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The Wall
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Book cover for Enemy of God (The Warlord Chronicles, #2)
I loved the idea of Arthur’s Britain too, but that would take war and hard work and a trust that men would behave well if they were treated well. Merlin’s dream demanded less and promised more.
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China Miéville
“It had become a chimney poking from a vertical universe of bookshelves.

There was motion below her. There were people on the shelves.

They clung to the edges of the cases and moved across them in expert scuttles. They wore ropes and hooks and carried picks on which they sometimes hung. Dangling from straps they carried notebooks, pens, magnifying glasses, ink pads, and stamps.

The men and women took books from the shelves as they went, checked their details, leaning against their ropes, replaced them, pulled out little pads and made notes, sometimes carried the books with them to another place and reshelved it there.

...

I'm Margarita Staples." She bowed in her harness. 'Extreme librarian. Bookaneer.”
China Miéville

China Miéville
“Scars are not injuries, Tanner Sack. A scar is a healing. After injury, a scar is what makes you whole.”
China Miéville, The Scar

Audrey Niffenegger
“I don't know about you, but I'm kind of fed up with realism. After all, there's enough reality already; why make more of it? Why not leave realism for the memoirs of drug addicts, the histories of salt, the biographies of porn stars? Why must we continue to read about the travails of divorced people or mildly depressed Canadians when we could be contemplating the shopping habits of zombies, or the difficulties that ensue when living and dead people marry each other? We should be demanding more stories about faery handbags and pyjamas inscribed with the diaries of strange women. We should not rest until someone writes about a television show that features the Free People's World-Tree Library, with its elaborate waterfalls and Forbidden Books and Pirate-Magicians. We should be pining for a house haunted by rabbits.

(from the review of Kelly Link's Magic for Beginners in The Guardian)”
Audrey Niffenegger

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