176 books
—
42 voters
1912 Books
Showing 1-50 of 94
A Princess of Mars (Barsoom, #1)
by (shelved 7 times as 1912)
avg rating 3.81 — 60,371 ratings — published 1912
Death in Venice (Paperback)
by (shelved 6 times as 1912)
avg rating 3.68 — 67,958 ratings — published 1911
The Autobiography of an Ex-Coloured Man (Paperback)
by (shelved 5 times as 1912)
avg rating 3.93 — 11,257 ratings — published 1912
The Gods Will Have Blood (Paperback)
by (shelved 4 times as 1912)
avg rating 3.75 — 3,152 ratings — published 1912
Concerning the Spiritual in Art (Paperback)
by (shelved 4 times as 1912)
avg rating 3.83 — 92,526 ratings — published 1912
Titanic: Voices From the Disaster (Scholastic Focus)
by (shelved 4 times as 1912)
avg rating 4.05 — 4,921 ratings — published 2012
Daddy-Long-Legs (Daddy-Long-Legs, #1)
by (shelved 4 times as 1912)
avg rating 4.13 — 75,244 ratings — published 1912
Alexander's Bridge (Paperback)
by (shelved 3 times as 1912)
avg rating 3.41 — 1,930 ratings — published 1912
Chronicles of Avonlea (Chronicles of Avonlea, #1)
by (shelved 3 times as 1912)
avg rating 3.94 — 13,927 ratings — published 1912
The Lost World (Professor Challenger, #1)
by (shelved 3 times as 1912)
avg rating 3.93 — 72,366 ratings — published 1912
Death in Venice and Other Stories (Paperback)
by (shelved 2 times as 1912)
avg rating 3.83 — 3,908 ratings — published 1928
The Master Key System (Paperback)
by (shelved 2 times as 1912)
avg rating 4.21 — 7,065 ratings — published 1912
Campos de Castilla (Mass Market Paperback)
by (shelved 2 times as 1912)
avg rating 3.99 — 4,097 ratings — published 1912
Hadji Murád (Paperback)
by (shelved 2 times as 1912)
avg rating 3.85 — 15,290 ratings — published 1912
Pollyanna (Pollyanna, #1)
by (shelved 2 times as 1912)
avg rating 4.02 — 91,544 ratings — published 1913
Pygmalion (Paperback)
by (shelved 2 times as 1912)
avg rating 3.89 — 109,499 ratings — published 1913
A Night to Remember (Paperback)
by (shelved 2 times as 1912)
avg rating 4.10 — 28,686 ratings — published 1955
The Captain's Daughter (Hardcover)
by (shelved 2 times as 1912)
avg rating 3.96 — 3,021 ratings — published 2011
In the Land of White Death: An Epic Story of Survival in the Siberian Arctic (Paperback)
by (shelved 2 times as 1912)
avg rating 4.04 — 2,877 ratings — published 1917
The Financier (Trilogy of Desire, #1)
by (shelved 2 times as 1912)
avg rating 4.28 — 7,852 ratings — published 1912
The Valley of Amazement (Hardcover)
by (shelved 2 times as 1912)
avg rating 3.70 — 44,943 ratings — published 2013
1912: Wilson, Roosevelt, Taft and Debs -- The Election that Changed the Country (Paperback)
by (shelved 2 times as 1912)
avg rating 3.79 — 777 ratings — published 2004
South Pole: An Account of the Norwegian Antarctic Expedition in the 'Fram', 1910-12 (Paperback)
by (shelved 2 times as 1912)
avg rating 4.19 — 947 ratings — published 1912
Sunshine Sketches of a Little Town (Paperback)
by (shelved 2 times as 1912)
avg rating 3.72 — 3,859 ratings — published 1912
The Adventures of Maya the Bee (Paperback)
by (shelved 1 time as 1912)
avg rating 3.86 — 809 ratings — published 1912
A Month in the Country (Paperback)
by (shelved 1 time as 1912)
avg rating 4.08 — 27,079 ratings — published 1980
Dearie: The Remarkable Life of Julia Child (Paperback)
by (shelved 1 time as 1912)
avg rating 3.89 — 9,586 ratings — published 2012
As Always, Julia: The Letters of Julia Child and Avis DeVoto: Food, Friendship, and the Making of a Masterpiece (Hardcover)
by (shelved 1 time as 1912)
avg rating 4.14 — 4,814 ratings — published 2010
My Life in France (Hardcover)
by (shelved 1 time as 1912)
avg rating 4.16 — 93,052 ratings — published 2006
Titanic (Kindle Edition)
by (shelved 1 time as 1912)
avg rating 3.89 — 1,202 ratings — published 1912
Psychology of the Unconscious (Paperback)
by (shelved 1 time as 1912)
avg rating 4.16 — 1,540 ratings — published 1912
The Broken Wings (Paperback)
by (shelved 1 time as 1912)
avg rating 3.96 — 28,498 ratings — published 1912
The Loss of the S.S. Titanic: Its Story and Its Lessons (Paperback)
by (shelved 1 time as 1912)
avg rating 3.96 — 1,273 ratings — published 1912
Death in Venice and Other Tales (Paperback)
by (shelved 1 time as 1912)
avg rating 3.92 — 16,177 ratings — published 1998
Heart of the Glen (Paperback)
by (shelved 1 time as 1912)
avg rating 4.09 — 517 ratings — published 2025
The Elementary Forms of Religious Life (Paperback)
by (shelved 1 time as 1912)
avg rating 3.93 — 3,765 ratings — published 1912
Prison Memoirs of an Anarchist (Paperback)
by (shelved 1 time as 1912)
avg rating 3.98 — 609 ratings — published 1912
A Son of the Sun: The Adventures of Captain David Grief (Hardcover)
by (shelved 1 time as 1912)
avg rating 3.49 — 488 ratings — published 1912
Tragic Sense of Life (Paperback)
by (shelved 1 time as 1912)
avg rating 4.03 — 2,337 ratings — published 1912
The Phoenix Crown (Paperback)
by (shelved 1 time as 1912)
avg rating 3.85 — 45,501 ratings — published 2024
Coal River (Paperback)
by (shelved 1 time as 1912)
avg rating 3.95 — 12,836 ratings — published 2015
Đứa Con Đi Hoang Trở Về (Paperback)
by (shelved 1 time as 1912)
avg rating 3.77 — 132 ratings — published
A Dear Little Girl's Thanksgiving Holidays (Kindle Edition)
by (shelved 1 time as 1912)
avg rating 3.85 — 60 ratings — published 1912
Cease Firing (Kindle Edition)
by (shelved 1 time as 1912)
avg rating 3.47 — 64 ratings — published 1912
The Second Mrs. Astor (Paperback)
by (shelved 1 time as 1912)
avg rating 3.97 — 72,008 ratings — published 2021
Trouble for The Dockyard Girls (Kindle Edition)
by (shelved 1 time as 1912)
avg rating 4.54 — 456 ratings — published
The High-Life (Paperback)
by (shelved 1 time as 1912)
avg rating 3.88 — 207 ratings — published 2006
“Brockhurst, the champion of individualism, was soon launched on his favorite topic.
"The great fault of the American nation, which is the fault of republics, is the reduction of everything to the average. Our universities are simply the expression of the forces that are operating outside. We are business colleges purely and simply, because we as a nation have only one ideal—the business ideal."
"That's a big statement," said Regan.
"It's true. Twenty years ago we had the ideal of the lawyer, of the doctor, of the statesman, of the gentleman, of the man of letters, of the soldier. Now the lawyer is simply a supernumerary enlisting under any banner for pay; the doctor is overshadowed by the specialist with his business development of the possibilities of the rich; we have politicians, and politics are deemed impossible for a gentleman; the gentleman cultured, simple, hospitable, and kind, is of the dying generation; the soldier is simply on parade."
"Wow!" said Ricketts, jingling his chips. "They're off."
"Everything has conformed to business, everything has been made to pay. Art is now a respectable career—to whom? To the business man. Why? Because a profession that is paid $3,000 to $5,000 a portrait is no longer an art, but a blamed good business. The man who cooks up his novel according to the weakness of his public sells a hundred thousand copies. Dime novel? No; published by our most conservative publishers—one of our leading citizens. He has found out that scribbling is a new field of business. He has convinced the business man. He has made it pay.”
― Stover at Yale
"The great fault of the American nation, which is the fault of republics, is the reduction of everything to the average. Our universities are simply the expression of the forces that are operating outside. We are business colleges purely and simply, because we as a nation have only one ideal—the business ideal."
"That's a big statement," said Regan.
"It's true. Twenty years ago we had the ideal of the lawyer, of the doctor, of the statesman, of the gentleman, of the man of letters, of the soldier. Now the lawyer is simply a supernumerary enlisting under any banner for pay; the doctor is overshadowed by the specialist with his business development of the possibilities of the rich; we have politicians, and politics are deemed impossible for a gentleman; the gentleman cultured, simple, hospitable, and kind, is of the dying generation; the soldier is simply on parade."
"Wow!" said Ricketts, jingling his chips. "They're off."
"Everything has conformed to business, everything has been made to pay. Art is now a respectable career—to whom? To the business man. Why? Because a profession that is paid $3,000 to $5,000 a portrait is no longer an art, but a blamed good business. The man who cooks up his novel according to the weakness of his public sells a hundred thousand copies. Dime novel? No; published by our most conservative publishers—one of our leading citizens. He has found out that scribbling is a new field of business. He has convinced the business man. He has made it pay.”
― Stover at Yale
“What would be the natural thing? A man goes to college. He works as he wants to work, he plays as he wants to play, he exercises for the fun of the game, he makes friends where he wants to make them, he is held in by no fear of criticism above, for the class ahead of him has nothing to do with his standing in his own class. Everything he does has the one vital quality: it is spontaneous. That is the flame of youth itself. Now, what really exists?"
"...I say our colleges to-day are business colleges—Yale more so, perhaps, because it is more sensitively American. Let's take up any side of our life here. Begin with athletics. What has become of the natural, spontaneous joy of contest? Instead you have one of the most perfectly organized business systems for achieving a required result—success. Football is driving, slavish work; there isn't one man in twenty who gets any real pleasure out of it. Professional baseball is not more rigorously disciplined and driven than our 'amateur' teams. Add the crew and the track. Play, the fun of the thing itself, doesn't exist; and why? Because we have made a business out of it all, and the college is scoured for material, just as drummers are sent out to bring in business.
"Take another case. A man has a knack at the banjo or guitar, or has a good voice. What is the spontaneous thing? To meet with other kindred spirits in informal gatherings in one another's rooms or at the fence, according to the whim of the moment. Instead what happens? You have our university musical clubs, thoroughly professional organizations. If you are material, you must get out and begin to work for them—coach with a professional coach, make the Apollo clubs, and, working on, some day in junior year reach the varsity organization and go out on a professional tour. Again an organization conceived on business lines.
"The same is true with the competition for our papers: the struggle for existence outside in a business world is not one whit more intense than the struggle to win out in the News or Lit competition. We are like a beef trust, with every by-product organized, down to the last possibility. You come to Yale—what is said to you? 'Be natural, be spontaneous, revel in a certain freedom, enjoy a leisure you'll never get again, browse around, give your imagination a chance, see every one, rub wits with every one, get to know yourself.'
"Is that what's said? No. What are you told, instead? 'Here are twenty great machines that need new bolts and wheels. Get out and work. Work harder than the next man, who is going to try to outwork you. And, in order to succeed, work at only one thing. You don't count—everything for the college.' Regan says the colleges don't represent the nation; I say they don't even represent the individual.”
― Stover at Yale
"...I say our colleges to-day are business colleges—Yale more so, perhaps, because it is more sensitively American. Let's take up any side of our life here. Begin with athletics. What has become of the natural, spontaneous joy of contest? Instead you have one of the most perfectly organized business systems for achieving a required result—success. Football is driving, slavish work; there isn't one man in twenty who gets any real pleasure out of it. Professional baseball is not more rigorously disciplined and driven than our 'amateur' teams. Add the crew and the track. Play, the fun of the thing itself, doesn't exist; and why? Because we have made a business out of it all, and the college is scoured for material, just as drummers are sent out to bring in business.
"Take another case. A man has a knack at the banjo or guitar, or has a good voice. What is the spontaneous thing? To meet with other kindred spirits in informal gatherings in one another's rooms or at the fence, according to the whim of the moment. Instead what happens? You have our university musical clubs, thoroughly professional organizations. If you are material, you must get out and begin to work for them—coach with a professional coach, make the Apollo clubs, and, working on, some day in junior year reach the varsity organization and go out on a professional tour. Again an organization conceived on business lines.
"The same is true with the competition for our papers: the struggle for existence outside in a business world is not one whit more intense than the struggle to win out in the News or Lit competition. We are like a beef trust, with every by-product organized, down to the last possibility. You come to Yale—what is said to you? 'Be natural, be spontaneous, revel in a certain freedom, enjoy a leisure you'll never get again, browse around, give your imagination a chance, see every one, rub wits with every one, get to know yourself.'
"Is that what's said? No. What are you told, instead? 'Here are twenty great machines that need new bolts and wheels. Get out and work. Work harder than the next man, who is going to try to outwork you. And, in order to succeed, work at only one thing. You don't count—everything for the college.' Regan says the colleges don't represent the nation; I say they don't even represent the individual.”
― Stover at Yale














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