вιвℓισρнιℓια {кιηgѕℓєу & ѕøяєη ƒσяєνєя}

“No. No!” he says.
“I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know.

“You can’t go. Ana, I love you!”
“I love you, too, Christian, it’s just—”
“No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .”
“No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What?
“Christian, what are you doing?”
He continues to stare down, not looking at me.
“Christian! What are you doing?”
My voice is high-pitched. He doesn’t move.
“Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.”
― E.L. James, Fifty Shades Darker

“Nothing on earth can make up for the loss of one who has loved you.”
― Selma Lagerlöf

“We fuck, we have fun, and then we spoon. I don’t go home...”
― Samantha Young, On Dublin Street

“Okay. I don’t know if I have the right words, but love is this feeling I get when I look at you. A feeling that as long as you’re near me, or in the world even, then everything will be okay. That everything has meaning. It’s as if the world was all shades of sepia—like an old movie reel—and that everywhere I looked I saw suffering and pain. Then I heard your voice, I saw your face, and somehow the color came into everything.”
― Ryan Winfield, Jane's Melody