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Will
https://www.goodreads.com/wlinden
I’m not a racist and you probably aren’t either. But, the book White Fragility by Robin DiAngelo says I am a racist and if I say I’m not, that shows I most definitely am a racist; and, when I take offense to being called a racist that’s
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“As Ellena Mayer talked about how everyone had mistreated her and discriminated against her for being a woman and a talented genetic designer, I classed her as the type of woman who doesn’t understand everyone who is unusually brilliant is “discriminated against” for the simple fact of being different from the common herd, and therefore both resented, and suspicious.”
― No Man's Land: Volume 3
― No Man's Land: Volume 3
“And this is one of the most interesting things about pharmakeia. People claim to be enlightened by the experiences, but when you ask them what they learned, you get saccharine clichés about the oneness of everything and how we just need to love everyone. Not exactly enlightening.”
― The Return of the Dragon : The Shocking Way Drugs and Religion Shape People and Societies
― The Return of the Dragon : The Shocking Way Drugs and Religion Shape People and Societies
“Rav Yehuda did not like to pray He preferred to learn Torah and say: “You may call my soul dirty But one day in thirty Is better than three times a day.”
― If All the Seas Were Ink: A Memoir
― If All the Seas Were Ink: A Memoir
“We have convinced church leaders and music ministers that classical choral styles are unattractive to the younger crowd, that so-called ‘seekers’ will be—what’s the American term?—turned off by a Mendelssohn psalm or a hymn arranged for choral singing. At the same time we have allowed such music to flourish in secular environments and liberal churches where its spiritual effect is negligible. Many evangelical music ministers now consider it a fact beyond question that radio styles, driven to popularity by clever marketing schemes, are the way to penetrate the hearts of those attending church. Repetitive phrases and a beat that encourages clapping are taken as sure signs of our Enemy working in the hearts of the congregation.”
― The Wormwood Archive
― The Wormwood Archive
“As you know, real musicians (and the performers must keep reminding themselves that they are indeed real musicians) don’t like to play familiar songs repeatedly. They intensely dislike overused arrangements for hymns and praise songs; they need a challenge, and this means new songs added each week, songs that have ever more sophisticated arrangement and accompaniment. Over time fewer and fewer audience members are able to give voice to the songs.”
― The Wormwood Archive
― The Wormwood Archive
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