Christopher

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Wolf Solent
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The Gray Notebook
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Alain Badiou
“It is better to do nothing than to contribute to the invention of formal ways of rendering visible that which Empire already recognizes as existent.”
Alain Badiou

Clément Rosset
“The various aspects of illusion described so far refer to a single function, a single structure, a single failure. The function is to protect from the real; the structure does not involve refusing to perceive the real but, rather, splitting it in two; the failure lies in recognizing the protective double too late as the very reality from which one thought one had found protection. This is the curse of evasion: by way of a phantasmatic duplication, it sends us back to the undesirable starting point, the real. We can see now why evasion is always a mistake: it is always inoperative, because the real is always right. We may, admittedly, try to protect ourselves from a future event, if that happens to be possible; we shall never protect ourselves from a past or present event or one that is 'certain to come to pass,' as in the oracular symbolics which announces in advance an ineluctable necessity that already has all the characteristics of a present necessity. And the act by which one attempts to slough off that necessity will never be able to 'do any better' than literally reproduce the feared even or, even more exactly, constitute that event. This is what happens to Oedipus, as it happens to everyone at odds with himself - that is to say, to everyone at some point or other of his existence.”
Clément Rosset, Le réel et son double

Ottessa Moshfegh
“I was both relieved and irritated when Reva showed up, the way you'd feel if someone interrupted you in the middle of suicide.”
Ottessa Moshfegh, My Year of Rest and Relaxation

Alain Badiou
“Since it is sure of its ability to control the entire domain of the visible and the audible via the laws governing commercial circulation and democratic communication, Empire no longer censures anything. All art, and all thought, is ruined when we accept this permission to consume, to communicate and to enjoy. We should become the pitiless censors of ourselves.”
Alain Badiou

Jean Genet
“Before Armand had granted me the esteem of which I have already spoken, I probably would not have betrayed him. The mere idea would have horrified me. So long as he had not given me his confidence, betraying him had no meaning: it meant simply obeying the elementary rule which governed my life. But now I loved him. I recognized his omnipotence. And though he might not love me, he contained me within him. His moral authority was so absolute, so generous, that it made intellectual rebellion within his bosom impossible. The only way I could prove my independence was by acting on the emotional level. The idea of betraying Armand set me aglow. I feared and loved him too much not to want to deceive and betray and rob him. I sensed the anxious pleasure that goes with sacrilege. If he were God (he had known pity), and had he been well pleased with me, it were sweet to deny him. And better still, that Stilitano, who did not love me and whom I would never have betrayed, should be helping me. His sharp personality aptly suggested the image of a dagger piercing the heart. The strength of the devil and his power over us lie in his irony. His seductiveness may be only his detachment. The force with which Armand denied the rules proved his own power—and the power of the rules over him. Stilitano smiled at them. His smile dissolved me. It was bold enough to express itself on a face of great beauty.”
Jean Genet

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