Jacqui > Jacqui's Quotes

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  • #2
    Elizabeth Gilbert
    “People think a soul mate is your perfect fit, and that's what everyone wants. But a true soul mate is a mirror, the person who shows you everything that is holding you back, the person who brings you to your own attention so you can change your life.

    A true soul mate is probably the most important person you'll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then leave.

    A soul mates purpose is to shake you up, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light can get in, make you so desperate and out of control that you have to transform your life, then introduce you to your spiritual master...”
    Elizabeth Gilbert, Eat, Pray, Love

  • #3
    Oscar Wilde
    “I am so clever that sometimes I don't understand a single word of what I am saying.”
    Oscar Wilde, The Happy Prince and Other Stories

  • #4
    Martin Luther King Jr.
    “Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.”
    Martin Luther King Jr., A Testament of Hope: The Essential Writings and Speeches

  • #5
    Steve Jobs
    “Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They're not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.”
    Steve Jobs

  • #6
    Douglas Adams
    “I love deadlines. I love the whooshing noise they make as they go by.”
    Douglas Adams, The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

  • #7
    H. Jackson Brown Jr.
    “Twenty years from now you will be more disappointed by the things that you didn't do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.”
    H. Jackson Brown Jr., P.S. I Love You

  • #8
    I'm selfish, impatient and a little insecure. I make mistakes, I am out of control
    “I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”
    Marilyn Monroe

  • #9
    E.E. Cummings
    “love is the every only god”
    E.E. Cummings

  • #10
    E.E. Cummings
    “To be nobody but
    yourself in a world
    which is doing its best day and night to make you like
    everybody else means to fight the hardest battle
    which any human being can fight and never stop fighting.”
    E.E. Cummings

  • #11
    E.E. Cummings
    “I'd rather learn from one bird how to sing
    than teach ten thousand stars how not to dance”
    E.E. Cummings

  • #12
    Fyodor Dostoevsky
    “I used to analyze myself down to the last thread, used to compare myself with others, recalled all the smallest glances, smiles and words of those to whom I’d tried to be frank, interpreted everything in a bad light, laughed viciously at my attempts ‘to be like the rest’ –and suddenly, in the midst of my laughing, I’d give way to sadness, fall into ludicrous despondency and once again start the whole process all over again – in short, I went round and round like a squirrel on a wheel.”
    Fyodor Dostoevsky, Crime and Punishment

  • #13
    Fyodor Dostoevsky
    “There is nothing in the world more difficult than candor, and nothing easier than flattery. If there is a hundredth of a fraction of a false note to candor, it immediately produces dissonance, and as a result, exposure. But in flattery, even if everything is false down to the last note, it is still pleasant, and people will listen not without pleasure; with coarse pleasure, perhaps, but pleasure nevertheless.”
    Fyodor Dostoyevsky

  • #14
    Fyodor Dostoevsky
    “Pain and suffering are always inevitable for a large intelligence and a deep heart.”
    Fyodor Dostoyevsky, Crime and Punishment

  • #15
    Fyodor Dostoevsky
    “Only to live, to live and live! Life, whatever it may be!”
    Fyodor Dostoyevsky, Crime and Punishment

  • #16
    Fyodor Dostoevsky
    “We sometimes encounter people, even perfect strangers, who begin to interest us at first sight, somehow suddenly, all at once, before a word has been spoken.”
    Fyodor Dostoyevsky, Crime and Punishment

  • #17
    D.H. Lawrence
    “For my part, I prefer my heart to be broken. It is so lovely, dawn-kaleidoscopic within the crack.”
    D.H. Lawrence

  • #18
    Stephen Fry
    “The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American. Military, naval, legal, corporate, criminal, jazz, rap and ghetto discourses are mingled at every turn. The French language, like Paris, has attempted, through its Academy, to retain its purity, to fight the advancing tides of Franglais and international prefabrication. English, by comparison, is a shameless whore.”
    Stephen Fry, The Ode Less Travelled: Unlocking the Poet Within

  • #19
    Charlotte Eriksson
    “6 months, 2 weeks, 4 days,
    and I still don’t know which month it was then
    or what day it is now.
    Blurred out lines
    from hangovers
    to coffee
    Another vagabond
    lost to love.

    4am alone and on my way.
    These are my finest moments.
    I scrub my skin
    to rid me from
    you
    and I still don’t know why I cried.
    It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest.
    But then you must have changed your mind
    or made a wrong
    because why did you
    leave?

    6 months, 2 weeks, 4 days,
    and I still don’t know which month it was then
    or what day it is now.
    I replace cafés with crowded bars and empty roads with broken bottles
    and this town is healing me slowly but still not slow or fast enough because there’s no right way to do this.
    There is no right way to do this.

    There is no right way to do this.”
    Charlotte Eriksson, Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving

  • #20
    Peter Shaffer
    “If London is a watercolor, New York is an oil painting.”
    Peter Shaffer

  • #21
    G.K. Chesterton
    “London is a riddle. Paris is an explanation.”
    G. K. Chesterson

  • #22
    Ben Aaronovitch
    “My Dad says that being a Londoner has nothing to do with where you're born. He says that there are people who get off a jumbo jet at Heathrow, go through immigration waving any kind of passport, hop on the tube and by the time the train's pulled into Piccadilly Circus they've become a Londoner.”
    Ben Aaronovitch, Moon Over Soho

  • #23
    Charles Dickens
    “LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.

    Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.

    Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look.

    The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.”
    Charles Dickens, Bleak House

  • #24
    Bette Midler
    “When it's three o'clock in New York, it's still 1938 in London. ”
    Bette Midler

  • #25
    T.S. Eliot
    “Unreal City,
    Under the brown fog of a winter dawn,
    A crowd flowed over London Bridge, so many,
    I had not thought death had undone so many.
    Sighs, short and infrequent, were exhaled,
    And each man fixed his eyes before his feet.
    Flowed up the hill and down King William Street,
    To where St Mary Woolnoth kept the hours
    With a dead sound on the final stock of nine.
    There I saw one I knew, and stopped him crying: 'Stetson!
    You, who were with me in the ships at Mylae!
    That corpse you planted last year in your garden,
    Has it begun to sprout? Will it bloom this year?
    Or has the sudden frost disturbed its bed?
    Oh keep the Dog far hence, that's friend to men,
    Or with his nails he'll dig it up again!
    You! hypocrite lecteur!-mon semblable,-mon frere!”
    T.S. Eliot, Selected Poems

  • #26
    David Thewlis
    “I walk to Oxford Street and climb on the number 8. It's freezing and it starts to rain and it's the ugliest bus I've ever seen, rattling down the ugliest streets, in the ugliest city, in the ugliest country, in the ugliest of all possible worlds.”
    David Thewlis, The Late Hector Kipling

  • #27
    Thomas   Moore
    “Go where we may, rest where we will,
    Eternal London haunts us still.”
    Thomas Moore

  • #28
    Jack Kerouac
    “Paris is a woman but London is an independent man puffing his pipe in a pub.”
    Jack Kerouac, Lonesome Traveler

  • #29
    Anna Quindlen
    “London has the trick of making its past, its long indelible past, always a part of its present. And for that reason it will always have meaning for the future, because of all it can teach about disaster, survival, and redemption. It is all there in the streets. It is all there in the books.”
    Anna Quindlen, Imagined London: A Tour of the World's Greatest Fictional City

  • #30
    William Blake
    London

    I wander thro' each charter'd street,
    Near where the charter'd Thames does flow.
    And mark in every face I meet
    Marks of weakness, marks of woe.

    In every cry of every Man,
    In every Infants cry of fear,
    In every voice: in every ban,
    The mind-forg'd manacles I hear

    How the Chimney-sweepers cry
    Every blackning Church appalls,
    And the hapless Soldiers sigh
    Runs in blood down Palace walls

    But most thro' midnight streets I hear
    How the youthful Harlots curse
    Blasts the new-born Infants tear
    And blights with plagues the Marriage hearse.”
    William Blake, Songs of Innocence and of Experience

  • #31
    Christopher Hitchens
    “In a public dialogue with Salman in London he [Edward Said] had once described the Palestinian plight as one where his people, expelled and dispossessed by Jewish victors, were in the unique historical position of being 'the victims of the victims': there was something quasi-Christian, I thought, in the apparent humility of that statement.”
    Christopher Hitchens, Hitch 22: A Memoir



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