Robert

“War appears to be as old as mankind, but peace is a modern invention.”
― Sir Henry Maine

“Churchill later recalled, of his near meeting with Hitler: ‘In the course of conversation with Hanfstaengl, I happened to say “Why is your chief so violent about the Jews? I can quite understand being angry with Jews who have done wrong or are against the country, and I understand resisting them if they try to monopolise power in any walk of life; but what is the sense of being against a man simply because of his birth? How can any man help how he is born?” He must have repeated this to Hitler, because about noon the next day he came round with rather a serious air and said that the appointment he had made with me to meet Hitler could not take place as the Fuehrer would not be coming to the hotel that afternoon. This was the last I saw of “Putzi” – for such was his pet name – although we stayed several more days at the hotel.”
― Martin Gilbert, Churchill and the Jews: A Lifelong Friendship

“There is a point in the history of society when it becomes so pathologically soft and tender that among other things it sides even with those who harm it, criminals, and does this quite seriously and honestly. Punishing somehow seems unfair to it, and it is certain that imagining “punishment” and “being supposed to punish” hurts it, arouses fear in it. “Is it not enough to render him undangerous? Why still punish? Punishing itself is terrible.” With this question, herd morality, the morality of timidity, draws its ultimate consequence.”
― Friedrich Nietzsche, Beyond Good and Evil

“To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy.

To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp.

To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower.

To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.”
― Colette, The Vagabond