories.”
Robert Rodríguez, Rebel Without a Crew, or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player

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