Quotes About Fetish

Quotes tagged as "fetish" (showing 1-24 of 24)
Cassandra Clare
“I have a fetish for damsels in distress.”
“Don’t be sexist.”
“Not at all. My services are also available to gentlemen in distress. It’s an equal opportunity fetish.”
Cassandra Clare, City of Glass

Ernest Cline
“I watched a lot of YouTube videos of cute geeky girls playing '80s cover tunes on ukuleles. Technically, this wasn't part of my research, but I had a serious cute-geeky-girls-playing-ukuleles fetish that I can neither explain nor defend.”
Ernest Cline, Ready Player One

Tiffany Reisz
“S&M is as psychological as it is physical and sexual, Zach. Imagine being as deep inside a woman’s mind as you are inside her body.”
Tiffany Reisz, The Siren

Lisa Kleypas
“Was this some new level of depravity? Had he developed a spinster fetish?”
Lisa Kleypas, Married By Morning

Fran Lebowitz
“If your sexual fantasies were truly of interest to others, they would no longer be fantasies.”
Fran Lebowitz

Jess C. Scott
“Tie me up, please..." Chantal said. They looked above at some vines and roots hanging down from the grassy area above the depression in the canal they were standing in. She was in his hands—he had to comply.

A little bit of kink was one of the most delicious of erotic pleasures. Catholic school girls were often the horniest—Brett could hardly contain his elation.”
Jess C. Scott, Catholic School Girls Rule

Tiffany Reisz
“Keeping me a virgin waiting for him for so long proved he owned me even more than fucking me would have.”
Tiffany Reisz, The Siren

Karl Kraus
“There is no more unhappy being under the sun than a fetishist who pines for a boot and has to content himself with an entire woman.”
Karl Kraus

Ernest Cline
“I had a serious cute-geeky-girls-playing-ukuleles fetish that I can neither explain nor defend.”
Ernest Cline, Ready Player One

“Repress the natural and it comes back even stronger: not everyone can be a fetishist”
Philippe Lejeune

“Irony serves as an alibi for a fetish.”
Nathaniel Wing, The Limits of Narrative: Essays on Baudelaire, Flaubert, Rimbaud and Mallarme

“Basically, I love glasses.”
Torii Nagomu, 境界の彼方 [Kyoukai no Kanata]

Terry Pratchett
“All it takes is for people to believe and I am no longer just an artefact put together by clever engineers. I am an idea, a something made of nothing, whose time has come to be. Some may even call me "Goddess”
Terry Pratchett, Raising Steam
tags: fetish

Matt Fraction
“You're into what you're into, I'm into what I'm into. We don't have to be into the same shit, and if you're safe, sane, and happy, then go on and get you some.”
Matt Fraction, Sex Criminals, Vol. 3: Three the Hard Way

“Perhaps we can conceive of the ironist as the fetishist's apprentice, reaching out for all readers, ensnaring them in a tangle of ambiguity, uncertainty and indecision from which there is no escape. Irony, quite possibly, makes fetishists of us all.”
Janet Beizer

Alyssa Brugman
“Do you want me to lick you again?”
Alyssa Brugman, Alex As Well

“However, in fetishism the desired object is displaced; and in this context (“The Apparition” by Guy De Maupassant) it is the desiring object, so to speak. In other words, have we ever seen a boot in love with a fetishist?”
Philippe Lejeune

Alexander Edmonds
“Modernity, though, is often surprisingly difficult to "locate." Certainly modernity cannot be defined as the surpassing of earlier forms of brutality. Perhaps it can be claimed that modernity should be equated with the possession of superior technology. But this response may itself reflect the modern fetishization of technology, which make it a magical solution for human problems.”
Alexander Edmonds, Pretty Modern: Beauty, Sex, and Plastic Surgery in Brazil

“I know...but just the same" – this is Octave Mannoni's formulation of the structure of the fetish, and more generally of fetishistic thinking. The fetishist knows that an old, cherished belief is false but nonetheless continues to believe it. The nonetheless is not articulated, it is the fetish.”
Janet Beizer
tags: fetish

Darnell Lamont Walker
“Know when they're genuine. Know when you're just a fetish.”
Darnell Lamont Walker

Colleen Chen
“A room—full of detached feet—like hundreds of them. Maybe thousands! And I saw the king in there. He was having an orgy with them. It was the most horrible thing I’ve ever seen. Like a bunch of insects crawling all over his naked body. Except they weren’t insects.”
Colleen Chen, Dysmorphic Kingdom

Mehmet Murat ildan
“When you make something fetish, ashes and dusts will laugh at you, because they know even the most valuable fetishes will turn into dusts and ashes!”
Mehmet Murat ildan
tags: fetish

Thomm Quackenbush
“Now that this destiny was about to happen, every instinct within him fought against it, realizing he had been fetishizing suicide.”
Thomm Quackenbush, Danse Macabre (Night's Dream, #2)

Boris Groys
“An author who integrates alien signs into the medial surface of his own texts—signs behind which we presume the existence of other powerful, submedial subjects “as authors”—does not increase the comprehensibility of that text. Yet nonetheless, he increases the magical effectiveness this text exudes. Such quotations lead us to presume that the text houses a dangerous, manipulative subject, a magician with enough power to manipulate the signs of other powerful magicians and able to use them strategically for his own purposes. Thus an author who quotes alien signs conveys a stronger impression of powerful authorship than one who ad- vocates precisely his so-called own ideas—which do not interest anybody precisely because they are only his own. It is also well known that one may not quote the same author too often, in which case quoting gradu- ally looses its magical power and begins to irritate the reader. The reason for this gradual decrease of a quote’s magical effectiveness is that it looses its strangeness over time and gets integrated into the medial surface of a text, thereby becoming a proper part of it. In order to maintain their magical effect, quotes have to be exchanged constantly so as to continue to maintain the same appearance of foreignness and freshness. The quote functions as a magical fetish that lends the entire text a hidden, submedial power beyond its superficial meaning.”
Boris Groys, Under Suspicion: A Phenomenology of Media

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