Michelangelo Quotes

Quotes tagged as "michelangelo" Showing 1-25 of 25
Michelangelo Buonarroti
“If you knew how much work went into it, you wouldn't call it genius. ”
Michelangelo Buonarroti

Shannon L. Alder
“Don’t say you don’t have enough time or enough money to change the world. You have exactly the same number of hours per day that were given to Helen Keller, Gandhi, Michelangelo, Mother Teresa, Leonardo da Vinci and Jesus Christ.”
Shannon L. Alder

Criss Jami
“Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free.”
Criss Jami, Salomé: In Every Inch In Every Mile

Mark Twain
“Homer, in the second book of the Iliad says with fine enthusiasm, "Give me masturbation or give me death." Caesar, in his Commentaries, says, "To the lonely it is company; to the forsaken it is a friend; to the aged and to the impotent it is a benefactor. They that are penniless are yet rich, in that they still have this majestic diversion." In another place this experienced observer has said, "There are times when I prefer it to sodomy." Robinson Crusoe says, "I cannot describe what I owe to this gentle art." Queen Elizabeth said, "It is the bulwark of virginity." Cetewayo, the Zulu hero, remarked, "A jerk in the hand is worth two in the bush." The immortal Franklin has said, "Masturbation is the best policy." Michelangelo and all of the other old masters--"old masters," I will remark, is an abbreviation, a contraction--have used similar language. Michelangelo said to Pope Julius II, "Self-negation is noble, self-culture beneficent, self-possession is manly, but to the truly great and inspiring soul they are poor and tame compared with self-abuse." Mr. Brown, here, in one of his latest and most graceful poems, refers to it in an eloquent line which is destined to live to the end of time--"None knows it but to love it; none name it but to praise.”
Mark Twain, On Masturbation

Irving Stone
“Bleed me of art, and there won't be enough liquid left in me to spit! [Michelangelo Buonorotti]”
Irving Stone, The Agony and the Ecstasy

Edward Carpenter
“In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.”
Edward Carpenter, The Intermediate Sex: A Study Of Some Transitional Types Of Men And Women

Friedrich Nietzsche
“Not without deep pain do we admit to ourselves that the artists of all ages have in their highest flights carried to heavenly transfiguration precisely those conceptions that we now recognize as false: they are the glorifiers of the religious and philosophical errors of humanity, and they could not have done this without their belief in the absolute truth of these errors. Now if the belief in such truth generally diminishes, if the rainbow colors at the outermost ends of human knowing and imagining fade: then the species of art that, like the Divina commedia, Raphael's pictures, Michelangelo's frescoes, the Gothic cathedrals, presupposes not only a cosmic, but also a metaphysical significance for art objects can never blossom again. A touching tale will come of this, that there was once such an art, such belief by artists.”
Friedrich Nietzsche, Human, All Too Human: A Book for Free Spirits

Erol Ozan
“In time, all great masterpieces turn into shameless creatures who laugh at their creators.”
Erol Ozan

C. JoyBell C.
“People are creators. But I doubt that many realize this. We are not meant to go out into the world and find flawless things, we are not meant to sit down and have flawless things fall into our laps. But we are creators. We can create a beautiful thing out of what we have. The problem with idealistic people is that they see themselves as receivers instead of creators, they end up hunting for the flaw in everything in order to measure it up to their ideals. Now, when you see yourself as a creator, you can look at a chunk of marble and see the angel within it. Then you carve until you have set that angel free.”
C. JoyBell C.

Chuck Palahniuk
“You said how Michelangelo was a manic-depressive who portrayed himself as a flayed martyr in his painting. Henri Matisse gave up being a lawyer because of appendicitis. Robert Schumann only began composing after his right hand became paralyzed and ended his career as a concert pianist. (...) You talked about Nietzsche and his tertiary syphilis. Mozart and his uremia. Paul Klee and the scleroderma that shrank his joints and muscles to death. Frida Kahlo and the spina bifida that covered her legs with bleeding sores. Lord Byron and his clubfoot. The Bronte sisters and their tuberculosis. Mark Rothko and his suicide. Flannery O’Connor and her lupus. Inspiration needs disease, injury, madness.

“According to Thomas Mann,” Peter said, “‘Great artists are great invalids.”
Chuck Palahniuk, Diary

Eduardo Galeano
“Whoever believes physical size and tests of speed or strength have anything to do with a soccer player's prowess is sorely mistaken. Just as mistaken as those who believe that IQ tests have anything to do with talent or that there is a relationship between penis size and sexual pleasure. Good soccer players need not to be titans sculpted by Michelangelo. In soccer, ability is much more important than shape, and in many cases skill is the art of turning limitations into virtues.”
Eduardo Galeano, Soccer in Sun and Shadow

“I created a vision of David in my mind and simply carved away everything that was not David.”
Michelangelo

Hans Rath
“Wollen Sie meinen Hintern sehen? Ich hab dieses berühmte Bild von Michelangelo draufstechen lassen, wo Gott Adam erschafft. Wenn ich den Arsch zusammenkneife, dann berühren sich ihre Zeigefinger.”
Hans Rath, Und Gott sprach: Wir müssen reden!

Grace Curley
“I live in sin.” The winged boy’s eyes had
turned downwards, his soft mouth setting grimly with despair. “To kill myself I live. No longer my life my own, but sin’s; my good is given to me by heaven, my evil by myself, by my free will, of which I am deprived.”
Grace Curley, The Light that Binds Us

E.A. Bucchianeri
“A man has not fully lived until he experiences that gentle balmy clime of ancient empires, the land of lemon trees and the genius of Michelangelo.”
E.A. Bucchianeri, Vocation of a Gadfly

Paul Rudnick
“I believe in a benevolent God not because He created the Grand Canyon or Michelangelo, but because He gave us snacks.”
Paul Rudnick, I Shudder and Other Reactions to Life, Death, and New Jersey

Miles J. Unger
“driven, passionate, mercurial, irascible" [the character of Michelangelo]”
Miles J. Unger, Michelangelo: A Life in Six Masterpieces

“Michelangelo continually had trouble with his assistants and had to sack several for poor workmanship, laziness, or even - in one particular case - because the lad in question was ‘a stuck-up little turd’.”
Alexander Lee, The Ugly Renaissance: Sex, Greed, Violence and Depravity in an Age of Beauty

Michelangelo Buonarroti
“Bana sevgili olan uykudur
bir güzelden daha güzel olan
bu kadar acı ve utanç doluyken içim
ne büyük şans kapanması kulaklarımın ve gözlerimin
bu yüzden fısıltı ile konuşun huzurumu bozmayın benim.”
Michelangelo Buonarroti

“With Michelangelo anatomical science is transformed into music. With him the human body is architectonic matter for the construction of dreams.”
Umberto Boccioni

“Michelangelo's cook was illiterate, so he drew her a shopping list--- which today is priceless.”
Mitchell Symons, That Book: ...of Perfectly Useless Information

G.K. Chesterton
“I am sure that it was only because Michael Angelo was engaged in the ancient and honourable occupation of lying in bed that he ever realised how the roof of the Sistine Chapel might be made into an awful imitation of a divine drama that could only be acted in the heavens.”
G.K. Chesterton, Tremendous Trifles

“The landscape of Hell is the largest shared construction project in imaginative history, and its chief architects have been creative giants- Homer, Virgil, Plato, Augustine, Dante, Bosch, Michelangelo, Milton, Goethe, Blake, and more.”
Alice K. Turner, The History of Hell

Crystal King
“The table before the emperor was spread with an entire city of sugar, a city so resplendent it was as though a door had opened into heaven itself. Groves of trees dotted the the table's landscape with beautiful painted castles nestled among hills of pale green. Stars hung from the trees and graced the castle flags. From the ceiling, many dozens of gold and silver stars hung by ribbons over the table, creating a fantastical sky. Amid this wondrous landscape there were sculptures of ancient Roman gods in various scenes: Jupiter on a mountain, lightning bolt in hand; Venus born from a sea of blue; Bacchus in drunken debauchery in a grove of delicate green vines. Ever one to be in control, Michelangelo had insisted he not only develop the many dozen molds but that he also be the one to pour the sugar and finalize the details with sugar paste.”
Crystal King, The Chef's Secret

A.G. Starling
“He was working that charm right now on the trainer who kneeled before him and touched his thigh as though it were the thigh of David, Michelangelo’s glorious statue come to life right here on court.”
A.G. Starling, It's a Love Game