Veil Quotes

Quotes tagged as "veil" (showing 1-30 of 34)
W. Somerset Maugham
“I always find it more difficult to say the things I mean than the things I don't.”
W. Somerset Maugham, The Painted Veil

“The perpetual movement of the water, rolling from and to unknown destinations, the voices of the sea shield us from the raging furies and shrieking sounds of dystopian surroundings, creating an unwinding veil for stilled happiness, acquainting us with the gentle, cosmic rhythms of an extraneous world. They are a soothing relief and let us listen to the voices of our inner world. ("Voices of the sea" )”
Erik Pevernagie

Marjane Satrapi
“I have always thought that if women's hair posed so many problems, God would certainly have made us bald.”
Marjane Satrapi, The Complete Persepolis

Lionel Shriver
“It isn't very nice to admit, but domestic violence has its uses. So raw and unleashed, it tears away the veil of civilization that comes between us as much as it makes life possible. A poor substitute for the sort of passion we like to extol perhaps, but real love shares more in common with hatred and rage than it does with geniality or politeness.”
Lionel Shriver, We Need to Talk About Kevin

Sanhita Baruah
“No matter how "normal" people look, living "ordinary" lives, everyone has a story to tell. And may be, just like you, everyone else is a misfit too.”
Sanhita Baruah

Kamand Kojouri
“I haven’t written you a poem in years it seems.
How can it be my fault
when the words to describe you have not yet been created?
When the alphabet lacks the very letters?
How can it be my fault
when your loveliness only grows
by the time I reach for pen and paper?
Tell me how I am at fault
when I am only a beginner in poems
and you are exquisite poetry?
To write you in words
is to put a veil upon you.
Why must I write
when I can kiss you instead?”
Kamand Kojouri

Pawan Mishra
“It was much easier to explain the veil than to answer questions about the wounds.”
Pawan Mishra, Coinman: An Untold Conspiracy

Criss Jami
“Peculiar I say, how so often the smallest, most seemingly insignificant details later unveil their faces as vital means for progression.”
Criss Jami, Healology

“Hijab adalah pembebasan dari ketergantungan kosmetik dan topeng. Hijab adalah pembebasan untuk jujur pada hatimu. Hijab adalah pembebas jiwamu dari rantai-rantai duniawi.”
Mahdavi, Ratu yang Bersujud

“When we finally arrived, the chauffeur escorted my younger sister, Laila, and me up to my father’s suite. As usual, he was hiding behind the door waiting to scare us. We exchanged many hugs and kisses as we could possibly give in one day.

My father took a good look at us. Then he sat me down on his lap and said something that I will never forget. He looked me straight in the eyes and said,

“Hana, everything that God made valuable in the world is covered and hard to get to.

Where do you find diamonds? Deep down in the ground, covered and protected.

Where do you find pearls? Deep down at the bottom of the ocean, covered up and protected in a beautiful shell.

Where do you find gold? Way down in the mine, covered over with layers and layers of rock. You've got to work hard to get to them.”

He looked at me with serious eyes. “Your body is sacred. You’re far more precious than diamonds and pearls, and you should be covered too.”
Hana Yasmeen Ali, More Than a Hero: Muhammad Ali's Life Lessons Presented Through His Daughter's Eyes

António R. Damásio
“We use our minds not to discover facts but to hide them. One of things the screen hides most effectively is the body, our own body, by which I mean, the ins and outs of it, its interiors. Like a veil thrown over the skin to secure its modesty, the screen partially removes from the mind the inner states of the body, those that constitute the flow of life as it wanders in the journey of each day. (p.28)”
António R. Damásio, The Feeling of What Happens: Body and Emotion in the Making of Consciousness

W.E.B. Du Bois
“I sit with Shakespeare and he winces not. Across the color-line I move arm in arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out the caves of the evening that swing between the strong-limbed earth and the tracery of the stars, I summon Aristotle and Aurelius... and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the Veil.”
W.E.B. Du Bois, The Souls of Black Folk

With my veil I put my faith on display—rather than my beauty. My value as
“With my veil I put my faith on display—rather than my beauty. My value as a human is defined by my relationship with God, not by my looks. I cover the irrelevant. And when you look at me, you don’t see a body. You view me only for what I am: a servant of my Creator.
You see, as a Muslim woman, I’ve been liberated from a silent kind of bondage. I don’t answer to the slaves of God on earth. I answer to their King.”
Yasmin Mogahed, Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles

Manal Al-Sharif
“My face is my identity. No one will cover it. I’m proud of my face. If my face bothers you, don’t look. Turn your own face away, take your eyes off me. If you are seduced by merely looking at my face, that is your problem.
Do not tell me to cover it. You cannot punish me simply because you cannot control yourself.”
Manal Al-Sharif, Daring to Drive: A Saudi Woman's Awakening

Mokokoma Mokhonoana
“Culture is a symbolic veil with which we hide our animal nature from ourselves … and other animals.”
Mokokoma Mokhonoana

L.M. Montgomery
“This. This is exactly it.

"It had always seemed to Emily, ever since she could remember, that she was very, very near to a world of wonderful beauty. Between it and herself hung only a thin curtain; she could never draw the curtain aside — but sometimes, just for a moment, a wind fluttered it and then it was as if she caught a glimpse of the enchanting realm beyond — only a glimpse — and heard a note of unearthly music.

This moment came rarely — went swiftly, leaving her breathless with the inexpressible delight of it. She could never recall it — never summon it — never pretend it; but the wonder of it stayed with her for days. It never came twice with the same thing. Tonight the dark boughs against that far-off sky had given it. It had come with a high, wild note of wind in the night, with a shadow wave over a ripe field, with a grey bird lighting on her windowsill in a storm, with the singing of “Holy, holy, holy” in church, with a glimpse of the kitchen fire when she had come home on a dark autumn night, with the spirit-like blue of ice palms on a twilit pane, with a felicitous new word when she writing down a ‘description’ of something. And always when the flash came to her Emily felt that life was a wonderful, mysterious thing of persistent beauty."

— Emily of New Moon by
‪”
L.M. Montgomery

“She yanked up the veil from Sarah’s burka to catch her breath in the night’s thick air. Frantic, Zoe snatched her cell phone from the bedside table. The touchscreen’s dim light painted her frightened silhouette on the bedroom wall.”
Michael Benzehabe

“The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another.

'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.”
Ashim Shanker, Don't Forget to Breathe

“The sky blue strengthens slowly, the dawn light rosy and pale the summer song of our romance begin to unveil...with every heart beat and the waves' breath...the time stood in harmony still. Your morning kiss my hands could feel...by your lips soft, so warm, so very gentle, nice and full of life...”
Oksana Rus

Johnny Rich
“Reality, it seems, is not a flat plane, but has as many veils as an onion has skins.”
Johnny Rich, The Human Script

Himanshu Chhabra
“Through the veil of Love, one finds the heaven on Earth”
Himanshu Chhabra

“When and where there is repression, what a woman does when she gets dressed in the morning may be considered political. Wearing or not wearing a veil, disobeying laws that prohibit transgender dressing, or wearing a large Afro in an institution that seeks to diminish the formation of racial alliances are all actions that can serve as challenges to domination”
Maxine Leeds Craig, Ain't I a Beauty Queen?: Black Women, Beauty, and the Politics of Race: Culture, Social Movements, and the Politics of Race

AainaA-Ridtz
“Le voile est essentielle pour le monde, soit par l'organisme, ou au moyen de la connaissance”
AainaA-Ridtz, The Sacred Key — Transcending Humanity

“At critical moments the veil between the little-self and the deep self thins and a meaningful self-adjustment becomes possible. If a person does not become paralyzed with fear or frozen in hatred, the wise self hidden within will rise to the occasion.”
Michael Meade, Fate and Destiny, The Two Agreements of the Soul

“Some Albanians who have worn a veil say it creates a kind of freedom by giving them anonymity and symbolic invulnerability when outside the home.”
Antonia Young, Women Who Become Men: Albanian Sworn Virgins

Peter Høeg
“The greatest performances where when fingertips took away a very thin veil between people and uncovered the universe in its entirety.”
Peter Høeg, The Quiet Girl

Farshad Asl
“A life hidden behind the veil of excuses leaves behind a blank page, but a life with the brilliant light of purpose shone upon it fills every page with wisdom.”
Farshad Asl, The "No Excuses" Mindset: A Life of Purpose, Passion, and Clarity

Damon Galgut
“There was no reason why he should not lift the veil aside.
Well, there was Lily. He could imagine his mother’s face if he told her he was giving up meat and alcohol and going to live off the land and make sandals. Not to mention homogenic love. The veil might be thin, but in some cases it was insurmountable.”
Damon Galgut, Arctic Summer
tags: veil

“Life may be lived with a veil vainly attempting to hide its truth. The Painted Veil, as Somerset Maugham called it, does fade with time, if not raised earlier. If anything is more pathetic than its former self, it is the faded veil.”
R.N. Prasher

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