Eric

“People said Ove saw the world in black and white. But she was color. All the color he had.”
― Fredrik Backman, A Man Called Ove

“Words are small things. No one means any harm by them, they keep saying that. Everyone is just doing their job. The police say it all the time. 'I'm just doing my job here.' That's why no one asks what the boy did; as soon as the girl starts to talk they interrupt her instead with questions about what she did. Did she go up the stairs ahead of him or behind him? Did she lie down on the bed voluntarily or was she forced? Did she unbutton her own blouse? Did she kiss him? No? Did she kiss him back, then? Had she been drinking alcohol? Had she smoked marijuana? Did she say no? Was she clear about that? Did she scream loudly enough? Did she struggle hard enough? Why didn't she take photographs of her bruises right away? Why did she run from the party instead of saying anything to the other guests? They have to gather all the information, they say, when they ask the same question ten times in different ways in order to see if she changes her answer. This is a serious allegation, they remind her, as if it's the allegation that's the problem. She is told all the things she shouldn't have done: She shouldn't have waited so long before going to the police. She shouldn't have gotten rid of the clothes she was wearing. Shouldn't have showered. Shouldn't have drunk alcohol. Shouldn't have put herself in that situation. Shouldn't have gone into the room, up the stairs, given him the impression. If only she hadn't existed, then none of this would have happened, why didn't she think of that? She's fifteen, above the age of consent, and he's seventeen, but he's still 'the boy' in every conversation. She's 'the young woman.' Words are not small things.”
― Fredrik Backman, Beartown

“Humanity has many shortcomings, but none is stronger than pride.”
― Fredrik Backman, Beartown

“It was the same book, every day. The pages of said book were rounded and soft where Young Sam had chewed them, but to one person in this nursery this was the book of books, the greatest story ever told. Vimes didn't need to read it any more. He knew it by heart.

It was called Where's My Cow?

The unidentified complainant had lost their cow. That was the story, really.

Page one started promisingly:

Where's my cow?

Is that my cow?

It goes, "Baa!"

It is a sheep! That's not my cow!

Then the author began to get to grips with their material:

Where's my cow?

Is that my cow?

It goes, "Neigh!"

It is a horse! That's not my cow!

At this point the author had reached an agony of creation and was writing from the racked depths of their soul.

Where's my cow?

Is that my cow?

It goes, "Hruuugh!"

It is a hippopotamus! That's not my cow!

This was a good evening. Young Sam was already grinning widely and crowing along with the plot.

Eventually, the cow would be found. It was that much of a pageturner. Of course, some suspense was lent by the fact that all other animals were presented in some way that could have confused a kitten, who perhaps had been raised in a darkened room. The horse was standing in front of a hatstand, as they so often did, and the hippo was eating at a trough against which was an upturned pitchfork. Seen from the wrong direction, the tableau might look for just one second like a cow ...

Young Sam loved it, anyway. It must have been the most cuddled book in the world.

Nevertheless, it bothered Vimes, even though he'd got really good at the noises and would go up against any man in his rendition of the "Hruuugh!" But was this a book for a city kid? When would he ever hear these noises? In the city the only sound those animals would make was "sizzle" But the nursery was full of the conspiracy, with baa-lambs and teddy bears and fluffy ducklings everywhere he looked.”
― Terry Pratchett, Thud!