Self Quotes

“The clear liquid in our eyes is seawater and therefore there are fish in our eyes, seawater being the natural medium of fish. Since blue and green are the colours of the richest seawater, blue and green eyes are the fishiest. Dark eyes are somewhat less fecund and albino eyes are nearly fishless, sadly so. But the quantity of fish in an eye means nothing. A single tigerfish can be as beautiful, as powerful, as an entire school of seafaring tuna. That science has never observed ocular fish does nothing to refute my theory; on the contrary, it emphasizes the key hypothesis, which is: love is the food of eye fish and only love will bring them out. So to look closely into someone's eyes with cold, empirical interest is like the rude tap-tap of a finder on an aquarium, which only makes the fish flee. In a similar vein, when I took to looking at myself closely in mirrors during the turmoil of adolescence, the fact that I saw nothing in my eyes, not even the smallest guppy or tadpole, said something about my unhappiness and lack of faith in myself at the time.

...I no longer believe in eye fish in [i]fact[/i], but still do in metaphor. In the passion of an embrace, when breath, the win, is at its loudest and skin at its saltiest, I still nearly think that I could stop things and hear, feel, the rolling of the sea. I am still nearly convinced that, when my love and I kiss, we will be blessed with the sight of angelfish and sea-horses rising to the surface of our eyes, these fish being the surest proof of our love. In spite of everything, I sill profoundly believe that love is something oceanic.”
― Yann Martel, Self

“When the course of experience made me see that there is no saviour and no special grace, no remission beyond the human, that pain is to be endured and fades, if it fades, only with time, then God became nothing to me but a dyslexic dog, with neither bark nor bite.”
― Yann Martel, Self

“Memory is a glue: it attaches you to everything, even to what you don’t like.”
― Yann Martel, Self

“A plain is what a mountain aims to be: the closest you can come to being in outer space while yet having your feet on this planet.”
― Yann Martel, Self

“Trees were not hard, irritable things, but discreetly orgasmic beings moaning at a level too deep for our brutish ears. And flowers were quick explosive orgasms, like making love in the shower.”
― Yann Martel, Self

“And the scrotum! To think that something so vital to the survival of the species, fully responsible for 50 percent of the ingredients - though none of the work - should hang freely from the body in a tiny, defenceless bag of skin. One whack, one bite, one paw scratch - and its just at the right level, too, for your average animal, a dog, a lion, a sabre-tooth tiger, and that's it, end of story. Don't you think it should get better protection? Behind some bone for example? The penis is just such a lousy design.”
― Yann Martel, Self

“As soon as I got close to starting anything, I was beset by questions and hesitations. What I was about to do was so important, so significant, that it always required further consideration. My spontaneity would fizzle. I would put off my oeuvre for another day. Tomorrow at eight thirty I would start, for sure. Meanwhile, in joyful anticipation of this, I would go for a walk and then read.”
― Yann Martel, Self

“Suddenly I stood up mightily...bent forward a little, and in one go I produced. I turned. What a sight! What a smell! It was a magnificent log of excrement, at first poorly formed, like conglomerate rock that hasn't had the time to set, and dark brown, nearly black, then resolving itself into a dense texture of a rich chestnut hue, with fascinating convolutions. It started deep in the potty, but after a coil or two it rose up like a hypnotised cobra and came to rest against my calf, where I remember it very, very warm, my first memory of temperature. It ended in a perfect moist peak.”
― Yann Martel, Self

“It was only later that I realized that this voice was my own thinking, that this moment of anguish was my first inkling that I was a ceaseless monologue trapped within myself.”
― Yann Martel, Self

“Hungry, tired, eyes sore, dying to pee, I would sit and take in every conceivable kind of movie. The only criterion for being shown at Canadian Images was that a movie be Canadian. It”
― Yann Martel, Self

“Change becomes a habit and habits are hard to change. I”
― Yann Martel, Self

“I would return home to la maison, feminine where, as likely as not, I would go to my room, la chambre, where I would settle to read un livre masculine, until supper. During the masculine meal, feminine food would be eaten. After my hard, productive masculine day, I would rest during the feminine night. At one time, for a few days, I even took an affected aversion to being in the kitchen, la cuisine.”
― Yann Martel, Self

“At one point I turned to the French language, which gave me the gender of all things. But to no satisfaction. I would readily agree that trucks and murders were masculine while bicycles and life were feminine. But how odd that a breast was masculine. And it made little sense that garbage was feminine while perfume was masculine — and no sense at all that television, which I would have deemed repellently masculine, was in fact feminine. When”
― Yann Martel, Self

“If a friend of mine in Paris had confessed that he was in love with a Simon or a Peter, I would have compared notes with him on my love for Mary Ann. Gender in matters of love struck me as of no greater consequence than flavours in ice-cream. I imagine the absence of religion in my upbringing was one factor that had allowed this belief to survive. Perhaps, too, I had a natural openness in the matter. At any rate, it was completely unwittingly that I had disregarded this fundamental polarity of North American society.”
― Yann Martel, Self

“Indeed, from my earliest years the idea of transformation has been central to my life. Naturally so, I suppose, being the child of diplomats. I changed schools, languages, countries and continents a number of times during my childhood. At each change I had the opportunity to re-create myself, to present a new façade, to bury past errors and misrepresentations.”
― Yann Martel, Self

“You see, the penis, it's so graceless, wouldn't you agree? When it's cold and shrivelled up, it looks like W.H. Auden in his old age; when it's hot, it flops and dangles about in a ridiculous way; when it's excited, it looks so pained and earnest you'd think it was going to burst into tears. And the scrotum! To think that something so vital to the survival of the species, fully responsible for 50 per cent of the ingredients--though none of the work--should hang freely from the body in a tiny, defenceless bag of skin. One whack, one bite, one paw-scratch--and it's just the right level, too, for your average animal, a dog, a lion, a sabre-tooth tiger--and that's it, end of story. Don't you think it should get better protection? Behind some bone, for example, like us? What could be better than our nicely tapered entrance? It's discreet and stylish, everything is cleverly and compactly encased in the body, with nothing hanging out within easy reach of a closing subway door, there's a neat triangle of hair above it, like a road sign, should you lose your way--it's perfect. The penis is just such a lousy design. It's pre-Scandinavian. Pre-Bauhaus, even.”
― Yann Martel, Self