Onie Groody > Onie's Quotes

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  • #1
    Lisa Kaniut Cobb
    “We hunt as we've always done, part sport, part grocery shopping.”
    Lisa Kaniut Cobb, Down in the Valley

  • #2
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #3
    Merlin Franco
    “The night is dark, the lamps are all off, and the moon is new. But my inner eye sees the path. I follow my feet, and my feet follow my soul.”
    Merlin Franco, Saint Richard Parker

  • #4
    Diane Merrill Wigginton
    “No one else can close the door that God has opened for you,” she quietly said under her breath. That was something that Grandma Alice had said to her many times before her death.

    “I miss you, Alice,” she whispered, “and wish you were here with me now.”
    Diane Merrill Wigginton, A Compromising Position

  • #5
    Yvonne Korshak
    “But  Phidias was better than most men since he made beautiful sculptures. He was even making one of her—well, he called it “Athena,” but anyone could see it looked like her.”
    Yvonne Korshak, Pericles and Aspasia: A Story of Ancient Greece

  • #6
    Barbara Sontheimer
    “Looking over the Ethan's bowed head, amidst the tangled forest of Wilderness littered with the bodies of men dead and dying, Victor saw the serene image of his mother.  She smiled at her son, her unbound black hair blowing wildly in the breeze.  She reached a hand out towards him, and this time, he went with her.”
    Barbara Sontheimer, Victor's Blessing

  • #7
    Therisa Peimer
    “Mom, please don't use 'the happy voice.' It reminds me of the day Tinkles died."
    "Who was Tinkles?" Sue asked around a mouthful of pancake.
    "My cat. When I was five, Tinkles died choking on a mouse that was a bit ambitious for a kitten to eat."
    "It was terribly traumatic for Aurelia because it was the first time she'd experienced loss." 
    "What did you do to help her get through it?" 
    Rosalind smiled at Mother Guardian. "Well, after a good cry, we performed an autopsy."
    Aurelia reached for her mother's hand. "I never thanked you for that.”
    Therisa Peimer, Taming Flame

  • #8
    Anita Diamant
    “They sang the words in unison, yet somehow created a web of sounds with their voices. It was like hearing a piece of fabric woven with all the colors of a rainbow. I did not know that such beauty could be formed by the human mouth. I had never heard harmony before.”
    Anita Diamant, The Red Tent

  • #9
    Ann Patchett
    “She took it all in, and as the stories of the past unfolded she had nothing but sympathy for me. Celeste wasn’t wondering why I had taken so long to tell her about my life, she took the fact that I was telling her now as proof of my love.”
    Ann Patchett, The Dutch House

  • #10
    Harper Lee
    “Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the treehouse; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill.”
    Harper Lee, To Kill a Mockingbird

  • #11
    Katherine Paterson
    “imagine”
    Katherine Paterson, Bridge to Terabithia

  • #12
    Rohith S. Katbamna
    “Most nights, her body was commerce. She traded vacuous affection for survival. Her wounded soul, bandaged by the deceptive nature of the
    Zone had served no purpose in aiding her.”
    Rohith S. Katbamna, Down and Rising

  • #13
    Olive Ann Burns
    “I don’t know a soul who couldn’t see a fool jest by lookin’ in the glass. I been one myself, once’t or twice’t. So hesh up now. Cryin’ ain’t go’n do no good.”
    Olive Ann Burns, Cold Sassy Tree

  • #14
    Muriel Barbery
    “The real ordeal is not leaving those you love but learning to live without those who don't love you.”
    Muriel Barbery, Gourmet Rhapsody

  • #15
    Rhonda Byrne
    “Thoughts are sending out that magnetic signal that is drawing the parallel back to you.”
    Rhonda Byrne, The Secret

  • #16
    M.L. Stedman
    “So many men who had dodged death over there now seemed addicted to its lure.”
    M.L. Stedman, The Light Between Oceans

  • #17
    Fredrik Backman
    “To love someone is like moving into a house," Sonja used to say. "At first you fall in love in everything new, you wonder every morning that this is one's own, as if they are afraid that someone will suddenly come tumbling through the door and say that there has been a serious mistake and that it simply was not meant to would live so fine. But as the years go by, the facade worn, the wood cracks here and there, and you start to love this house not so much for all the ways it is perfect in that for all the ways it is not. You become familiar with all its nooks and crannies. How to avoid that the key gets stuck in the lock if it is cold outside. Which floorboards have some give when you step on them, and exactly how to open the doors for them not to creak. That's it, all the little secrets that make it your home.”
    Fredrik Backman, A Man Called Ove

  • #18
    Douglas Adams
    “It all sounds rather naive and sentimental to be talking about children laughing and dancing and singing together when we all know perfectly well that what children do in real life is snarl and take drugs.”
    Douglas Adams

  • #19
    Madeleine L'Engle
    “Stories make us more alive, more human, more courageous, more loving.”
    Madeleine L'Engle

  • #20
    Wally Lamb
    “I thought about how love was always the thing that did that - smashed into you, left you raw. The deeper you loved, the deeper it hurt.”
    Wally Lamb, She’s Come Undone
    tags: hurt, love

  • #21
    Mikhail Bulgakov
    “I wouldn’t like to meet you when you’ve got a revolver,” said Margarita with a coquettish look at Azazello. She had a passion for people who did things well.”
    Mikhail Bulgakov, The Master and Margarita

  • #22
    Edgar Allan Poe
    “The eye, like a shattered mirror, multiplies the images of sorrow.”
    Edgar Allen Poe
    tags: grief

  • #23
    Chris Cleave
    “If one kept the great yellow mounds of smashed brick in the corner of one’s eye, then the mind understood them as the contours of nature and forgot its trick of making one unhappy.”
    Chris Cleave, Everyone Brave is Forgiven

  • #24
    Michael Shaara
    “There's nothing so much like a god on earth as a General on a battlefield.”
    Michael Shaara, The Killer Angels

  • #25
    Alan             Moore
    “The ending is nearer than you think, and it is already written. All that we have left to choose is the correct moment to begin.”
    Alan Moore, V for Vendetta

  • #26
    Eric Carle
    “On Saturday, he ate through one piece of chocolate cake, one ice-cream cone, one pickle, one slice of Swiss cheese, one slice of salami, one lollipop, one piece of cherry pie, one sausage, one cupcake, and one slice of watermelon

    That night he had a stomach ache.”
    Eric Carle, The Very Hungry Caterpillar

  • #27
    Tim LaHaye
    “Dr. Ben-Judah gave what Rayford considered a brilliant example of how to easily identify someone with just a few marks. “Despite the billions of people who still populate this planet, you can put a postcard in the mail with just a few distinctions on it, and I will be the only person to receive it. You eliminate much of the world when you send it to Israel. You narrow it more when it comes to Jerusalem. You cut the potential recipients to a tiny fraction when it goes to a certain street, a certain number, a certain apartment. And then, with my first and last name on it, you have singled me out of billions. That, I believe, is what these prophecies of Messiah do. They eliminate, eliminate, eliminate, until only one person could ever fulfill them.” Dr.”
    Tim LaHaye, The Left Behind Complete Set, Series 1-12

  • #28
    A.A. Milne
    “Eeyore", said Owl, "Christopher Robin is giving a party."
    "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it."
    "There is an Invitation for you."
    "What's that like?"
    "An Invitation!"
    "Yes, I heard you. Who dropped it?"
    "This isn't something to eat, it's asking you to the party. To-morrow."
    Eeyore shook his head slowly.
    "You mean Piglet. The little fellow with the exited ears. That's Piglet. I'll tell him."
    "No, no!" said Owl, getting quite fussy. "It's you!"
    "Are you sure?"
    "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them'"
    "All of them, except Eeyore?"
    "All of them," said Owl sulkily.
    "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame me when it rains.”
    A. A. Milne

  • #29
    Dan Simmons
    “In the months since Challenger, Baedecker had found it hard to believe that the country had ever flown so frequently and competently into space. The long hiatus of earthbound doubt in which nothing flew had become the normal state of things to Baedecker, mixing in his own mind with a dreary sense of heaviness, of entropy and gravity triumphant.”
    Dan Simmons, Phases Of Gravity

  • #30
    C. Toni Graham
    “Readers of fantasy fiction actually imagine having the abilities of the villains more often then the protagonist. Bravo writers!”
    C. Toni Graham



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