To Die For Quotes

“I was a very lonely child and it's funny but the first word that comes to my head is "starved". I felt starved of affection, starved of love and I felt that it wasn't OK to ask for it. Maybe there was a sense that if I deserved it, it would be there. There must be something I'd done which meant I didn't deserve it.”
― Carol Lee, To Die For

“her eyes are unfathomable to me, hostile, even, as if she had removed herself to a place where I cannot reach her - somewhere I cannot know.”
― Carol Lee, To Die For

“Deception' is the word I most associate with anorexia and the treachery which comes from falsehood. The illness appears inviting. It would seem to offer something to those unwary or unlucky enough to suffer from it - friendship, a get-out, or a haven - when, in fact, it is a trap.”
― Carol Lee, To Die For

“My parents never recognized the things that for me were achievements. I was praised for the things that came naturally to me, like my intelligence, but when I really put all my effort into looking nice (trying to), it went unrecognised. No-one ever told me I looked pretty or nice, or that I was a beautiful person (to them) and I needed them to...”
― Carol Lee, To Die For

“Locking away appetite, anger, the fullness of life, anorexia helps cover up whatever struggles inside. With its controlling bouts of bingeing and starvation, of trance and half-life, it becomes a shield to fend off despair and longing and what most of us would see as ordinary responsible behavior.”
― Carol Lee, To Die For

“yet still I crave the sight of my own hypnotic gaze reflecting out at me from the shared mirror of anorexia and bulimia, number to life and reality, existing only in my self-made tortured state”
― Carol Lee, To Die For

“I was a very lonley child and it's funny but the first word that comes to my head is "starved". I felt starved of affection, starved of love and I felt that it wasn't OK to ask for it. Maybe there was a sense that if I deserved it, it would be there. There must be something I'd done which meant I didn't deserve it.”
― Carol Lee, To Die For

“Emma says her illness was a kind of self-hypnosis which obliterated the outside world, a way of escaping life and reducing its proportions to what she could manage.”
― Carol Lee, To Die For

“There was another problem with Emma's father, difficult for a small child who already thought of herself as greedy - his way of trying to keep her attention, to bribe her, with gifts. On each vof her visits, he would appear with you presents, beautifully wrapped> And her confusion that she liked - and wanted - the presents, but not the man, was painful. He used 'sparkly Sellotape' and cut things into nice shapes and she wistfully writes:
I wish he'd be able to translate that care into his treatment of me.”
― Carol Lee, To Die For

“Whatever it was her father wanted, Emma did not know how to provide it. She felt confused by what he did, and imagined the problem was a lack in her, rather than him. And there was something else:
My dad was always late when we had our meetings - i i never wanted to go in the first place, and then i'd be sitting and waiting, feeling so ugly and worthless because i wasn't worth being on time for . . .
One time when my father was late he said he fell asleep . . . I wouldn't let myself cry in front of him.”
― Carol Lee, To Die For

“... in some sense, she ignored her physical self, as if her body were merely something impersonal vehicle for moving around in. She seemed not to notice or care much what she wore or what she looked like.”
― Carol Lee, To Die For

“While she is still hospitalised, I take Emma out for strengthening walks, for her muscles and been under-used for a long time. She is sometimes breathless, I notice with concern, and there are other changes in her, either through a nerve her therapy touches, or through her illness, or both, which make her, quite often, disagreeable to be with.”
― Carol Lee, To Die For

“You obliterate my central sun and i hate and fear you for it . . . every moment with you is fraught with my anxiety of failure to be who you want me to be, to say what you want me to say . . .
You don't remember you have a daughter. You never see my pain. You see yourself.”
― Carol Lee, To Die For

“I started crying when the group [therapy] was over because the last thing we did upset me - we all held a piece of the same cloth, leaned back and supported each other's weight. I couldn't do it. I bent my legs and elbows and stood very firm, yet . . .
I needed to feel supported, as i do in life, but i can't let myself be, and i pretend not to need that support.”
― Carol Lee, To Die For

“She fails to see who I am, even, for her eyes do not, will not, take me in. Instead they transmit a powerful message. She is like a billboard flashing, starkly: 'Keep Out'.”
― Carol Lee, To Die For

“Why should I, why should anyone, expect her to go on fighting in this way, torn apart, minute by minute? Although I want her to live, I do not believe I have the right to impose it on her, to demand it.

Struggling to find a response to her cries for help, one which does not deny her pain or collude with it, I say no one who cares about her would ask her to do what is too difficult.”
― Carol Lee, To Die For

“Emma cites the structure of the [Eating Disorder] Unit as being important to her decision to disengage from her illness, and the fact that she felt safe in it, and cared for.
'It was the first time I'd been in an environment where I felt comfortabe with all the people around me. I felt "I can be here and I can talk to anybody" and that was something that had been missing from my life'.”
― Carol Lee, To Die For

“The reasons for Emma's illness and for her decision to allow life in, rather than die, are intertwined and involve the beginnings of her feelings of belonging, of safety and of competence to be in the world.”
― Carol Lee, To Die For

“I think maybe they come out into the grounds in nightwear. But no, in typical anorexic stype they have read the fashion magazines literally. This is their version of thin girls in strappy clothes.
The girl in the petticoat talks to me, as Emma has done on occsasion, in a rather grand style, as if she is a 'lady' of some substance and I a visiting guest.
Do they chat much about clothes? I ask Emma in the car.
She shakes her head.
So, does she, Emma, see the difference between underwear or nightwear and 'going out' clothes?
'Yes,' she says, her voices strained again. 'But it's one of the things you don't know properly when you're ill and confused. You see these pictures and the people in the magazines are real for you.”
― Carol Lee, To Die For

“Stoical' is the best word to describe her reaction to these compliments, Emma putting up with them as of they were one of my unfortunate foibles.”
― Carol Lee, To Die For

“I want to kiss the bottom of the ocean before I burst through its surface into the sunlight. Otherwise I'll always be wondering about what was left unseen at the bottom.”
― Carol Lee, To Die For