C > C's Quotes

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  • #1
    Sylvia Plath
    “Kiss me, and you will see how important I am.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #2
    Jeanette Winterson
    “The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark.”
    Jeanette Winterson

  • #3
    Jeanette Winterson
    “Written on the body is a secret code only visible in certain lights: the accumulations of a lifetime gather there. In places the palimpsest is so heavily worked that the letters feel like Braille. I like to keep my body rolled up away from prying eyes, never unfold too much, or tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.”
    jeanette winterson

  • #4
    Jeanette Winterson
    “What you risk reveals what you value.”
    Jeanette Winterson, Written on the Body

  • #5
    Jeffrey Eugenides
    “It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.”
    Jeffrey Eugenides, The Virgin Suicides

  • #6
    Jeffrey Eugenides
    “We had loved them, and that they hadn't heard us calling, still do not hear us... calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.”
    Jeffrey Eugenides, The Virgin Suicides

  • #7
    Pam Houston
    “I wanted her to see that the only life worth living is a life full of love; that loss is always part of the equation; that love and loss conjoined are the best opportunity we get to live fully, to be our strongest, our most compassionate, our most graceful selves. ”
    Pam Houston

  • #8
    Nick Hornby
    “It's no good pretending that any relationship has a future if your record collections disagree violently or if your favorite films wouldn't even speak to each other if they met at a party.”
    Nick Hornby

  • #9
    Nick Hornby
    “Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.”
    Nick Hornby, High Fidelity

  • #10
    Neil Gaiman
    “And if there's a moral there, I don't know what it is, save maybe that we should take our goodbyes whenever we can.”
    Neil Gaiman, The Sandman, Vol. 5: A Game of You

  • #11
    Jonathan Carroll
    “If you are very lucky, you're allowed to be in certain places during just the right season of your life: by the sea for the summer when you're seven or eight and full of the absolute need to swim until dark and exhaustion close their hands together, cupping you in between.”
    Jonathan Carroll, Bones of the Moon

  • #12
    Oscar Wilde
    “We are all in the gutter, but some of us are looking at the stars.”
    Oscar Wilde, Lady Windermere's Fan

  • #13
    Douglas Coupland
    “maybe memories are like karaoke-where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liiked most about your favourite song was precisely your ignorance of its full meaning- and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.”
    Douglas Coupland, The Gum Thief

  • #14
    “People love a happy ending. So every episode, I will explain once again that I don't like people. And then Mal will shoot someone. Someone we like. And their puppy.”
    Joss Whedon

  • #15
    “Two roads diverged in a wood, and I took the road less traveled by and they CANCELLED MY FRIKKIN' SHOW. I totally shoulda took the road that had all those people on it. Damn.”
    Joss Whedon

  • #16
    We accept the love we think we deserve.
    “We accept the love we think we deserve.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #17
    Stephen Chbosky
    “And in that moment, I swear we were infinite.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #18
    Stephen Chbosky
    “So, this is my life. And I want you to know that I am both happy and sad and I'm still trying to figure out how that could be.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #19
    Stephen Chbosky
    “I am very interested and fascinated how everyone loves each other, but no one really likes each other.”
    Stephen Chbosky, The Perks of Being a Wallflower
    tags: moi

  • #20
    “It's tragic that extremists co-opt the notion of God, and that hipsters and artists reject spirituality out of hand. I don't have a fixed idea of God. But I feel that it's us - the messed-up, the half-crazy, the burning, the questing - that need God, a lot more than the goody-two-shoes do.”
    Mike Doughty
    tags: god

  • #21
    John   Waters
    “If you go home with somebody, and they don't have books, don't fuck 'em!”
    John Waters

  • #22
    “Who breaks the thread, the one who pulls, the one who holds on?”
    James Richardson

  • #23
    A.J. Jacobs
    “My reading list grows exponentially. Every time I read a book, it'll mention three other books I feel I have to read. It's like a particularly relentless series of pop-up ads.”
    A.J. Jacobs, The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible

  • #24
    “He tried to smile, but it was just a shape his mouth made.”
    Melissa Bank, The Girls' Guide to Hunting and Fishing

  • #25
    Mark Z. Danielewski
    “This is not for you.”
    Mark Z. Danielewski, House of Leaves

  • #26
    Neil Gaiman
    “When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. As far as I can tell so far, it seems to involve lots of foreign travel and not having to get up too early in the morning.”
    Neil Gaiman, Smoke and Mirrors: Short Fiction and Illusions

  • #27
    Neil Gaiman
    “I've been making a list of the things they don't teach you at school. They don't teach you how to love somebody. They don't teach you how to be famous. They don't teach you how to be rich or how to be poor. They don't teach you how to walk away from someone you don't love any longer. They don't teach you how to know what's going on in someone else's mind. They don't teach you what to say to someone who's dying. They don't teach you anything worth knowing.”
    Neil Gaiman, The Sandman, Vol. 9: The Kindly Ones

  • #28
    Mary Oliver
    “Listen--are you breathing just a little, and calling it a life?”
    Mary Oliver

  • #29
    Ursula Hegi
    “That's the nature of being a parent, Sabine has discovered. You'll love your children far more than you ever loved your parents, and -- in the recognition that your own children cannot fathom the depth of your love -- you come to understand the tragic, unrequited love of your own parents.”
    Ursula Hegi

  • #30
    C.D. Wright
    “Nobody reads poetry, we are told at every inopportune moment. I read poetry. I am somebody. I am the people, too. It can be allowed that an industrious quantity of contemporary American poetry is consciously written for a hermetic constituency; the bulk is written for the bourgeoisie, leaving a lean cut for labor. Only the hermetically aimed has a snowball's chance in hell of reaching its intended ears. One proceeds from this realization. A staggering figure of vibrant, intelligent people can and do live without poetry, especially without the poetry of their time. This figure includes the unemployed, the rank and file, the union brass, banker, scientist, lawyer, doctor, architect, pilot, and priest. It also includes most academics, most of the faculty of the humanities, most allegedly literary editors and most allegedly literary critics. They do so--go forward in their lives, toward their great reward, in an engulfing absence of poetry--without being perceived or perceiving themselves as hobbled or deficient in any significant way. It is nearly true, though I am often reminded of a Transtromer broadside I saw in a crummy office building in San Francisco:



    We got dressed and showed the house

    You live well the visitor said

    The slum must be inside you.



    If I wanted to understand a culture, my own for instance, and if I thought such an understanding were the basis for a lifelong inquiry, I would turn to poetry first. For it is my confirmed bias that the poets remain the most 'stunned by existence,' the most determined to redeem the world in words..”
    C.D. Wright, Cooling Time: An American Poetry Vigil



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