Difficulty Quotes
Quotes tagged as "difficulty"
Showing 331-352 of 352

“Love is the great test of the human. The human is tested by our ability to withstand love. Love is so difficult, it is so challenging, it demands of us that we wreck it with ourselves. It demands of us an honesty that few of us could sustain.”
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“It is also good to love: because love is difficult. For one human being to love another human being: that is perhaps the most difficult task that has been entrusted to us, the ultimate task, the final test and proof, the work for which all other work is merely preparation.... Loving does not at first mean merging, surrendering, and uniting with another person (for what would a union be of two people who are unclarified, unfinished, and still incoherent?), it is a high inducement for the individual to ripen, to become something in himself, to become world, to become world in himself for the sake of another person; it is a great, demanding claim on him, something that chooses him and calls him to vast distances... Merging and surrendering and every kind of communion is not for them (who must still, for a long, long time, save and gather themselves); it is the ultimate, is perhaps that for which human lives are as yet barely large enough.”
― Letters to a Young Poet
― Letters to a Young Poet

“Resilience is not a commodity you are born with, waiting silently on tap. It is self-manufactured painstakingly over time by working through your problems and never giving up, even in the face of difficulty or failure.”
― No Excuses, The Fit Mind-Fit Body Strategy Book
― No Excuses, The Fit Mind-Fit Body Strategy Book

“I've figured out why they call it a trial. Because you try all you can to pull through it. ”
― Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year
― Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year
“One way at a time I'll try to lend these broken hands of mine give my strength, be my light.”
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“A distant love that waits to be together, is by far the most difficult relationship. It's like lighting a candle, and adoring the long flame and robust glow. Until time sets in like wax, overflowing deeper and deeper into the wick, leaving a sparse flame struggling to live. This is where most distant relationships fade, with the wax smothering the flame. This kind of relationship takes patience, hope, unconditional love, trust and strength, all centered around God. If the flame endures to the end, and the two come together, only then will it feel as if the candle was tipped and all the wax came pouring out, when the flame is revived, long and glowing again.”
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“Difficulty itself may be a path toward concentration — expended effort weaves us into a task, and successful engagement, however laborious, becomes also a labor of love. The work of writing brings replenishment even to the writer dealing with painful subjects or working out formal problems, and there are times when suffering’s only open path is through an immersion in what is. The eighteenth-century Urdu poet Ghalib described the principle this way: ‘For the raindrop, joy is in entering the river — / Unbearable pain becomes its own cure.’
“Difficulty then, whether of life or of craft, is not a hindrance to an artist. Sartre called genius ‘not a gift, but the way a person invents in desperate circumstances.’ Just as geological pressure transforms ocean sediment into limestone, the pressure of an artist’s concentration goes into the making of any fully realized work. Much of beauty, both in art and in life, is a balancing of the lines of forward-flowing desire with those of resistance — a gnarled tree, the flow of a statue’s draped cloth. Through such tensions, physical or mental, the world in which we exist becomes itself. Great art, we might say, is thought that has been concentrated in just this way: honed and shaped by a silky attention brought to bear on the recalcitrant matter of earth and of life. We seek in art the elusive intensity by which it knows.”
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“Difficulty then, whether of life or of craft, is not a hindrance to an artist. Sartre called genius ‘not a gift, but the way a person invents in desperate circumstances.’ Just as geological pressure transforms ocean sediment into limestone, the pressure of an artist’s concentration goes into the making of any fully realized work. Much of beauty, both in art and in life, is a balancing of the lines of forward-flowing desire with those of resistance — a gnarled tree, the flow of a statue’s draped cloth. Through such tensions, physical or mental, the world in which we exist becomes itself. Great art, we might say, is thought that has been concentrated in just this way: honed and shaped by a silky attention brought to bear on the recalcitrant matter of earth and of life. We seek in art the elusive intensity by which it knows.”
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“It is a friend's duty that he does not leave his friend in a difficult position but provide intimacy and support to him. In difficulty who leaves is a false and the one not quitting is a true friend.”
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“The art of biography is more difficult than is generally supposed.”
― The Bridge of San Luis Rey
― The Bridge of San Luis Rey

“Change is like the skin peeling off of a snake. It is slow. It is sticky. And sometimes you have to rub against a hard place to pull yourself through it. But in the end, you realize that it was worth it all to get the the new place and new person you have become.”
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“These are days of special perplexity and depression, and the path of public duty is unusually rugged.”
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“Kupata maarifa kutokana na shida ni jambo la kawaida maana shida ni kipimo cha akili, lakini kupata maarifa bila shida ni hekima maana hekima ni ufunguo wa maamuzi mema na udadisi wa kiakili.”
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“The genius of Laplace was a perfect sledge hammer in bursting purely mathematical obstacles; but, like that useful instrument, it gave neither finish nor beauty to the results. In truth, in truism if the reader please, Laplace was neither Lagrange nor Euler, as every student is made to feel. The second is power and symmetry, the third power and simplicity; the first is power without either symmetry or simplicity. But, nevertheless, Laplace never attempted investigation of a subject without leaving upon it the marks of difficulties conquered: sometimes clumsily, sometimes indirectly, always without minuteness of design or arrangement of detail; but still, his end is obtained and the difficulty is conquered.”
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“The great masters of modern analysis are Lagrange, Laplace, and Gauss, who were contemporaries. It is interesting to note the marked contrast in their styles. Lagrange is perfect both in form and matter, he is careful to explain his procedure, and though his arguments are general they are easy to follow. Laplace on the other hand explains nothing, is indifferent to style, and, if satisfied that his results are correct, is content to leave them either with no proof or with a faulty one. Gauss is as exact and elegant as Lagrange, but even more difficult to follow than Laplace, for he removes every trace of the analysis by which he reached his results, and studies to give a proof which while rigorous shall be as concise and synthetical as possible.”
― A Short Account of the History of Mathematics
― A Short Account of the History of Mathematics
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