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Inglorious Empire...
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Sep 19, 2026 11:06AM

 
Mind Over Mood: C...
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Escape from Freedom
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Sep 18, 2025 11:53PM

 
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Imogen Binnie
“Eventually you can't help but figure out that, while gender is a construct, so is a traffic light, and if you ignore either of them, you get hit by cars. Which, also, are constructs.”
Imogen Binnie, Nevada

John   Waters
“To me, bad taste is what entertainment is all about. If someone vomits watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste. it's easy to disgust someone; I could make a ninety-minute film of people getting their limbs hacked off, but this would only be bad bad taste and not very stylish or original. To understand bad taste one must have very good taste. Good bad taste can be creatively nauseating but must, at the same time, appeal to the especially twisted sense of humor, which is anything but universal.”
John Waters

Carlos Bulosan
“This is the beginning of your life in America,” Julio said. “We'll take a freight train from Sunnyside and go to nowhere.” “I would like to go to California,” I said. “I have two brothers there—but I don't know if I could find them.” “All roads go to California and all travelers wind up in Los Angeles,” Julio said. “But not this traveler. I have lived there too long. I know that state too damn well….” “What do you mean?” I asked. Suddenly he became sad and said: “It is hard to be a Filipino in California.”
Carlos Bulosan, America Is in the Heart: A Personal History

bell hooks
“Knowing how to be solitary is central to the art of loving. When we can be alone, we can be with others without using them as a means of escape.”
Bell Hooks

Yukio Mishima
“Even when we're with someone we love, we're foolish enough to think of her body and soul as being separate. To stand before the person we love is not the same as loving her true self, for we are only apt to regard her physical beauty as the indispensable mode of her existence. When time and space intervene, it is possible to be deceived by both, but on the other hand, it is equally possible to draw twice as close to her real self.”
Yukio Mishima, Spring Snow

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