P > P's Quotes

“Somewhere inside me there’ll always be the person I am to-night”
― F. Scott Fitzgerald, Tender Is the Night

“I can lie about my name, I can lie about my school, but how am I going to lie about this fucking nose? "You seem like a very nice person Mr. Porte-Noir, but why do you go around covering the middle of your face like that?" Because suddenly it has taken off, the middle of my face! Because gone is the button of my childhood years, that pretty little thing that people used to look at in my carriage, and lo and behold, the middle of my face has begun to reach out towards God. Porte-Noir and Parsons my ass, kid, you have got J-E-W written right across the middle of your face...”
― Philip Roth, Portnoy’s Complaint

“Two hundred years ago an old Dutch voyager likened its shape to that of a shoemaker’s last. And in this same last or shoe, that old woman of the nursery tale with the swarming brood, might very comfortably be lodged, she and all her progeny.”
― Herman Melville, Moby-Dick or, The Whale

“Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.”
― Zadie Smith , White Teeth

“The moment I was old enough to play board games I fell in love with Snakes and Ladders. O perfect balance of rewards and penalties O seemingly random choices made by tumbling dice Clambering up ladders slithering down snakes I spent some of the happiest days of my life. When in my time of trial my father challenged me to master the game of shatranji I infuriated him by preferring to invite him instead to chance his fortune among the ladders and nibbling snakes.

All games have morals and the game of Snakes and Ladders captures as no other activity can hope to do the eternal truth that for every ladder you climb a snake is waiting just around the corner and for every snake a ladder will compensate. But it's more than that no mere carrot-and-stick affair because implicit in the game is the unchanging twoness of things the duality of up against down good against evil the solid rationality of ladders balances the occult sinuousities of the serpent in the opposition of staircase and cobra we can see metaphorically all conceivable opposition Alpha against Omega father against mother here is the war of Mary and Musa and the polarities of knees and nose... but I found very early in my life that the game lacked one crucial dimension that of ambiguity - because as events are about to show it is also possible to slither down a ladder and lcimb to truimph on the venom of a snake... Keeping things simple for the moment however I recrod that no sooner had my mother discovered the ladder to victory represented by her racecourse luck than she was reminded that the gutters of the country were still teeming with snakes.”
― RUSHDIE SALMAN

“If you go home with somebody, and they don't have books, don't fuck 'em!”
― John Waters

“There is no reason why good cannot triumph as often as evil. The triumph of anything is a matter of organization. If there are such things as angels, I hope that they are organized along the lines of the Mafia.”
― Kurt Vonnegut, The Sirens of Titan

“Seizing an imaginary microphone, Dennis adopts a limp Estuary accent: 'Masturbating's changed a lot since I were a lad, Brian. In my day, we masturbated for the sheer love of it. Day and night we did it, all the kids on our estate, masturbating on the old waste ground, masturbating up against the wall of the house... I remember me mam coming out and shouting, "Stop that masturbating and come in for your tea! You'll never amount to anything if all you think about is masturbating!" Masturbating crazy we were. Your young masturbators today, though, it's all about the money, it's all about agents and endorsements. Sometimes I worry that the masturbating's in danger of being squeezed out altogether.”
― Paul Murray

“Without the book business it would be difficult or impossible for true books to find their true readers and without that solitary (and potentially subversive) alone with a book the whole razzmatazz of prizes, banquets, television spectaculars, bestseller lists, even literature courses, editors and authors, are all worthless. Unless a book finds lovers among those solitary readers, it will not live . . . or live for long.”
― John McGahern, Love of the World: Essays

“It has occurred to me, brother, that wisdom may not be the end to everything. Goodness and kindness are, perhaps, beyond wisdom. Is it not possible that the ultimate end is music and gaiety and a dance of joy? Wisdom is the oldest of all things. Wisdom is all head and no heart.Behold, brother, you are being crushed under the weight of your head. You are dying of old age while you are yet a child.”
― James Stephens, The Crock of Gold

“About this time, whether he felt there wasn't sufficient drama in his life or that he was determined not to be outdone by Miss McCabe, he decided that he was dying.”
― John McGahern, All Will Be Well: A Memoir

“A man [Joyce] whose earliest stories appeared next to the manure prices in the Irish Homestead knew that columns of prose, like columns of shit, could both recultivate the earth.”
― Declan Kiberd, Ulysses and Us

“I watched the shadow of our plane hastening below us across hedges and fences, rows of poplars and canals … Nowhere, however, was a single human being to be seen. No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding. One sees the places where they live and the roads that link them, one sees the smoke rising from their houses and factories, one sees the vehicles in which they sit, but one sees not the people themselves. And yet they are present everywhere upon the face of the earth, extending their dominion by the hour, moving around the honeycombs of towering buildings and tied into networks of a complexity that goes far beyond the power of any one individual to imagine, from the thousands of hoists and winches that once worked the South African diamond mines to the floors of today's stock and commodity exchanges, through which the global tides of information flow without cease. If we view ourselves from a great height, it is frightening to realize how little we know about our species, our purpose and our end, I thought, as we crossed the coastline and flew out over the jelly-green sea.”
― W.G. Sebald, The Rings of Saturn

“For days and weeks on end one racks one's brains to no avail, and, if asked, one could not say whether one goes on writing purely out of habit, or a craving for admiration, or because one knows not how to do anything other, or out of sheer wonderment, despair or outrage, any more than one could say whether writing renders one more perceptive or more insane. Perhaps we all lose our sense of reality to the precise degree to which we are engrossed in our own work, and perhaps that is why we see in the increasing complexity of our mental constructs a means for greater understanding, even while intuitively we know that we shall never be able to fathom the imponderables that govern our course through life?”
― W.G. Sebald, The Rings of Saturn

“We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by the very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats. What if we awake one day, all of us, and find ourselves utterly unable to read? I wish you to gasp not only at what you read but at the miracle of its being readable.”
― Vladimir Nabokov, Pale Fire

“He frowned. She laughed. He brightened. She pouted. He grinned. She flinched. Come on: we don’t do that. Except when we’re pretending. Only babies frown and flinch. The rest of us just fake with our fake faces.
He grinned. No He didn’t. If a guy grins at you for real these days, you’d better chop his head off before he chops off yours. Soon the sneeze and the yawn will be mostly for show. Even the twitch.
She laughed. No she didn’t. We laugh about twice a year. Most of us have lost our laughs and now make do with false ones.
He smiled.
Not quite true.
All that no good to think, no good to say, no good to write. All that no good to write.”
― Martin Amis, London Fields

“...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?”
― Martin Amis, London Fields

“Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing.

All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral.

To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.”
― Fernando Pessoa, The Book of Disquiet

“To have touched the feet of Christ is no excuse for mistakes in punctuation.

If a man writes well only when he's drunk, then I'll tell him: Get drunk. And if he says that it's bad for his liver, I'll answer: What's your liver? A dead thing that lives while you live, whereas the poems you write live without while.”
― Fernando Pessoa, The Book of Disquiet

“In me all affections take place on the surface, but sincerely. I've always been an actor, and in earnest. Whenever I've loved, I've pretended to love, pretending it even to myself.”
― Fernando Pessoa, The Book of Disquiet

“Not how he died, not what he died of, even less why he died, are of concern, to me, only the fact that he did die, he is dead, is important: the loss to me, to us”
― B.S. Johnson

“And what's a-trouble to you, Jackie?"
"Father," I said, feeling I might as well get it over while I had him in
good humour, "I had it all arranged to kill my grandmother."
He seemed a bit shaken by that, all right, because he said nothing
for quite a while.
"My goodness," he said at last, "that'd be a shocking thing to do.
What put that into your head?"
Father," I said, feeling very sorry for myself, " she's an awful woman.”
― Frank O'Connor, My Oedipus Complex and Other Stories

“We fight for autonomy over so many areas of our lives - for decency and democracy and freedom, for suffrage, for the right to have some say over our lives, some control - and then in the central question of what we are to do with our days, with our working lives, we give all that freedom away in return for a pay cheque. And are content to be bored and obedient, resentful and uninvolved and tired. This is such a standard, universally accepted feature of the modern world - that we will dislike and be bored by our work - that we have forgotten to notice that it doesn't make any sense.”
― John Lanchester, Family Romance: A Love Story

“With the wisdom of people not in love who believe a man of sense should be unhappy only over a person who is worth it; which is rather like being surprised that anyone should condescend to suffer from cholera because of so small a creature as the comma bacillus.”
― Marcel Proust, Swann’s Way

“Flammable. An oddity, chiefly useful in saving lives. The common word meaning "combustible" is inflammable. But some people are thrown off by the in- and think inflammable means "not combustible." For this reason, trucks carrying gasoline or explosives are now marked FLAMMABLE. Unless you are operating such a truck and hence are concerned with the safety of children and illiterates, use inflammable.”
― E.B. White, The Elements of Style

“The phrase "after-life" was also vaguely confused with going to church and not wanting to be dead - a perplexity which can be omitted from a narrative in which I am doing my best to confine myself to actual happenings. At the age of twenty-two I believed myself to be unextinguishable.”
― Siegfried Sassoon, Memoirs of a Fox-Hunting Man

“Slowly, quietly, like snow-flakes—like the small flakes that come when it is going to snow all night
—little flakes of me, my impressions, my selections, are settling down on the image of her. The real shape wil be quite hidden in the end.”
― C.S. Lewis, A Grief Observed