Hawk > Hawk's Quotes

“Loads of children read books about dinosaurs, underwater monsters, dragons, witches, aliens, and robots. Essentially, the people who read SF, fantasy and horror haven't grown out of enjoying the strange and weird.”
― China Miéville

“One day I will find the right words, and they will be simple.”
― Jack Kerouac, The Dharma Bums

“Pleasure to me is wonder—the unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability. To trace the remote in the immediate; the eternal in the ephemeral; the past in the present; the infinite in the finite; these are to me the springs of delight and beauty.”
― H.P. Lovecraft

“What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
― J.D. Salinger, The Catcher in the Rye

“My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.”
― Alan Moore

“Life isn't about finding yourself. Life is about creating yourself.”
― George Bernard Shaw

“The difference between stupid and intelligent people – and this is true whether or not they are well-educated – is that intelligent people can handle subtlety. ”
― Neal Stephenson, The Diamond Age: Or, a Young Lady's Illustrated Primer

“Let's set the existence-of-God issue aside for a later volume, and just stipulate that in some way, self-replicating organisms came into existence on this planet and immediately began trying to get rid of each other, either by spamming their environments with rough copies of themselves, or by more direct means which hardly need to be belabored. Most of them failed, and their genetic legacy was erased from the universe forever, but a few found some way to survive and to propagate.”
― Neal Stephenson, Cryptonomicon

“The sergeants are shunted forward and they blink and stare up at Gonzo as he leans on the edge of his giant mixing bowl. MacArthur never addressed his troops from a mixing bowl--not even one made from a spare geodesic radio emplacement shell--and certainly de Gaulle never did. But Gonzo Lubitsch does, and he does it as if a whole long line of commanders were standing at his shoulder, urging him on.

"Gentlemen," says Gonzo softly, "holidays are over. I need an oven, and I need one in about twenty minutes, or these fine flapjacks will go to waste, and that is not happening."

And something about this statement and the voice in which he says it makes it clear that this is simply true. One way or another, this thing will get done. Under a layer of grime and horror, these two are soldiers, and more, they are productive, can-do sorts of people. Rustily but with a gratitude which is not so far short of worship, they say "Yes, sir" and are about their business.”
― Nick Harkaway, The Gone-Away World

“Almost nobody dances sober, unless they happen to be insane.”
― Howard Phillips Lovecraft

“A cherry pie is . . . ephemeral. From the moment it emerges from the oven it begins a steep decline: from too hot to edible to cold to stale to mouldy, and finally to a post-pie state where only history can tell you that it was once considered food. The pie is a parable of human life.”
― Nick Harkaway, The Gone-Away World

“My sustenance is information. My interventions are hidden. I increase as I learn. I compute, so I am.”
― China Miéville, Perdido Street Station

“When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.

Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.

That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.

Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?

Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.

The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.”
― China Miéville

“I love deadlines. I love the whooshing noise they make as they go by.”
― Douglas Adams, The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

“Those who believe in telekinetics, raise my hand.”
― Kurt Vonnegut

“It is sometimes an appropriate response to reality to go insane.”
― Philip K. Dick, VALIS

“I'm sick of just liking people. I wish to God I could meet somebody I could respect.”
― J.D. Salinger, Franny and Zooey

“And so it goes...”
― Kurt Vonnegut, Slaughterhouse-Five

“A life spent making mistakes is not only more honorable, but more useful than a life spent doing nothing.”
― George Bernard Shaw

“The pre-Socratic Greek philosopher Parmenides taught that the only things that are real are things which never change... and the pre-Socratic Greek philosopher Heraclitus taught that everything changes. If you superimpose their two views, you get this result: Nothing is real.”
― Philip K. Dick

“That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.”
― Alan Moore

“Cats are intended to teach us that not everything in nature has a purpose.”
― Garrison Keillor

“What is called a reason for living is also an excellent reason for dying.”
― Albert Camus, The Myth of Sisyphus and Other Essays

“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde, The Happy Prince and Other Stories

“If one cannot enjoy reading a book over and over again, there is no use in reading it at all.”
― Oscar Wilde

“You can never be overdressed or overeducated.”
― Oscar Wilde

“I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.”
― Virginia Woolf, A Room of One’s Own

“Until a man is twenty-five, he still thinks, every so often, that under the right circumstances he could be the baddest motherfucker in the world. If I moved to a martial-arts monastery in China and studied real hard for ten years. If my family was wiped out by Colombian drug dealers and I swore myself to revenge. If I got a fatal disease, had one year to live, and devoted it to wiping out street crime. If I just dropped out and devoted my life to being bad.”
― Neal Stephenson

“I don't want to go to heaven. None of my friends are there.”
― Oscar Wilde

“At the far end of the library, a number of men had gathered into a tight, jostling ring around a very pretty, very young woman who was talking at what must have been the top of her lungs. Joe could not really understand what she was telling them, but it appeared to be a story that reflected poorly on her own judgment - she was blushing and grinning at the same time - and it unquestionably ended with the word "fuck." She tugged on the word, drawing it out to several times its usual length. She wound it all the way around her in two or three big loops and reveled in it as if it were a luxuriant shawl.”
― Michael Chabon