Einya

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Everyone in This ...
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by Emily R. Austin (Goodreads Author)
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  (page 85 of 207)
Aug 03, 2024 07:43AM

 
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Sheena Patel
“Aren’t these wealthy aesthetes on Instagram merely another iteration of a class elite deciding what is good and what is not good, shaping our reality the way they always have just better disguised by technology which has the optics of transparency and democracy? Are they not the beneficiaries of the old, covert systems, descendants of the children of settlers and the children of Empire, left-leaning spawn from right-leaning families, who can pick and choose objects plucked outside of their cultural context in some sort of static menagerie in order to show how innately open-minded they are even as their wealth has been drawn from global structures that decimate the cultures those objects are from? If only we could all be buffered from exploitatively neoliberal regimes by family money and luxuriously austere domestic settings.”
Sheena Patel, I'm a Fan

Mieko Kawakami
“When I start to feel emotional about something, I can't tell if I'm actually feeling that way. What if it's just something somebody wrote in a book? Or maybe a line or a performance from some movie... Either way, I get this feeling like I'm quoting somebody else's work.”
Mieko Kawakami, All the Lovers in the Night

Sayaka Murata
“I mean, normal is a type of madness, isn't it? I think it's just that the only madness society allows is called normal.”
Sayaka Murata, Life Ceremony

Chelsea G. Summers
“My thinking has always been that if love, marriage, and family were intrinsically so meaningful, so exceptional, and so necessary, then we wouldn't need millennia of propaganda selling them to us.”
Chelsea G. Summers, A Certain Hunger

Jen Beagin
“I’m direct,” Big Swiss admitted, “because I don’t care if people like me. I distrust people-pleasers. They seem phony to me, and dangerous.”
Jen Beagin, Big Swiss

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