Antiquity Quotes

Quotes tagged as "antiquity" (showing 1-30 of 34)
C.G. Jung
“Astrology is assured of recognition from psychology, without further restrictions, because astrology represents the summation of all the psychological knowledge of antiquity.”
C.G. Jung

Edith Hamilton
“I came to the Greeks early, and I found answers in them. Greece's great men let all their acts turn on the immortality of the soul. We don't really act as if we believed in the soul's immortality and that's why we are where we are today.”
Edith Hamilton

Donald Hall
“[O]ver the years I travelled to another universe. However alert we are, however much we think we know what will happen, antiquity remains an unknown, unanticipated galaxy. It is alien, and old people are a separate form of life. They have green skin, with two heads that sprout antennae. They can be pleasant, they can be annoying--in the supermarket, these old ladies won't get out of my way--but most important they are permanently other. When we turn eighty, we understand that we are extraterrestrial. If we forget for a moment that we are old, we are reminded when we try to stand up, or when we encounter someone young, who appears to observe green skin, extra heads, and protuberances.”
Donald Hall

Effrosyni Moschoudi
“Across the distance, the Acropolis museum cradled within its protective walls its legendary treasures, lulling them to a peaceful sleep under the eerie light from the heavens. Yet, through the large window, the five Caryatids stood alert on their strong platform. The ageless maidens with the long braided hair down their backs remained awake even at this hour gazing across to the Acropolis, full of nostalgia for their sacred home. Inside their marble chests, they nurtured as always, precious hope for the return of their long lost sister.”
Effrosyni Moschoudi, The Necklace of Goddess Athena

Mary Renault
“What is democracy? It is what it says, the rule of the people. It is as good as the people are, or as bad.”
Mary Renault, The Last of the Wine

Hermann Weyl
“The Greeks made Space the subject-matter of a science of supreme simplicity and certainty. Out of it grew, in the mind of classical antiquity, the idea of pure science. Geometry became one of the most powerful expressions of that sovereignty of the intellect that inspired the thought of those times. At a later epoch, when the intellectual despotism of the Church, which had been maintained through the Middle Ages, had crumbled, and a wave of scepticism threatened to sweep away all that had seemed most fixed, those who believed in Truth clung to Geometry as to a rock, and it was the highest ideal of every scientist to carry on his science 'more geometrico.”
Hermann Weyl

Pierre-Simon Laplace
“It is India that gave us the ingenious method of expressing all numbers by means of ten symbols, each symbol receiving a value of position as well as an absolute value; a profound and important idea which appears so simple to us now that we ignore its true merit. But its very simplicity and the great ease which it has lent to computations put our arithmetic in the first rank of useful inventions; and we shall appreciate the grandeur of the achievement the more when we remember that it escaped the genius of Archimedes and Apollonius, two of the greatest men produced by antiquity.”
Pierre-Simon Laplace

Norman F. Cantor
“A very long time ago, some 2.5 million years B.C., the mother of human species as we know it, our ultimate ancestor, appeared in East Africa... She was four feet tall and probably black..”
Norman F. Cantor, Antiquity

Proclus
“Surely, the gods' judgment is certain. But as for us, we must be satisfied to 'come close' to those things, for we are men, who speak according to what is likely, and whose lectures resemble fables.”
Proclus

Charleston Parker
“IGNORANCE is without gaining Knowledge & Knowledge is gained without IGNORANCE”
Charleston Parker, ONE Soul Many FACES - REVEALING THE HIDDEN TRUTH

Andulairah
“Should you see the light of your future, within the shadows of your present,
The resilience of life dancing over vast deserts of death,
Witness if you so shall, the majesty of Creation.
The connectedness of All was and always will be.
Entanglement? No. We call it Love.” ~ Sargon of Akkad 2345 B.C.
Excerpt from Andulairah's upcoming book "The Erunisis Medallion”
Andulairah, Eyes Of The Scarlet Rose

George Eliot
“Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control.”
George Eliot, Middlemarch

“It is no surprise that the only woman in antiquity who could be the subject of a full-length biography is Cleopatra. Yet, unlike Alexander, whom she rivals as the theme of romance and legend, Cleopatra is known to us through overwhelmingly hostile sources. The reward of the ‘good’ woman in Rome was likely to be praise in stereotyped phrases; in Athens she won oblivion.”
Sarah B. Pomeroy, Goddesses, Whores, Wives and Slaves: Women in Classical Antiquity

Robert Ingersoll's character was as nearly perfect as it is possible for the character of mortal man to be... none sweeter or nobler had ever blessed the world. The example of his life was of more value to posterity than all the sermons that were ever written on the doctrine of original sin... The genius for humor and wit and satire of a Voltaire, a wide amplitude of imagination, and a greatness of heart and brain that placed him upon an equal footing with the greatest thinkers of antiquity. He stands, at the close of his career, the first great reformer of the age.

{Thomas' words at the funeral of the great Robert Ingersoll}”
Charles S. Thomas

“Not only in antiquity but in our own times also laws have been passed...to secure good conditions for workers; so it is right that the art of medicine should contribute its portion for the benefit and relief of those for whom the law has shown such foresight...[We] ought to show peculiar zeal...in taking precautions for their safety. I for one have done all that lay in my power, and have not thought it beneath me to step into workshops of the meaner sort now and again and study the obscure operations of mechanical arts.”
Bernardino Ramazzini

“According to the conclusion of Dr. Hutton, and of many other geologists, our continents are of definite antiquity, they have been peopled we know not how, and mankind are wholly unacquainted with their origin.”
Jean-André de Luc

Erwin Panofsky
“Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity.”
Erwin Panofsky, Meaning in the Visual Arts

Lucretius
“When human life lay foul for all to see
Upon the earth, crushed by the burden of religion,
Religion which from heaven’s firmament
Displayed its face, its ghastly countenance,
Lowering above mankind, the first who dared
Raise mortal eyes against it, first to take
His stand against it, was a man of Greece.
He was not cowed by fables of the gods
Or thunderbolts or heaven’s threatening roar,
But they the more spurred on his ardent soul
Yearning to be the first to break apart
The bolts of nature’s gates and throw them open.
Therefore his lively intellect prevailed
And forth he marched, advancing onwards far
Beyond the flaming ramparts of the world,
And voyaged in mind throughout infinity,
Whence he victorious back in triumph brings
Report of what can be and what cannot
And in what manner each thing has a power
That’s limited, and deep-set boundary stone.
Wherefore religion in its turn is cast
Beneath the feet of men and trampled down,
And us his victory has made peers of heaven.”
Lucretius

Peter Sloterdijk
“The extension of the moral-historical perspective makes the meaning of the thesis of the athletic and somatic renaissance apparent. At the transition from the nineteenth to the twentieth century, the phenomenon labelled the 'rebirth of antiquity' in the language regulations of art history entered a phase that fundamentally modified the motives of our identification with cultural relics from antiquity, even from the early classical period. Here, as we have seen, one finds a regression to a time in which the changing of life had not yet fallen under the command of life-denying asceticisms. This 'supra-epochal' time could just as easily be called the future, and what seems like a regression towards it could also be conceived of as a leap forwards.”
Peter Sloterdijk, Du mußt dein Leben ändern

Peter Sloterdijk
“The ascetic planet he sights is the planet of the practising as a whole, the planet of advanced-civilized humans, the planet of those who have begun to give their existence forms and contents under vertical tensions in countless programmes of effort, some more and some less strictly coded. When Nietzsche speaks of the ascetic planet, it is not because he would rather have been born on a more relaxed star. His antiquity-instinct tells him that every heavenly body worth inhabiting must - correctly understood - be an ascetic planet inhabited by the practising, the aspiring and the virtuosos. What is antiquity for him but the code word for the age in which humans had to become strong enough for a sacred-imperial image of the whole? Inherent in the great worldviews of antiquity was the intention of showing mortals how they could live in harmony with the 'universe', even and especially when that whole showed them its baffling side, its lack of consideration for individuals.”
Peter Sloterdijk, Du mußt dein Leben ändern

Peter Sloterdijk
“His concept of allochrony - initially introduced shyly as 'untimeliness', then later radicalized to an exit from modernity - is based on the idea, as suggestive as it is fantastic, that antiquity has no need of repetitions enacted in subsequent periods, because it 'essentially' returns constantly on its own strength. In other words, antiquity - or the ancient - is not an overcome phase of cultural development that is only represented in the collective memory and can be summoned by the wilfulness of education. It is rather a kind of constant present - a depth time, a nature time, a time of being - that continues underneath the theatre of memory and innovation that occupies cultural time.”
Peter Sloterdijk, Du mußt dein Leben ändern

Gustave Flaubert
“Les dieux n'étant plus et le Christ n'étant pas encore, il y a eu, de Cicéron à Marc Aurèle, un moment unique où l'homme seul a été.”
Gustave Flaubert

Isaac Asimov
“To test a perfect theory with imperfect instruments did not impress the Greek philosophers as a valid way to gain knowledge.”
Isaac Asimov

Mary Wollstonecraft Shelley
“You have not studied the histories of ancient times, and perhaps know not the life that breathes in them; a soul of beauty and wisdom which had penetrated my heart of hearts.”
Mary Wollstonecraft Shelley, Valperga: Or, the Life and Adventures of Castruccio, Prince of Lucca

Livy
“...we can endure neither our vices nor the remedies needed to cure them.”
Livy, The Early History of Rome

Henri Pirenne
“L'Islam a rompu l'unité méditerranéenne que les invasions germaniques avaient laissé subsister.

C'est là le fait le plus essentiel qui se soit passé dans l'histoire européenne depuis les guerres puniques. C'est la fin de la tradition antique. C'est le commencement du Moyen  Age, au moment même où l'Europe était en voie de se byzantiniser.”
Henri Pirenne

Paul Bowles
“Looking at him she felt she knew what the people of antiquity had been like. Thirty centuries or more were effaced, and there he was, the alert and predatory sub-human, further from what she believed man should be like than the naked savage, because the savage was tractable, while this creature, wearing the armor of his own rigid barbaric culture, consciously defied progress. And that was what Stenham saw, too; to him the boy was a perfect symbol of human backwardness, and excited his praise precisely because he was “pure”: there was no room in his personality for anything that mankind had not already fully developed long ago. To him he was a consolation, a living proof that today’s triumph was not yet total; he personified Stenham’s infantile hope that time might still be halted and man sent back to his origins.”
Paul Bowles, The Spider's House

A.H. Septimius
“Educated and ambitious, with their own forthright opinions, the women of the Garvey set did more to determine political direction than many councillors. Their involvement in public life and political machinations was such that the Shylonian ambassador was able to report, to his monarch, that the women of the Garvey clique were ‘politicians first, homemakers second.”
A.H. Septimius, Crowns Of Amara: The Return Of The Oracle

Robert M. Schoch
“I was particularly impressed by the varying degrees of weathering and erosion seen on the different moai, which could be telltale signs of major discrepancies in their ages. The levels of sedimentation around certain moai also impressed me. Some moai have been buried in up to an estimated six meters of sediment, or more, such that even though they are standing erect, only their chins and heads are above the current ground level. Such high levels of sedimentation could occur quickly, for instance if there were catastrophic landslides, mudflows, or possibly tsunamis washing over the island, but I could not find any such evidence (and landslides or tsunamis would tend to shift and knock over the tall statues). Rather, to my eye, the sedimentation around certain moai suggests a much more extreme antiquity than most conventional archaeologists and historians believe to be the case--or believe to be possible.”
Robert M. Schoch, Forgotten Civilization: The Role of Solar Outbursts in Our Past and Future

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