Robert

“I was responsible for a clause that is now standard in all studio DVDs, the disclaimer that states that the studio is in no way responsible for any of the content or comments made by people appearing in the interviews on the disc. It is hard to overstate the importance of this clause: It enables those supplementary DVD segments to be more than mere puff pieces but a valuable form of oral history. People can tell their differing, multiple versions and perceptions of the truth”
― Nicholas Meyer, The View from the Bridge: Memories of Star Trek and a Life in Hollywood

“Art and commerce are not irreconciliable, they are inextricably intertwined.”
― Nicholas Meyer

“The French director Robert Bresson made the observation: “My job is not to find out what the public want and give it to them; my job is to make the public want what I want.”
― Nicholas Meyer, The View from the Bridge: Memories of Star Trek and a Life in Hollywood

“At its best, Star Trek appears to function as pop-allegory/ pop metaphor, taking current events and issues (ecology, war, racism) and objectifying them for us to contemplate in a sci-fi setting. The world it presents may make no scientific sense but it is well and truly sufficient to lay out human questions for us to think about. Removed from our immediate neighborhoods, it is refreshing and even intriguing to consider earth matters from the distance of a few light years. Like the best science fiction, Star Trek does not show us other worlds so meaningfully as it shows us our own—for better or worse, in sickness and in health. In truth, Star Trek doesn’t really even pretend to show us other worlds—only humanity refracted in a vaguely hi-tech mirror.”
― Nicholas Meyer, The View from the Bridge: Memories of Star Trek and a Life in Hollywood