“One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.”
― Journey to the End of the Night
― Journey to the End of the Night
“Everyone’s chest
is a living room wall
with awkwardly placed photographs
hiding fist-shaped holes.”
―
is a living room wall
with awkwardly placed photographs
hiding fist-shaped holes.”
―
“This is an apology letter to the both of us
for how long it took me to let things go.
It was not my intention to make such a
production of the emptiness between us
playing tuba on the tombstone of a soprano
to try and keep some dead singer’s perspective alive.
It’s just that I coulda swore you had sung me a love song back there
and that you meant it
but I guess sometimes people just chew with their mouth open
so I ate ear plugs alive with my throat
hoping they’d get lodged deep enough inside the empty spots
that I wouldn’t have to hear you leaving”
―
for how long it took me to let things go.
It was not my intention to make such a
production of the emptiness between us
playing tuba on the tombstone of a soprano
to try and keep some dead singer’s perspective alive.
It’s just that I coulda swore you had sung me a love song back there
and that you meant it
but I guess sometimes people just chew with their mouth open
so I ate ear plugs alive with my throat
hoping they’d get lodged deep enough inside the empty spots
that I wouldn’t have to hear you leaving”
―
“I am dirty, Milena, endlessly dirty, that is why I make such a fuss about cleanliness. None sing as purely as those in deepest hell; it is their singing we take for the singing of angels.”
― Letters to Milena
― Letters to Milena
“Yours
(now I'm even losing my name - it was getting shorter and shorter all the time and is now: Yours)”
― Letters to Milena
(now I'm even losing my name - it was getting shorter and shorter all the time and is now: Yours)”
― Letters to Milena
Abhishek’s 2024 Year in Books
Take a look at Abhishek’s Year in Books, including some fun facts about their reading.
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