9 books
—
2 voters
Cult Classics Books
Showing 1-50 of 1,762
1984 (Paperback)
by (shelved 46 times as cult-classics)
avg rating 4.20 — 5,543,403 ratings — published 1948
Fight Club (Paperback)
by (shelved 44 times as cult-classics)
avg rating 4.18 — 648,363 ratings — published 1996
A Clockwork Orange (Paperback)
by (shelved 35 times as cult-classics)
avg rating 4.00 — 776,012 ratings — published 1962
American Psycho (Paperback)
by (shelved 34 times as cult-classics)
avg rating 3.80 — 367,264 ratings — published 1991
One Flew Over the Cuckoo's Nest (Hardcover)
by (shelved 33 times as cult-classics)
avg rating 4.20 — 784,284 ratings — published 1962
Animal Farm (Mass Market Paperback)
by (shelved 31 times as cult-classics)
avg rating 4.02 — 4,619,129 ratings — published 1945
The Bell Jar (Paperback)
by (shelved 30 times as cult-classics)
avg rating 4.05 — 1,245,301 ratings — published 1963
Fahrenheit 451 (Mass Market Paperback)
by (shelved 30 times as cult-classics)
avg rating 3.97 — 2,877,096 ratings — published 1953
The Catcher in the Rye (Paperback)
by (shelved 29 times as cult-classics)
avg rating 3.80 — 3,923,299 ratings — published 1951
Slaughterhouse-Five (Paperback)
by (shelved 24 times as cult-classics)
avg rating 4.10 — 1,494,183 ratings — published 1969
Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (Paperback)
by (shelved 24 times as cult-classics)
avg rating 4.06 — 381,225 ratings — published 1971
Trainspotting (Mass Market Paperback)
by (shelved 21 times as cult-classics)
avg rating 4.11 — 181,113 ratings — published 1993
On the Road (Paperback)
by (shelved 20 times as cult-classics)
avg rating 3.61 — 451,356 ratings — published 1957
Lord of the Flies (Paperback)
by (shelved 20 times as cult-classics)
avg rating 3.70 — 3,228,786 ratings — published 1954
The Virgin Suicides (Paperback)
by (shelved 20 times as cult-classics)
avg rating 3.78 — 419,659 ratings — published 1993
The Perks of Being a Wallflower (Hardcover)
by (shelved 20 times as cult-classics)
avg rating 4.24 — 2,018,822 ratings — published 1999
The Secret History (Paperback)
by (shelved 19 times as cult-classics)
avg rating 4.15 — 1,052,478 ratings — published 1992
The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1)
by (shelved 19 times as cult-classics)
avg rating 4.22 — 2,031,271 ratings — published 1979
Brave New World (Paperback)
by (shelved 18 times as cult-classics)
avg rating 3.98 — 2,097,000 ratings — published 1932
To Kill a Mockingbird (Paperback)
by (shelved 18 times as cult-classics)
avg rating 4.26 — 6,947,767 ratings — published 1960
Lolita (Kindle Edition)
by (shelved 18 times as cult-classics)
avg rating 3.87 — 954,533 ratings — published 1955
Post Office (ebook)
by (shelved 18 times as cult-classics)
avg rating 3.92 — 140,557 ratings — published 1971
The Great Gatsby (Paperback)
by (shelved 17 times as cult-classics)
avg rating 3.93 — 5,975,837 ratings — published 1925
The Handmaid's Tale (Hardcover)
by (shelved 17 times as cult-classics)
avg rating 4.15 — 2,460,607 ratings — published 1985
Naked Lunch: The Restored Text (Paperback)
by (shelved 17 times as cult-classics)
avg rating 3.46 — 99,195 ratings — published 1959
Valley of the Dolls (Paperback)
by (shelved 16 times as cult-classics)
avg rating 3.86 — 78,401 ratings — published 1966
Invisible Monsters (Paperback)
by (shelved 15 times as cult-classics)
avg rating 3.99 — 152,271 ratings — published 1999
Catch-22 (Paperback)
by (shelved 15 times as cult-classics)
avg rating 3.99 — 891,283 ratings — published 1961
Frankenstein: The 1818 Text (Paperback)
by (shelved 14 times as cult-classics)
avg rating 3.91 — 1,924,289 ratings — published 1818
Harry Potter and the Philosopher's Stone (Harry Potter, #1)
by (shelved 14 times as cult-classics)
avg rating 4.47 — 11,517,879 ratings — published 1997
The Wasp Factory (Paperback)
by (shelved 14 times as cult-classics)
avg rating 3.76 — 110,941 ratings — published 1984
Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1)
by (shelved 14 times as cult-classics)
avg rating 3.78 — 246,764 ratings — published 1974
Junky (Paperback)
by (shelved 14 times as cult-classics)
avg rating 3.84 — 71,997 ratings — published 1953
Factotum (Paperback)
by (shelved 12 times as cult-classics)
avg rating 3.92 — 76,477 ratings — published 1975
Requiem for a Dream (Paperback)
by (shelved 12 times as cult-classics)
avg rating 4.11 — 66,954 ratings — published 1978
A Confederacy of Dunces (Paperback)
by (shelved 12 times as cult-classics)
avg rating 3.89 — 300,681 ratings — published 1980
Cat’s Cradle (Paperback)
by (shelved 12 times as cult-classics)
avg rating 4.15 — 440,173 ratings — published 1963
The Stranger (Paperback)
by (shelved 12 times as cult-classics)
avg rating 4.03 — 1,431,537 ratings — published 1942
Skagboys (Mark Renton, #1)
by (shelved 11 times as cult-classics)
avg rating 4.07 — 18,018 ratings — published 2012
Gone Girl (Paperback)
by (shelved 11 times as cult-classics)
avg rating 4.15 — 3,475,674 ratings — published 2012
Good Omens (Paperback)
by (shelved 11 times as cult-classics)
avg rating 4.25 — 829,719 ratings — published 1990
The Alchemist (Paperback)
by (shelved 11 times as cult-classics)
avg rating 3.92 — 3,618,352 ratings — published 1988
The Outsiders (Paperback)
by (shelved 11 times as cult-classics)
avg rating 4.15 — 1,625,865 ratings — published 1967
Of Mice and Men (Paperback)
by (shelved 11 times as cult-classics)
avg rating 3.90 — 2,865,163 ratings — published 1937
The Unbearable Lightness of Being (Paperback)
by (shelved 11 times as cult-classics)
avg rating 4.10 — 550,226 ratings — published 1984
Breakfast of Champions (Paperback)
by (shelved 11 times as cult-classics)
avg rating 4.06 — 281,506 ratings — published 1973
Infinite Jest (Paperback)
by (shelved 10 times as cult-classics)
avg rating 4.25 — 102,437 ratings — published 1996
The Princess Bride (Paperback)
by (shelved 10 times as cult-classics)
avg rating 4.27 — 952,126 ratings — published 1973
The Master and Margarita (Paperback)
by (shelved 9 times as cult-classics)
avg rating 4.28 — 428,010 ratings — published 1967
The Hobbit, or There and Back Again (Paperback)
by (shelved 9 times as cult-classics)
avg rating 4.30 — 4,496,382 ratings — published 1937
“For its survival, the satanic cult demanded secrecy and obedience while it made brutality, even killing, appropriate. Denial and disavowal were inevitable responses to required behaviors so bizarre as to seem unreal, even to those who enacted them. What they could not deny or disavow, they could distort. They could blame the victims, who deserved to die for fighting or crying or for failing to fight or cry. They found encouragement for such a stance in a general culture accustomed to blaming victims for their misfortunes, and in specific contact with child victims eager to blame themselves. By believing that victims had a choice when there was none, they could see victims as culpable. They could even see the deaths as right and purposeful in the nobility of sacrifice.”
― Satan's High Priest
― Satan's High Priest
“If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others.
Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world.
Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?
At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.
Just what kind of narrative?
It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.”
― Underground: The Tokyo Gas Attack and the Japanese Psyche
Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world.
Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?
At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.
Just what kind of narrative?
It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.”
― Underground: The Tokyo Gas Attack and the Japanese Psyche
The following shelves are listed as duplicates of this shelf:
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