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“I love mankind, he said, "but I find to my amazement that the more I love mankind as a whole, the less I love man in particular.”
― The Brothers Karamazov
― The Brothers Karamazov
“Anti-theism presupposes Theism”
― Defense of the Faith
― Defense of the Faith
“When a man sees a dying animal, horror comes over him: that which he himself is, his essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying one is a person, and a beloved person, then, besides a sense of horror at the annihilation of life, there is a feeling of severance and a spiritual wound which, like a physical wound, sometimes kills and sometimes heals, but always hurts and fears any external, irritating touch.”
― War and Peace
― War and Peace
“A wound in the soul, coming from the rending of the spiritual body, strange as it may seem, gradually closes like a physical wound. And once a deep wound heals over and the edges seem to have knit, a wound in the soul, like a physical wound, can be healed only by the force of life pushing up from inside.
This was the way Natasha's wound healed. She thought her life was over. But suddenly her love for her mother showed her that the essence of life - love - was still alive in her. Love awoke, and life awoke.”
― War and Peace
This was the way Natasha's wound healed. She thought her life was over. But suddenly her love for her mother showed her that the essence of life - love - was still alive in her. Love awoke, and life awoke.”
― War and Peace
“Your wanderer is a phantom from the boy's shore.
Mark you, he does not go; he sends his narrator;
he plays tricks with time because there are two journeys
in every odyssey, one on worried water,
the other crouched and motionless, without noise.
For both, the 'I' is a mast; a desk is a raft
for one, foaming with paper, and dipping the beak
of a pen in its foam, while an actual craft
carries the other to cities where people speak
a different language, or look at him differently,
while the sun rises from the other direction
with its unsettling shadows, but the right journey
is motionless; as the sea moves round an island
that appears to be moving, Jove moves round the heart
with encircling salt, and the slowly travelling hand
knows it returns to the port from which it must start.
Therefore, this is what this island has meant to you,
why my bust spoke, why the sea-swift was sent to you:
to circle yourself and your island with this art.”
― Omeros
Mark you, he does not go; he sends his narrator;
he plays tricks with time because there are two journeys
in every odyssey, one on worried water,
the other crouched and motionless, without noise.
For both, the 'I' is a mast; a desk is a raft
for one, foaming with paper, and dipping the beak
of a pen in its foam, while an actual craft
carries the other to cities where people speak
a different language, or look at him differently,
while the sun rises from the other direction
with its unsettling shadows, but the right journey
is motionless; as the sea moves round an island
that appears to be moving, Jove moves round the heart
with encircling salt, and the slowly travelling hand
knows it returns to the port from which it must start.
Therefore, this is what this island has meant to you,
why my bust spoke, why the sea-swift was sent to you:
to circle yourself and your island with this art.”
― Omeros
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