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  • #1
    David Foster Wallace
    “It's of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It's maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it's the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip—and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, to be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.”
    David Foster Wallace, Infinite Jest

  • #2
    Yukio Mishima
    “Even when we're with someone we love, we're foolish enough to think of her body and soul as being separate. To stand before the person we love is not the same as loving her true self, for we are only apt to regard her physical beauty as the indispensable mode of her existence. When time and space intervene, it is possible to be deceived by both, but on the other hand, it is equally possible to draw twice as close to her real self.”
    Yukio Mishima, Spring Snow

  • #3
    Hermann Hesse
    “We must become so alone, so utterly alone, that we withdraw into our innermost self. It is a way of bitter suffering. But then our solitude is overcome, we are no longer alone, for we find that our innermost self is the spirit, that it is God, the indivisible. And suddenly we find ourselves in the midst of the world, yet undisturbed by its multiplicity, for our innermost soul we know ourselves to be one with all being.”
    Hermann Hesse

  • #4
    Hermann Hesse
    “To hold our tongues when everyone is gossiping, to smile without hostility at people and institutions, to compensate for the shortage of love in the world with more love in small, private matters; to be more faithful in our work, to show greater patience, to forgo the cheap revenge obtainable from mockery and criticism: all these are things we can do. ”
    Hermann Hesse

  • #5
    Friedrich Nietzsche
    “But having quills is a waste, even a double luxury when one can choose not to have quills but open hands.”
    Friedrich Nietzsche, Ecce Homo

  • #6
    Audre Lorde
    A Litany for Survival

    For those of us who live at the shoreline
    standing upon the constant edges of decision
    crucial and alone
    for those of us who cannot indulge
    the passing dreams of choice
    who love in doorways coming and going
    in the hours between dawns
    looking inward and outward
    at once before and after
    seeking a now that can breed
    futures
    like bread in our children's mouths
    so their dreams will not reflect
    the death of ours:

    For those of us
    who were imprinted with fear
    like a faint line in the center of our foreheads
    learning to be afraid with our mother's milk
    for by this weapon
    this illusion of some safety to be found
    the heavy-footed hoped to silence us
    For all of us
    this instant and this triumph
    We were never meant to survive.

    And when the sun rises we are afraid
    it might not remain
    when the sun sets we are afraid
    it might not rise in the morning
    when our stomachs are full we are afraid
    of indigestion
    when our stomachs are empty we are afraid
    we may never eat again
    when we are loved we are afraid
    love will vanish
    when we are alone we are afraid
    love will never return
    and when we speak we are afraid
    our words will not be heard
    nor welcomed
    but when we are silent
    we are still afraid

    So it is better to speak
    remembering
    we were never meant to survive.”
    Audre Lorde, The Black Unicorn: Poems

  • #7
    Vladimir Nabokov
    “Listen: I am ideally happy. My happiness is a kind of challenge. As I wander along the streets and the squares and the paths by the canal, absently sensing the lips of dampness through my worn soles, I carry proudly my ineffable happiness. The centuries will roll by, and schoolboys will yawn over the history of our upheavals; everything will pass, but my happiness , dear, my happiness will remain,in the moist reflection of a street lamp, in the cautious bend of stone steps that descend into the canal's black waters, in the smiles of a dancing couple, in everything with which God so generously surrounds human loneliness.”
    Vladimir Nabokov, Selected Letters, 1940-1977

  • #8
    Imogen Binnie
    “Eventually you can't help but figure out that, while gender is a construct, so is a traffic light, and if you ignore either of them, you get hit by cars. Which, also, are constructs.”
    Imogen Binnie, Nevada

  • #9
    James Baldwin
    “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
    James Baldwin

  • #10
    James Baldwin
    “Trust life, and it will teach you, in joy and sorrow, all you need to know.”
    James Baldwin

  • #11
    Audre Lorde
    “Your silence will not protect you.”
    Audre Lorde, Sister Outsider: Essays and Speeches

  • #12
    Audre Lorde
    “If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive.”
    Audre Lorde

  • #13
    bell hooks
    “Knowing how to be solitary is central to the art of loving. When we can be alone, we can be with others without using them as a means of escape.”
    Bell Hooks

  • #14
    C.L.R. James
    “When history is written as it ought to be written, it is the moderation and long patience of the masses at which men will wonder, not their ferocity.”
    C.L.R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution

  • #15
    C.L.R. James
    “The cruelties of property and privilege are always more ferocious than the revenges of poverty and oppression. For the one aims at perpetuating resented injustice, the other is merely a momentary passion soon appeased.”
    C.L.R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution

  • #16
    C.L.R. James
    “Uninhibited, they wallowed with zest in the filth and mire of their political conceptions and needs, among the very leaders of their society, but nevertheless the very dregs of human civilisation and moral standards. A historian who finds excuses for such conduct by references to the supposed spirit of the times, or by omission, or by silence, shows thereby that his account of events is not to be trusted.”
    C.L.R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution

  • #17
    Audre Lorde
    “Guilt is not a response to anger; it is a response to one’s own actions or lack of action. If it leads to change then it can be useful, since it is then no longer guilt but the beginning of knowledge. Yet all too often, guilt is just another name for impotence, for defensiveness destructive of communication; it becomes a device to protect ignorance and the continuation of things the way they are, the ultimate protection for changelessness.”
    Audre Lorde, Sister Outsider: Essays and Speeches

  • #18
    Samuel R. Delany
    “The only important elements in any society are the artistic and the criminal, because they alone, by questioning the society’s values, can force it to change.”
    Samuel R. Delany, Empire Star

  • #19
    Samuel R. Delany
    “You meet a new person, you go with him and suddenly you get a whole new city...you go down new streets, you see houses you never saw before, pass places you didn't even know were there. Everything changes.”
    Samuel R. Delany, Dhalgren

  • #20
    Carlos Bulosan
    “Yes, I will be a writer and make all of you live again in my words.”
    Carlos Bulosan, America Is in the Heart: A Personal History

  • #21
    Carlos Bulosan
    “This is the beginning of your life in America,” Julio said. “We'll take a freight train from Sunnyside and go to nowhere.” “I would like to go to California,” I said. “I have two brothers there—but I don't know if I could find them.” “All roads go to California and all travelers wind up in Los Angeles,” Julio said. “But not this traveler. I have lived there too long. I know that state too damn well….” “What do you mean?” I asked. Suddenly he became sad and said: “It is hard to be a Filipino in California.”
    Carlos Bulosan, America Is in the Heart: A Personal History

  • #22
    Miles Davis
    “If you sacrifice your art because of some woman, or some man, or for some color, or for some wealth, you can't be trusted.”
    Miles Davis

  • #23
    Miles Davis
    “I hate how white people always try to take credit for something after they discover it. Like it wasn't happening before they found out about it--which most times is always late, and they didn't have nothing to do with it happening.”
    Miles Davis

  • #24
    John   Waters
    “To me, bad taste is what entertainment is all about. If someone vomits watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste. it's easy to disgust someone; I could make a ninety-minute film of people getting their limbs hacked off, but this would only be bad bad taste and not very stylish or original. To understand bad taste one must have very good taste. Good bad taste can be creatively nauseating but must, at the same time, appeal to the especially twisted sense of humor, which is anything but universal.”
    John Waters



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