Christopher

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Story: Substance,...
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A Dance to the Mu...
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The Gray Notebook
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Max Horkheimer
“He has nothing useful to say about fascism who is unwilling to mention capitalism.”
Max Horkheimer

Joseph Heller
“In the office in which I work there are five people of whom I am afraid. Each of these five people is afraid of four people (excluding overlaps), for a total of twenty, and each of these twenty people is afraid of six people, making a total of one hundred and twenty people who are feared by at least one person. Each of these one hundred and twenty people is afraid of the other one hundred and nineteen, and all of these one hundred and forty-five people are afraid of the twelve men at the top who helped found and build the company and now own and direct it.”
Joseph Heller, Something Happened
tags: fear, work

Friedrich Nietzsche
“Another ideal runs ahead of us, a strange, tempting, dangerous ideal to which we should not wish to persuade anybody because we do not readily concede the right to it to anyone: the ideal of a spirit who plays naively - that is, not deliberately but from overflowing power and abundance - with all that was hitherto called holy, good, untouchable, divine; for whom those supreme things that the people naturally accept as their value standards, signify danger, decay, debasement, or at least recreation, blindness, and temporary self-oblivion; the ideal of a human, superhuman well-being and benevolence that will often appear inhuman - for example, when it confronts all earthly seriousness so far, all solemnity in gesture, word, tone, eye, morality, and task so far, as if it were their most incarnate and involuntary parody - and in spite of all of this, it is perhaps only with that great seriousness really begins, that the real question mark is posed for the first time, that the destiny of the soul changes, the hand moves forward, the tragedy begins.”
Friedrich Nietzsche, The Gay Science: With a Prelude in Rhymes and an Appendix of Songs

Fredric Jameson
“Nowhere is the hostility of the Anglo-American tradition toward the dialectical more apparent, however, than in the widespread notion that the style of these works is obscure and cumbersome, indigestible, abstract-or, to sum it all up in a convenient catchword, Germanic. It can be admitted that it does not conform to the canons of clear and fluid journalistic writing taught in the schools. But what if those ideals of clarity and simplicity have come to serve a very different ideological purpose, in our present context, from the one Descartes had in mind? What if, in this period of the overproduction of printed matter and the proliferation of methods of quick reading, they were intended to speed the reader across a sentence in such a way that he can salute a readymade idea effortlessly in passing, without suspecting that real thought demands a descent into the materiality of language and a consent to time itself in the form of the sentence?”
Frederic Jameson

Alain Badiou
“It is better to do nothing than to contribute to the invention of formal ways of rendering visible that which Empire already recognizes as existent.”
Alain Badiou

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