Rhythm Quotes
Quotes tagged as "rhythm"
Showing 1-30 of 162

“I would define, in brief, the poetry of words as the rhythmical creation of beauty.”
― The Poetic Principle
― The Poetic Principle

“To live is to be musical, starting with the blood dancing in your veins. Everything living has a rhythm. Do you feel your music?”
―
―

“DADDY
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.
Daddy, I have had to kill you.
You died before I had time―
Marble-heavy, a bag full of God,
Ghastly statue with one grey toe
Big as a Frisco seal
And a head in the freakish Atlantic
When it pours bean green over blue
In the waters of beautiful Nauset.
I used to pray to recover you.
Ach, du.
In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend
Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.
It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene
An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.
The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.
I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You―
Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.
You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
And less the black man who
Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.
But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look
And a love of the rack and the screw.
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,
The voices just can’t worm through.
If I’ve killed one man, I’ve killed two―
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.
There’s a stake in your fat black heart
And the villagers never like you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I’m through.”
― Ariel
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.
Daddy, I have had to kill you.
You died before I had time―
Marble-heavy, a bag full of God,
Ghastly statue with one grey toe
Big as a Frisco seal
And a head in the freakish Atlantic
When it pours bean green over blue
In the waters of beautiful Nauset.
I used to pray to recover you.
Ach, du.
In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend
Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.
It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene
An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.
The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.
I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You―
Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.
You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
And less the black man who
Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.
But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look
And a love of the rack and the screw.
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,
The voices just can’t worm through.
If I’ve killed one man, I’ve killed two―
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.
There’s a stake in your fat black heart
And the villagers never like you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I’m through.”
― Ariel

“The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.”
―
―

“Our biological rhythms are the symphony of the cosmos, music embedded deep within us to which we dance, even when we can't name the tune.”
―
―

“I want to learn how to speak to anyone at any time and make us both feel a little bit better, lighter, richer, with no commitments of ever meeting again. I want to learn how to stand wherever with whoever and still feel stable. I want to learn how to unlock the locks to our minds, my mind, so that when I hear opinions or views that don’t match up with mine, I can still listen and understand. I want to burn up lifeless habits of following maps and to-do lists, concentrated liquids to burn my mind and throat
and I want to go back to the way nature shaped me. I want to learn to go on well with whatever I have in my hands at the moment
in a natural state of mind,
certain like the sea.
I will find comfort in the rhythm of the sea.”
―
and I want to go back to the way nature shaped me. I want to learn to go on well with whatever I have in my hands at the moment
in a natural state of mind,
certain like the sea.
I will find comfort in the rhythm of the sea.”
―

“Now I am going to reveal to you something which is very pure, a totally white thought. It is always in my heart; it blooms at each of my steps... The Dance is love, it is only love, it alone, and that is enough... I, then, it is amorously that I dance: to poems, to music but now I would like to no longer dance to anything but the rhythm of my soul.”
―
―

“Jumping from boulder to boulder and never falling, with a heavy pack, is easier than it sounds; you just can't fall when you get into the rhythm of the dance.”
― The Dharma Bums
― The Dharma Bums

“Instead of breaking or cherry-picking the rules, many just follow the inner rules, which have been instilled during their lifetime and have subtly permeated their thinking. They value rules, as it offers the ravishment of a securing, ceremonial rhythm in life and it prevents them from breaking free from their cocoon, all the more because freedom can be so scaring and exhausting. ("When forgetting the rules of the game" )”
―
―

“When we find the natural rhythm and strike a perfect cord, we can sing our “own” song that will tune the signature of our life. ("The final decision" )”
―
―

“Everything is in the mind, and the power of our will constructs our future. Let us, therefore, honor our brainpower and stimulate our imagination's vibrancy to create the ideal rhythm and perfect quality of our life pulsations.”
―
―

“When we settle down in the homeland of love, let us not forget to choose an uplifting horizon, where humor and joyfulness are along the way, and our heartbeat guides the rhythm of our day and composes the song of our passion. ("Crystallization under an umbrella" )”
―
―

“If we cannot start up to the sky of our dreams with the bluebirds of ecstasy or soar along on the rhythm of the humming bumblebees of our imagination, we must dare to think and apprehend what is hindering us, trying to capture the wonders of the moment. ("Waiting for Mr. Out-placer")”
―
―

“Stars are always dancing. Sometimes they dance twinkling away with the rhythm of your joyful heart and sometimes they dance without movement to embrace your heartache as if frozen sculptures of open-armed sadness.”
―
―
“Let us liberate ourselves from any form of control. Let us focus at the inner drum, where the rhythm aligns with that of our heart. The measure of responsibility, equals to the need for evolution. Just listen, the inner child, let it whisper in your ear.”
―
―

“I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.”
―
―

“He looks like an angel, sings like an angel. He found my breaking heart and coaxed it into a new rhythm.”
― Sing Me to Sleep
― Sing Me to Sleep

“Life has its rhythm ad we have ours. They’re designed to coexist in harmony, so that when we do what is ours to do and otherwise let life be, we garner acceptance and serenity. (285)”
― Younger by the Day: 365 Ways to Rejuvenate Your Body and Revitalize Your Spirit
― Younger by the Day: 365 Ways to Rejuvenate Your Body and Revitalize Your Spirit

“Sometimes it’s only in the ecstasy of unrepressed movement that we may enter the stillness of our authentic selves. In such sacred moments, the world seems to be in step. This is why the idea of finding love across the dance floor endure — symbolizing that, when we know the true rhythm of our heart, we know the other.”
― Mirror of Intimacy: Daily Reflections on Emotional and Erotic Intelligence
― Mirror of Intimacy: Daily Reflections on Emotional and Erotic Intelligence

“Now this is very profound, what rhythm is, and goes far deeper than words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it ...”
―
―

“Does sound have rhythm? Does it rise and fall like the ocean? Does sound come and go like wind?”
― Hands of My Father: A Hearing Boy, His Deaf Parents, and the Language of Love
― Hands of My Father: A Hearing Boy, His Deaf Parents, and the Language of Love

“Observe the rhythm of passers-by on the street, at work, everywhere. Summon loving acceptance and let their tempos move you emotionally and corporeally. Try to assimilate new ideas by trying out the rhythms of those you encounter.”
― Mirror of Intimacy: Daily Reflections on Emotional and Erotic Intelligence
― Mirror of Intimacy: Daily Reflections on Emotional and Erotic Intelligence

“During the day I would move my body to the rhythm that only I could hear. I would try and connect with everything in my surroundings thinking that it somehow connected to who I was and was secretly sending me messages about what was in my soul.”
― Snowflake Obsidian: Memoir of a Cutter
― Snowflake Obsidian: Memoir of a Cutter

“She observed the dumb-show by which her neighbour was expressing her passion for music, but she refrained from copying it. This was not to say that, for once that she had consented to spend a few minutes in Mme. de Saint-Euverte's house, the Princesse des Laumes would not have wished (so that the act of politeness to her hostess which she had performed by coming might, so to speak, 'count double') to shew herself as friendly and obliging as possible. But she had a natural horror of what she called 'exaggerating,' and always made a point of letting people see that she 'simply must not' indulge in any display of emotion that was not in keeping with the tone of the circle in which she moved, although such displays never failed to make an impression upon her, by virtue of that spirit of imitation, akin to timidity, which is developed in the most self-confident persons, by contact with an unfamiliar environment, even though it be inferior to their own. She began to ask herself whether these gesticulations might not, perhaps, be a necessary concomitant of the piece of music that was being played, a piece which, it might be, was in a different category from all the music that she had ever heard before; and whether to abstain from them was not a sign of her own inability to understand the music, and of discourtesy towards the lady of the house; with the result that, in order to express by a compromise both of her contradictory inclinations in turn, at one moment she would merely straighten her shoulder-straps or feel in her golden hair for the little balls of coral or of pink enamel, frosted with tiny diamonds, which formed its simple but effective ornament, studying, with a cold interest, her impassioned neighbour, while at another she would beat time for a few bars with her fan, but, so as not to forfeit her independence, she would beat a different time from the pianist's.”
― Swann’s Way
― Swann’s Way

“A couple of hours after Sunset Michael Robartes returned and told me that I would have to learn the steps of an exceedingly antique dance, because before my initiation could be perfected I had to join three times in a magical dance, for rhythm was the wheel of Eternity, on which alone the transient and accidental could be broken, and the spirit set free.”
― Rosa Alchemica
― Rosa Alchemica

“He bantered us, challenged us, electrified us . . . At times his eloquence held us silent as images and some witty turn, some humorous phrase brought roars of applause. At times we cheered almost every sentence, like delegates at a political convention, At other moments we rose in our seats and yelled. There was something hypnotic in his rhythm and phrasing. His power over his auditors was absolute.
{Garland's thoughts on the great Robert Ingersoll}”
―
{Garland's thoughts on the great Robert Ingersoll}”
―

“Rock and roll, big band, the blues. He loved them all. He would close his eyes and with a blissful smile begin to move to his own sense of rhythm. It wasn't always pretty.”
― Tuesdays with Morrie
― Tuesdays with Morrie

“I lost my circadian rhythm during extreme night shift work and I restored it by using continuous light therapy. I was waking up at sunrise with the birds, no alarm clock needed.”
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