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The Man Who Misto...
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E.B. White
“The mind travels faster than the pen; consequently, writing becomes a question of learning to make occasional wing shots, bringing down the bird of thought as it flashes by. A writer is a gunner, sometimes waiting in the blind for something to come in, sometimes roaming the countryside hoping to scare something up.”
E.B. White, The Elements of Style

Thelonious Monk
“A genius is the one most like himself.”
Thelonious Monk

Thomas Bernhard
“The question is not: Can I write about Wittgenstein. The question is: Can I be Wittgenstein for one moment without destroying either Wittgenstein or myself… Wittgenstein is a summons to which I cannot respond... Thus, I do not write about Wittgenstein not because I can’t write about him, but rather because I cannot answer him.”
Thomas Bernhard

William Gaddis
“I know you, I know you. You're the only serious person in the room, aren't you, the only one who understands, and you can prove it by the fact that you've never finished a single thing in your life. You're the only well-educated person, because you never went to college, and you resent education, you resent social ease, you resent good manners, you resent success, you resent any kind of success, you resent God, you resent Christ, you resent thousand-dollar bills, you resent Christmas, by God, you resent happiness, you resent happiness itself, because none of that's real. What is real, then? Nothing's real to you that isn't part of your own past, real life, a swamp of failures, of social, sexual, financial, personal...spiritual failure. Real life. You poor bastard. You don't know what real life is, you've never been near it. All you have is a thousand intellectualized ideas about life. But life? Have you ever measured yourself against anything but your own lousy past? Have you ever faced anything outside yourself? Life! You poor bastard.”
William Gaddis, The Recognitions

Ralph Ellison
“Once I saw a prizefighter boxing a yokel. The fighter was swift and
amazingly scientific. His body was one violent flow of rapid rhythmic action.
He hit the yokel a hundred times while the yokel held up his arms in
stunned surprise. But suddenly the yokel, rolling about in the gale of boxing
gloves, struck one blow and knocked science, speed and footwork as cold as a
Well-digger's posterior. The smart money hit the canvas. The long shot got the
nod. The yokel had simply stepped inside of his opponent's sense of time.”
Ralph Ellison, Invisible Man

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