Goodreads Blog

How St. Martin's Press Doubled Down on the Success of The Nightingale to Take it to Greater Heights

Posted by Patrick Brown on June 6, 2016
"Books have always been launched like rockets. The publisher commits maximum firepower to getting them off the ground. Most crash to earth. Some go into orbit."
Michael Shatzkin, The Idea Logical Company


It's a rare breed of book that flies high enough to make it onto the bestseller lists and stay there for more than a year. With more than 65 weeks on the New York Times Bestsellers List, Kristin Hannah's The Nightingale not only shows no signs of losing steam, but is gaining momentum. You can see from the graph below that more Goodreads members, on average, are adding it to their shelves today than were doing so a year ago when the book was in its key publicity phase. With this kind of traction, The Nightingale has the potential to become 2016's version of The Help, another book that picked up greater momentum in its second year.



But how did we get here? How did The Nightingale become such a sensation? For a recent presentation at Book Expo America, we took a closer look at the marketing and promotion surrounding the book. In examining the success that Hannah and St. Martin's Press has had with The Nightingale, it’s helpful to start in an obvious place: the book itself. Kristin Hannah's The Nightingale tells the tale of two sisters in Occupied France during World War Two. Hannah's core focus is ordinary women surviving and dealing with extraordinary circumstances, which was also at the heart of The Nightingale. And this has resonated with readers in a way that few books have – it currently has an average rating of greater than 4.5 stars, despite having more than 171,000 ratings. That is truly exceptional, and it's worth keeping in mind as you consider the marketing that helped make this book a hit. An author or publisher could do everything exactly the same and not necessarily see the same results because you must have a book that connects with readers.

Another key point that stands out in this case study is that St Martin's Press did not put all of their eggs in one basket. They undertook a number of marketing tactics - both paid and free - that amplified each other over time. And with each new milestone, they have added more marketing fuel to the fire.

It starts by getting the book into readers' hands

St. Martin’s Press wanted to build a groundswell of reviews before publication. They knew that if they got the book into the hands of enough readers early on, the power of the story in The Nightingale would drive that all-important word-of-mouth buzz that can make a great book take off. They went big and ran giveaways for more than 200 copies of the book on Goodreads before publication.

"Giveaways are a fantastic way of generating early buzz and those crucial early reviews," said Laura Clark, Senior Marketing Director, St Martin’s Press. "What we love the most about giveaways on Goodreads is how when someone enters a giveaway, this also gets shared with their friends and followers in their newsfeed, creating a series of mini alerts about a book and helping more people discover it. Our team knew this book was something special – it became the book everyone wanted to read at the office – so we decided to go bigger than usual and commit to 200 books in giveaways."

The giveaways drove the first bit of sustained interest in the book on Goodreads. But giveaways alone won’t keep the momentum on any book, no matter how good. For that, you need to keep reminding people about a book. And to do that, paid advertising can be a powerful tool.

Using advertising to reach the readers most likely to be interested in your book

Paid advertising on Goodreads can be a very effective means to generate a lot of awareness for a specific book among just the right readers, and build on buzz that you are creating on Goodreads. In the case of The Nightingale, St. Martin's wanted to reach Kristin Hannah's existing fans to let them know that a new book from one of their favorite authors was on the way. This was important as Kristin Hannah hadn’t published a book in nearly two years.

To reach Hannah’s existing fan base, St. Martins used display advertising on Goodreads – targeted to fans of Kristin Hannah. These ads were meant to reach a very specific audience with just the right message for them. In addition to display advertising, St. Martins used a relatively new email ad product called a Personal Selection mailer. The Personal Selection mailer is an advertisement that sends a personal note from the author straight to a reader’s in-box. What makes this so effective is that the author is able to tell the reader about her new book in her own voice. Readers love to hear from an author whose work they have previously enjoyed in this way. Note the incredible spike in people adding the book to their shelves on the day this email was sent.



"I think the Personal Selection mailer is one of the best book marketing tools out there," said Clark. "Email marketing is very powerful when done right, and the Personal Selection Mailer is a great example of this. It delivers fantastic results because it’s reaching the people who already love an author's books and most want to hear about the next one."

Staying in touch with readers

It's no coincidence that Kristin Hannah would be so good at providing this personal touch, as she is an author who intuitively gets Goodreads. First, she shelves books that she's read. This gives readers a sense of what her taste is like, both as a reader and an author, and is a way for her to stay in touch with fans in between her own books. She also provides readers with a personal connection by answering questions through Ask the Author. Readers consistently tell us that what they want most from their favorite authors is to have a personal connection with them, and being able to ask questions directly is a key part of this.



Publication month...and the buzz keeps building

At publication in early February 2015, Kristin Hannah was featured in the monthly Goodreads newsletter, which goes to roughly 40 million people worldwide. This was obviously valuable exposure for the book, but it's important to keep in mind that a key factor our editors look at when choosing those interviews is how much a book is resonating with our membership – how many people have added it to their shelves (more than 20,000 people had added The Nightingale to their shelves before it was published), what are the early reviews looking like. This reinforces the need to get your books into the hands of readers early so your book can stand out closer to publication date and start to get traction on Goodreads.



From there, the book took off, with an average of 600 to 800 people per day discovering the book on Goodreads and adding it to their Want to Read shelves. Reviews continued to come in, and the average rating remained extremely high. The book was also picked as a book of the month by Amazon and independent bookstores in February. All of this combined to help it hit the bestseller list in February 2015, and it continued to sell well throughout the year. Kristin Hannah, for her part, continued to do what she could to keep momentum going - answering questions through Ask the Author and engaging with readers in a special group St. Martin's created to spark discussion of the book.

Goodreads Choice Awards take The Nightingale to greater heights

Let's jump to the end of 2015, when we announced the nominees for the annual Goodreads Choice Awards, and The Nightingale was nominated for Best Historical Fiction. This nomination was the result of so many readers finding, highly rating, and discussing the book on Goodreads.

As you can see from the graph - and as we discussed in a previous blog post - winning the Goodreads Choice Awards had an enormous impact on the number of people adding it to their Want to Read shelves, even on a bestseller like The Nightingale. For Kristin Hannah, the value of the award was also measured in terms of recognition. "Most year's best lists are compiled by critics who don’t even consider commercial fiction," Hannah said, "So it is so important - and meaningful - to hear what real readers love."

St Martin's adds more fuel to the fire

St. Martin’s understood that the free awareness such an award brings was a major opportunity to double down on the book. They listed more giveaways and booked native newsfeed ads - ads that run in the newsfeed on Goodreads as well as in its mobile apps - to keep it front of mind with readers.



The Nightingale has sold more than 2 million copies in about a year and a half, and has become a popular pick with book clubs, something sure to build sales once it comes out in paperback. And with TriStar having optioned rights to produce the movie, we’ll likely be hearing more about The Nightingale for a long while yet.

We’re working on more case studies to share with you, including how indie authors have been able to utilize Goodreads book marketing tools to help their books break out. We’ll keep you updated on this - and other interesting news – in the monthly Goodreads Authors newsletter.

Next: Goodreads Marketing Advice from Debut Author Scott Hawkins

You might also like: The Impact of Goodreads Choice Awards for Authors and Publishers

Goodreads Authors can subscribe to the Monthly Author Newsletter by editing their account settings.


Comments Showing 1-26 of 26 (26 new)

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message 1: by Peter (new)

Peter Knox Would be equally interesting to see a case study on a nonfiction/business book, to see how the user/reader patterns differ.


message 2: by Cynthia (new)

Cynthia Shannon Peter wrote: "Would be equally interesting to see a case study on a nonfiction/business book, to see how the user/reader patterns differ."

Absolutely! We're always looking for interesting books that lend themselves to case studies so that other authors and publishers can learn. Be sure to let us know if you think you have a good candidate on hand.


message 3: by Fiona (new)

Fiona Pullen Really interesting post, I didn't even know about the advertising options you mentioned above. I look forward to reading your other case studies.


message 4: by Lyn (new)

Lyn Farrell Really interesting article. I wonder how it would compare for debut novelists - would this kind of momentum be possible?
Kristin Hannah already had a fan base to spring from (not that it detracts from the amazing success of this novel). How would new authors set out to make the most from Goodreads. I imagine we're starting from much further 'down the hill' :-)

Am loving these case studies and news from Goodreads.


message 5: by Dan (new)

Dan Petrosini Be interesting to see a case study on a successful launch for an Indie book.


message 6: by Cynthia (new)

Cynthia Shannon Lyn wrote: "Really interesting article. I wonder how it would compare for debut novelists - would this kind of momentum be possible? How would new authors set out to make the most from Goodreads. I imagine we're starting from much further 'down the hill' :-)"

That's a great point, Lyn! Debut authors might not yet have the pre-existing fan base like Kristin Hannah has, but remember that Kristin was a debut author at some point too :) Check out the interview with debut author Scott Hawkins to see what worked for him (he'll be answering questions in the comment section today, too!)


message 7: by Nicole (new)

Nicole Evelina This is a great resource on a fantastic book. Thank you! I'm looking forward to hearing how indie authors have used Goodreads as well.


message 8: by Dan (new)

Dan Petrosini Cynthia wrote: "Lyn wrote: "Really interesting article. I wonder how it would compare for debut novelists - would this kind of momentum be possible? How would new authors set out to make the most from Goodreads. I..."
And INDIE authors as well


message 9: by Deborah (new)

Deborah Gray Cynthia wrote: "Peter wrote: "Would be equally interesting to see a case study on a nonfiction/business book, to see how the user/reader patterns differ."

Absolutely! We're always looking for interesting books t..."


As a Goodreads author of non-fiction/business books (and active Goodreads user), this is exactly what I was wondering. My first book has reached a steady audience since its release in 2011, but I engaged in no Goodreads marketing (such as a giveaway) thinking that it might be a too limited audience, or misunderstood. I have a second edition coming out by the end of the year, so this would be especially timely for me to explore options.


message 10: by Lyn (new)

Lyn Farrell Fantastic, thanks!


message 11: by Lilli (last edited Jun 13, 2016 12:45PM) (new)

Lilli Sutherland Jasper at Plumrose Farm is my debut children's book, which has recently been launched by an indie publisher. As a new author, how can Goodreads help me to get exposure and build an audience for my book? Lilli Sutherland.


message 12: by The Lit Bitch (new)

The Lit Bitch This was a really interesting read! I always wondered how that process worked!


message 13: by Lily (new)

Lily MacKenzie I also would like to hear more about how a small press and a relatively unknown author can use Goodreads more effectively.


message 14: by Paula (new)

Paula Houseman Thank you. An interesting and informative article for someone (like me) who's relatively new to Goodreads. I need to avail myself of the many options the site has to offer.

And as per other comments, I'd also like to see a case study on a successful launch for an Indie book.


message 15: by Cynthia (new)

Cynthia Shannon For self-published and small press authors, set a reminder to join the Goodreads Office Hours tomorrow, June 14, at 1 p.m. PST for some tips and advice on campaigns!

We'll open the thread 15 minutes before and post live for an hour. Join here.


message 16: by Max (new)

Max I'm intrigued - as a small press, I don't have the resources of a traditional publisher. I intend to read & re-read this case study over again; I hope to see more of them.


message 17: by Rod (new)

Rod Raglin What's been left out is how much St. Martin's paid for advertising on Goodreads and elsewhere? Without that figure this case study has little relevance.


message 18: by Dan (new)

Dan Petrosini Rod wrote: "What's been left out is how much St. Martin's paid for advertising on Goodreads and elsewhere? Without that figure this case study has little relevance."

Excellent point Rod.


message 19: by David (new)

David Stevenson Is the "Personal Selection Mailer" available to all Goodreads authors? I can't find any information about it.


message 20: by Segilola (new)

Segilola Salami I keep coming back to this case study . . . if only there was more info on how to become a goodreads featured author.

For the first time, I actually wouldn't mind paying to be able to giveaway 200 ebook copies of my book, if it can help generate such a buzz


message 21: by Rod (new)

Rod Raglin I think you've overlooked one small thing, Segilola. Goodreads is not referring to e-books. The giveaway St. Martin's undertook was for actual books, paperbacks I imagine, so you would have to pay for the books and the shipping in hopes to "generate such a buzz".

Even if you were to incur that expense I doubt it would generate the interest you anticipate. Consider that Kristin Hannah is an award-winning and bestselling author of more than 20 novels including Winter Garden, True Colors, and the blockbuster Firefly Lane.
Her novel Home Front has been optioned for film by 1492 Films (produced the Oscar-nominated The Help).

So first of all, St Martins Press wasn't taking a risk. With Hannah's reputation and following The Nightingale would no doubt have been another best seller whether they used Goodreads or not.

St Martin's also has the budget to "double down". How much budget was that? We don't know. When I asked here in this comment section how much money the publisher spent on Goodreads, Goodreads did not respond.

Did they not think that the amount spent was relevant? How are other authors like you supposed to make a decision without knowing if they can afford it?

Another member, David asked on the comments, "Is the Personal Selection Mailer available to all Goodreads authors? I can't find any information about it."

Neither could I. Why post blog about programs no one can find any information on?

Here's my experience, a nobody, with Goodreads giveaways.

Goodreads claims 40,000 of their members enter giveaway contests everyday. I was intrigued. A giveaway run for a month had the potential of being seen by 40,000 members x 30 days =1,200,000 OMG!

So for the month of April I ran a giveway on Goodreads for one paperback edition of my novels Abandoned Dreams, The Big Picture and Forest. Here's the results

Abandoned Dreams: 422 requests, 160 added it "to read"
The Big Picture: 381 requests, 129 added it "to read"
Forest: 437 requests, 171 added it "to read"

Because the reviews are dated it's apparent only three of the twenty five reviews I've accumulated on Goodreads over the last three years could possibly be attributed to these giveaways.
Indeed, these three could have come from anywhere including giveaways I've had on BookLikes and LibraryThing, maybe even from someone who actually bought one of my books.

However, at the time of writing this, 923 people "want to read" at least one of the six books I have on Goodreads. Does that make sense to you? Are these people the world's slowest readers? Forget a review, how about a rating, even a bad one. It only takes a click. What's going on?

The last Goodreads giveaway including the cost of the books plus mailing was about $40. The cost of giving away e-books on LibraryThing and BookLikes is free. The cost of e-book giveaways on Goodreads is $119.00 per title.

In my opinion, this is an attempt to suck in the eternally hopeful and chronically naive (as all new authors tend to be) to spend money we can't afford and won't get any return on.

This article has so much spin on it I'm feeling nauseous.

Shame on Goodreads.


message 22: by Segilola (new)

Segilola Salami Rod wrote: "I think you've overlooked one small thing, Segilola. Goodreads is not referring to e-books. The giveaway St. Martin's undertook was for actual books, paperbacks I imagine, so you would have to pay ..."

Now that you put it all into context it all makes sense.

It's a shame they are advertising services that isn't open to all and like you rightly said, it would have been handy if they put an indication of the amount the publisher spent.

Hannah was once upon a time a nobody. It would be interesting to find out how she became a bestseller and how long it took her to become one. I think I read somewhere that it takes about 10 - 15 years to become one.

Surely with innovative strategies (whatever they may be, pls share any you have) and the use of technology, we can cut that timeline down?

My last GRs giveaway didn't get me any reviews but I just joined LT. However, they seem to be taking forever to approve my author account.

Thank you for the info on BookLikes. I hadn't heard of them before. Will go check them out now.

If I hadn't found out recently that LT offers free giveaways, I would have thought that GRs was doing us all a favour, especially with the way they made it out they coloured it.

Thanks again for your post


message 23: by Rod (new)

Rod Raglin I don't think time is a factor in becoming a bestseller if that's what you aspire to. I actually have no idea what it takes though there are no shortage of marketing gurus, book launch experts and writing coaches who seem to know the answer and they're more than happy to tell you - for a price.

I've pretty much tried everything (and failed) and now I am resigned to honing my craft and waiting for some miracle.

My motto is: first get good (that would be your 10,000 hours of practice), then get lucky.

PS BookLikes is also an author friendly site where you can giveaway books at no charge.

booklikes.com


message 24: by Segilola (new)

Segilola Salami thanks I've joined . . . but there doesn't seem to be a lot of activity there


message 25: by Lilli (last edited Jun 25, 2016 03:11AM) (new)

Lilli Sutherland Thank you Rod for your interesting mail and wise motto!


message 26: by Catherine (new)

Catherine Berry Lilli wrote: "Thank you Rod for your interesting mail and wise motto!"

I have to admit to deliberately taking my time before choosing my next marketing strategy. Instinctively, all that you point out, Rod, sounds right. From a sales perspective, the most success that I have had in a day was when I took a stand at a French country market on the Central coast of New South Wales and could interact directly with people.


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