Stacey

“History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.”
― Julian Barnes, The Sense of an Ending

“She was the reason I was a reader, and being a reader was what had made me most myself; it had given me the gifts of curiosity and sympathy, an awareness of the world as an odd and vibrant contradictory place, and it had me unafraid of its oddness and vibrancy and contradictions.”
― Curtis Sittenfeld, American Wife

“After those four years, he returned to the Midwest. He'd turned twenty-five, the Age of Unfolding, and it was time to write a novel, the way his hero had. He moved to a cheap apartment in Chicago and set to work, but even as the pages accumulated, despair set in. It was easy enough to write a sentence, but if you were going to create a work of art, the way Melville had, each sentence needed to fit perfectly with the one that preceded it, and the unwritten one that would follow. And each of those sentences needed to square with the ones on either side, so that three became five and five became seven, seven became nine, and whichever sentence he was writing became the slender fulcrum on which the whole precarious edifice depended. That sentence could contain anything, anything, and so it promised the kind of absolute freedom that, to Affenlight's mind, belonged to the artist and the artist alone. And yet that sentence was also beholden to the book's very first one, and its last unwritten one, and ever sentence in between. Every phrase, every word, exhausted him.”
― Chad Harbach, The Art of Fielding

“Salinger was not cutesy. His work was not nostalgic. These were not fairy tales about child geniuses traipsing the streets of Old New York.
Salinger was nothing like I'd thought. Nothing.
Salinger was brutal. Brutal and funny and precise. I loved him. I loved it all.”
― Joanna Rakoff, My Salinger Year