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“Consider yourself and the cello. As you play the music moves out to the listener, and also enters the core of your own being, for somehow you are tuned to the cello. Well, I am persuaded that this is because you are a chord. I am a chord. Our DNA dictates our physicality-made up of billions of little notes-on a basic level. Add to that our geography, background et cetera, and you have your original score. Life is the layering of chords, but the underlying one that we are will never change. This brings us to string theory and love. Our personal chord resonates with the personal ones of others, and sometimes we encounter another person who is completely harmonious with us. It is a dominant, overwhelming attraction on the DNA level. However, such a person can appear to be our opposite-and that's where this 'opposites attract' notion comes from-because they have tuned their chord in a different way. In reality, we are attracted to the person we have chosen not to become, an alternative adjustment to a chord that is nearly the same as our own. The clashing portions of the chords sounding together advance the richness of it. So when you make love you aren't expressing emotions or showing affection, you are merging melodies. You are players in the same symphony.”
― Sarah Emily Miano, Encyclopaedia Of Snow

“This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.'

Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.”
― Jeanine Cummins, American Dirt

“Suppose you scrub your ethical skin until it shines, but inside there is no music, then what? Mohammed's son pores over words, and points out this and that, but if his chest is not soaked dark with love, then what? The Yogi comes along in his famous orange, but if inside he is colorless, then what?”
― Kabir, The Book of Kabir: Short Poems

“From the first time I set eyes on Marilyn, I thought she was just wonderful. On the silver screen, her lovely skin and platinum hair were luminescent and fantastic. I loved the fantasy of it. In the fifties, when I grew up. Marilyn was an enormous star, but there was such a double standard. The fact that she was such a hot number meant that many middle-class women looked down on her as a slut. And since the publicity machine behind her sold her as a sex idol, she wasn’t valued as a comedic actor or given credit for her talent. I never felt that way about her, obviously. I felt that Marilyn was also playing a character, the proverbial dumb blonde with the little-girl voice and big-girl body, and that there was a lot of smarts behind the act. My character in Blondie was partly a visual homage to Marilyn, and partly a statement about the good old double standard.”
― Debbie Harry, Face It

“Nature is full of patterns and we humans love finding them, creating them, repeating them. This is the core of language, math, music, and even ritual, which is the repetition of words or actions deemed worthy of representing something bigger than ourselves. My view is that all over the world and across time, these are all a form of art, an elaborate performance or a secret poem, all vital in their ability to help us face the nature of time and change, life and death, and everything else we cannot control.”
― Sasha Sagan, For Small Creatures Such as We: Rituals for Finding Meaning in Our Unlikely World

“I love you. You are the first man I have ever been in love with, and I plan on loving you forever.”
― J.B. Salsbury, Face the Music

“Andrea Meyer: What do you think your films offer to people today?
Agnès Varda: I would say energy. I would say love for filming, intuition. I mean, a woman working with her intuition and trying to be intelligent. It's like a stream of feelings, intuition, and joy of discovering things. Finding beauty where it's maybe not. Seeing. And, on the other hand, trying to be structural, organized; trying to be clever. And doing what I believe is cinécriture, what I always call cine-writing. Which is not a screenplay. Which is not only the narration words. It's choosing the subject, choosing the place, the season, the crew, choosing the shots, the place, the lens, the light. Choosing your attitude towards people, towards actors. Then choosing the editing, the music. Choosing contemporary musicians. Choosing the tune of the mixing. Choosing the publicity material, the press book, the poster. You know, it's a handmade work of filmmaking - that I really believe. And I call that cine-writing.”
― Agnes Varda, Agnes Varda: Interviews

“And remember this, Jimi’s music was originally Mississippi Delta blues. His influences were blues giants Muddy Waters and Albert King. But he fell head-over-heels in love with British rock. And so you have a guy who just didn’t fit in AT ALL”
― Karl Wiggins, Wrong Planet - Searching for your Tribe

“Empathy teaches this lesson; it is one of the feelings we are put on Earth to learn, a key aspect of our preparation for immortality. It is difficult lesson in that we must experience it not only in our mind but in our physical bodies, and in the mind and body we have pain, dark emotions, difficult relationships, enemies, loss and grief. We thus tend to forget others and concentrate on ourselves. But we also have love, beauty, music, art, dance, nature, and air, and we long to share them. We cannot transform negativity into the positive without empathy, and we cannot truly understand empathy without experiencing it in our present life, in our past, and in our future.”
― Brian L. Weiss, Same Soul, Many Bodies: Discover the Healing Power of Future Lives through Progression Therapy

“Only a fool says in his heart
There is no Creator, no King of kings,
Only mules would dare to bray
These lethal mutterings.
Over darkened minds as these
The Darkness bears full sway,
Fruitless, yet, bearing fruit,
In their fell, destructive way.
Sterile, though proliferate,
A filthy progeny sees the day,
When Evil, Thought and Action mate:
Breeding sin, rebels and decay.
The blackest deeds and foul ideals,
Multiply throughout the earth,
Through deadened, lifeless, braying souls,
The Darkness labours and gives birth.
Taking the Lord’s abundant gifts
And rotting them to the core,
They dress their dish and serve it out
Foul seeds to infect thousands more.
‘The Tree of Life is dead!’ they cry,
‘And that of Knowledge not enough,
Let us glut on the ashen apples
Of Sodom and Gomorrah.’


Have pity on Thy children, Lord,
Left sorrowing on this earth,
While fools and all their kindred
Cast shadows with their murk,
And to the dwindling wise,
They toss their heads and wryly smirk.
The world daily grinds to dust
Virtue’s fair unicorns,
Rather, it would now beget
Vice’s mutant manticores.
Wisdom crushed, our joy is gone,
Buried under anxious fears
For lost rights and freedoms,
We shed many bitter tears.
Death is life, Life is no more,
Humanity buried in a tomb,
In a fatal prenatal world
Where tiny flowers
Are ripped from the womb,
Discarded, thrown away,
Inconvenient lives
That barely bloomed.
Our elders fare no better,
Their wisdom unwanted by and by,
Boarded out to end their days,
And forsaken are left to die.
Only the youthful and the useful,
In this capital age prosper and fly.
Yet, they too are quickly strangled,
Before their future plans are met,
Professions legally pre-enslaved
Held bound by mounting student debt.
Our leaders all harangue for peace
Yet perpetrate the horror,
Of economic greed shored up
Through manufactured war.
Our armies now welter
In foreign civilian gore.
How many of our kin are slain
For hollow martial honour?
As if we could forget, ignore,
The scourge of nuclear power,
Alas, victors are rarely tried
For their woeful crimes of war.
Hope and pray we never see
A repeat of Hiroshima.

No more!
Crimes are legion,
The deeds of devil-spawn!
What has happened to the souls
Your Divine Image was minted on?
They are now recast:
Crooked coins of Caesar and
The Whore of Babylon.
How often mankind shuts its ears
To Your music celestial,
Mankind would rather march
To the anthems of Hell.
If humanity cannot be reclaimed
By Your Mercy and great Love
Deservedly we should be struck
By Vengeance from above.
Many dread the Final Day,
And the Crack of Doom
For others the Apocalypse
Will never come too soon.
‘Lift up your heads, be glad’,
Fools shall bray no more
For at last the Master comes
To thresh His threshing floor.”
― E.A. Bucchianeri, Vocation of a Gadfly

“She had five tapes from him now - which meant, if her batteries lasted, she had four hundred and fifty minutes to spend with Park in her head, holding his hand.”
― Rainbow Rowell, Eleanor & Park

“You do not deserve most of what has happened or will. But there is something I can offer you. Whoever you are. Out there. As lonely as it gets, you are not alone. There is another kind of love.
It’s the love of art. Because I believe in art the way other people believe in god.
In art I’ve met an army of people - a tribe that gives good company and courage and hope. In books and painting and music and film. This book? It’s for you. It’s water I made a path through. I’m not speaking out of my asshole when I say this.
Come in. The water will hold you.”
― Lidia Yuknavitch, The Chronology of Water

“I have no doubt that your acceptance of Christ coincided with some very positive changes in your life. Perhaps you now love other people in a way that you never imagined possible. You may even experience feelings of bliss while praying. I do not wish to denigrate any of these experiences. I would point out, however, that billions of other human beings, in every time and place, have had similar experiences--but they had them while thinking about Krishna, or Allah, or the Buddha, while making art or music, or while contemplating the beauty of nature.”
― Sam Harris, Letter to a Christian Nation

“Alamak, it's that Ed Saranwrap! I love his music!” As Ed Sheeran”
― Kevin Kwan, Rich People Problems

“Work hard. Work dirty. Choose your favourite spade and dig a small, deep hole; located deep in the forest or a desolate area of the desert or tundra. Then bury your cellphone and then find a hobby. Actually, 'hobby' is not a weighty enough word to represent what I am trying to get across. Let's use 'discipline' instead. If you engage in a discipline or do something with your hands, instead of kill time on your phone device, then you have something to show for your time when you're done. Cook, play music, sew, carve, shit - bedazzle! Or, maybe not bedazzle... The arrhythmic is quite simple, instead of playing draw something, fucking draw something! Take the cleverness you apply to words with friends and utilise it to make some kick ass cornbread, corn with friends - try that game. I'm here to tell you that we've been duped on a societal level. My favourite writer, Wendell Berry writes on this topic with great eloquence, he posits that we've been sold a bill of goods claiming that work is bad. That sweating and working especially if soil or saw dust is involved are beneath us. Our population especially the urbanites, has largely forgotten that working at a labour that one loves is actually a privilege.”
― Nick Offerman, Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living

“I have yet to find a genre of music I enjoy; it’s basically audible physics, waves and energized particles, and, like most sane people, I have no interest in physics.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine

“You play with great skill," he said.
"Thank you."
"Is that your favorite piece?"
"It's my most difficult," Helen said, "but not my favorite."
"What do you play when there's no one to hear?"
The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen's stomach to tighten pleasurably. Perturbed by the sensation, she was slow to reply. "I don't remember the name of it. A piano tutor taught it to me long ago. For years I've tried to find out what it is, but no one has ever recognized the melody."
"Play it for me."
Calling it up from memory, she played the sweetly haunting chords, her hands gentle on the keys. The mournful chords never failed to stir her, making her heart ache for things she couldn't name. At the conclusion, Helen looked up from the keys and found Winterborne staring at her as if transfixed. He masked his expression, but not before she saw a mixture of puzzlement, fascination, and a hint of something hot and unsettling.
"It's Welsh," he said.
Helen shook her head with a laugh of wondering disbelief. "You know it?"
"'A Ei Di'r Deryn Do.' Every Welshman is born knowing it."
"What is it about?"
"A lover who asks a blackbird to carry a message to his sweetheart."
"Why can't he go to her himself?" Helen realized they were both speaking in hushed tones, as if they were exchanging secrets.
"He can't find her. He's too deep in love- it keeps him from seeing clearly."
"Does the blackbird find her?"
"The song doesn't say," he said with a shrug.
"But I must know the ending to the story," Helen protested.
Winterborne laughed. It was an irresistible sound, rough-soft and sly. When he replied, his accent had thickened. "That's what comes o' reading novels, it is. The story needs no ending. That's not what matters."
"What matters, then?" she dared to ask.
His dark gaze held hers. "That he loves. That he's searching. Like the rest of us poor devils, he has no way of knowing if he'll ever have his heart's desire.”
― Lisa Kleypas, Cold-Hearted Rake

“God Will, I wish you'd stop telling me what to do. What if I like watching television? What if I don't want to do much else other than read a book?" My voice had become shrill. "What if I'm tired when I get home? What if I don't need to fill my days with activity?"
"Bur one day you might wish you had", he said quietly.
"Do you know what I would do if I were you?"
I put down my peeler. "I suspect you're going to tell me."
"Yes. And I'm completely unembarrassed about telling you. I'd be doing night school. I'd be training as a seamstress or a fashion designer or whatever it is that taps into what you really love." He gestured at my minidress, a Sixties-inspired Pucci-type dress, made with the fabric that had once been a pair of Grandad's curtains.
The first time Dad had seen it he had pointed at me and yelled, "Hey, Lou, pull yourself together!" It had taken him a full five minutes to stop laughing.
"I'd be finding out what I could do that didn't cost much - keep-fit classes, swimming, volunteering, whatever. I'd be teaching myself music or going for long walks with somebody else's dog, or -"
"Okay, okay, I get the message," I said, irritably. "But I'm not you, Will."
"Luckily for you.”
― Jojo Moyes, Me Before You

“I could feel the heat from all the colored lights pressing down on me like a hand, and the music seemed to echo somewhere behind my ribs, making my heart flutter and skip in time.”
― Lauren Oliver, Before I Fall