Graffiti Quotes

Quotes tagged as "graffiti" Showing 1-30 of 36
John Green
“Well, while you were in the bathroom, I sat down at this picnic table here in Bumblefug, Kentucky, and noticed that someone had carved that GOD HATES FAG, which, aside from being a grammatical nightmare, is absolutely ridiculous. So I'm changing it to 'God Hates Baguettes.' It's tough to disagree with that. Everybody hates baguettes.”
John Green, An Abundance of Katherines

“Graffiti is one of the few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make someone smile while they're having a piss.”
Banksy, Banging Your Head Against a Brick Wall

“The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.”

“Some people become cops because they want to make the world a better place. Some people become vandals because they want to make the world a better looking place.”
Banksy, Wall and Piece

“People say graffiti is ugly, irresponsible and childish... but that's only if it's done properly.”
Banksy, Wall and Piece

Bill Cosby
“gray hair is gods graffiti”
Bill Cosby

“Speak softly, but carry a big can of paint.”
Banksy, Wall and Piece

Hunter S. Thompson
“Graffiti is beautiful; like a brick in the face of a cop.”
Hunter S. Thompson

Cath Crowley
“I spray the sky fast. Eyes ahead and behind. Looking for cops. Looking for anyone I don't want to be here. Paint sails and the things that kick in my head scream from can to brick. See this, see this. See me emptied onto a wall.”
cath crowley, Graffiti Moon

Michael Ondaatje
“Everyone has to scratch on walls somewhere or they go crazy”
Michael Ondaatje, In the Skin of a Lion

Raymond Salvatore Harmon
“Art is an evolutionary act. The shape of art and its role in society is constantly changing. At no point is art static. There are no rules.”
Raymond Salvatore Harmon, BOMB: A Manifesto of Art Terrorism

“I was here but now I'm gone
I left my name to carry on
Those who liked me
Liked me well
Those who didn't can go to hell'"
-The bathroom wall”
E.M. Crane, Skin Deep

Carla H. Krueger
“Blank walls are a shared canvas and we're all artists.”
Carla H Krueger

“If it takes more than 5 minutes, its not graffiti.”
Mint Serf

Anne Bishop
“The police have no leads as yet on the person or persons who painted obscene suggestions on the buildings. One store owner said he was going to leave a dictionary on a public bench so the vandals could at least spell the obscenities correctly.”
Anne Bishop, Marked in Flesh

Christopher Hitchens
“Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line.

There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.”
Christopher Hitchens, Love, Poverty, and War: Journeys and Essays

Ron Chernow
“Jay was attacked with peculiar venom. Near his New York home, the walls of a building were defaced with the gigantic words, 'Damn John Jay. Damn everyone that won’t damn John Jay. Damn everyone that won’t put up lights in the windows and sit up all night damning John Jay.”
Ron Chernow, Alexander Hamilton

Carla H. Krueger
“I laugh at the way some people think graffiti is all selfish tagging and vandalism. Thoughtful street art is like good fiction – it speaks out on behalf of everyone, for us all to see.”
Carla H. Krueger

Alain Bremond-Torrent
“If today i was a graffiti, i would be one on a train that goes to the South of France.”
Alain Bremond-Torrent, running is flying intermittently

“Whom one is speaking to - or which aspect of their character - fundamentally determines the meaning and consequences of an exhortation. 'Indulge Your Desires' comes across very differently on a billboard advertising SUVs than it does spray-painted across the broken windows of an SUV dealer. It follows that what you say is not nearly as important as how and when you say it.”
CrimethInc., Contradictionary

Jim Butcher
“Scars - the graffiti of violence. - Harry Dresden”
Jim Butcher, Turn Coat

Thomm Quackenbush
“My students tag tables, walls, and chairs because their greatest fear is that no one will ever remember them. They do not believe they can give impassioned speeches, rally people in protest, paint masterpieces. They think they will die, small and forgotten, and it dictates their every action.”
Thomm Quackenbush, Juvenile Justice: A Reference Handbook, 2nd Edition: A Reference Handbook

“What treasures lay inside! Yes, here were the colors that she had asked for: red, pink, yellow, blue, green, black- all in powder form, of course, not like the one or two bottles of liquid food color that were available at the Lebanese supermarket in town; those were not at all modern- some big blocks of marzipan, and, as always, June had included some new things for Angel to try. This time there were three tubes that looked rather like thick pens. She picked one upend examined it: written along its length were the words 'Gateau Graffito,' and underneath, written in uppercase letters, was the word 'red.' Reaching for the other two pens- one marked 'green' and the other 'black'- she saw a small printed sheet lying at the bottom of the bubblewrap nest. It explained that these pens were filled with food color, and offered a picture showing how they could be used to write fine lines or thick lines, depending on how you held them. It also guaranteed that the contents were kosher. Eh, now her cakes were going to be more beautiful than ever!”
Gaile Parkin, Baking Cakes in Kigali

“Few people go to art exhibitions nowadays, the art comes to them!”
Chris Geiger

“I like to leave little notes, around as I have traveled. It's like a semi-permanent graffiti for the soul. You know, some words or thoughts for a person's commute home, or the waitress that has been picking up people's sloppy plates all day, maybe even a mom watching her kids play in the park. You never know what is on a person's mind...maybe dread, or hate, or sorrow, or even nothing. I only hope some little thing makes them feel a bit better.”
Owen D Hill

Danika Stone
“You’re breaking the fucking law, Cole… there is no right way to do this.”
Danika Stone, Intaglio: The Snake and the Coins

“However, if he really wanted to bust me, all he had to do was ask to see my schoolbooks. The front and back covers are the first place graffiti artists start to draw.”
Drexel Deal, The Fight of My Life is Wrapped Up in My Father

Charles R. Cross
“Though Kurt would later claim that his graffiti messages were political, in fact, most of what he wrote was nonsensical. He enraged a neighbor with a boat by painting “Boat Ack” in red letters on the ship’s hull; on the other side he lettered, “Boat people go home.”
Charles R. Cross, Heavier Than Heaven: A Biography of Kurt Cobain

S.A. Hunt
“Across the street from the van was a board fence. Someone had spray-painted incomprehensible graffiti on it—could have been an ambigram for all she knew, legible upside-down as well as right-side-up.”
S.A. Hunt, Burn the Dark

Stewart Stafford
“The Final Word by Stewart Stafford

On the wall of a prominent jacks,
Came anonymous, scurrilous attacks,
Innuendo and defamatory jibes,
Scrawled by cowardly scribes,
Dared the executioner’s axe.

And whoever wrote the indecent graffiti,
Would never say it to the King in a meeting,
He’d cry: ‘Off with their heads,’
Then sleep safely in bed,
Having the final word takes some beating.

And as they walked to an undignified death,
No sarcastic words came from their breath,
They were up for the chop,
On the executioner’s block,
And would plead it was all for a bet.

So if you’ve ill words planned,
Remember to keep them in hand,
Or the butt of your jokes,
Becomes your executioner’s host,
And that’s the end of your brand.

© Stewart Stafford, 2021. All rights reserved.”
Stewart Stafford

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