Omeros Quotes
Omeros
by
Derek Walcott3,298 ratings, 3.98 average rating, 378 reviews
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Omeros Quotes
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“I do not live in you, I bear
my house inside me, everywhere
until your winters grow more kind
by the dancing firelight of mind
where knobs of brass do not exist
whose doors dissolve in tenderness
House that lets in, at last, those fears
that are its guests, to sit on chairs
feasts on their human faces, and
takes pity simply by the hand
shows her her room, and feels the hum
of wood and brick becoming home.”
― Omeros
my house inside me, everywhere
until your winters grow more kind
by the dancing firelight of mind
where knobs of brass do not exist
whose doors dissolve in tenderness
House that lets in, at last, those fears
that are its guests, to sit on chairs
feasts on their human faces, and
takes pity simply by the hand
shows her her room, and feels the hum
of wood and brick becoming home.”
― Omeros
“Your wanderer is a phantom from the boy's shore.
Mark you, he does not go; he sends his narrator;
he plays tricks with time because there are two journeys
in every odyssey, one on worried water,
the other crouched and motionless, without noise.
For both, the 'I' is a mast; a desk is a raft
for one, foaming with paper, and dipping the beak
of a pen in its foam, while an actual craft
carries the other to cities where people speak
a different language, or look at him differently,
while the sun rises from the other direction
with its unsettling shadows, but the right journey
is motionless; as the sea moves round an island
that appears to be moving, Jove moves round the heart
with encircling salt, and the slowly travelling hand
knows it returns to the port from which it must start.
Therefore, this is what this island has meant to you,
why my bust spoke, why the sea-swift was sent to you:
to circle yourself and your island with this art.”
― Omeros
Mark you, he does not go; he sends his narrator;
he plays tricks with time because there are two journeys
in every odyssey, one on worried water,
the other crouched and motionless, without noise.
For both, the 'I' is a mast; a desk is a raft
for one, foaming with paper, and dipping the beak
of a pen in its foam, while an actual craft
carries the other to cities where people speak
a different language, or look at him differently,
while the sun rises from the other direction
with its unsettling shadows, but the right journey
is motionless; as the sea moves round an island
that appears to be moving, Jove moves round the heart
with encircling salt, and the slowly travelling hand
knows it returns to the port from which it must start.
Therefore, this is what this island has meant to you,
why my bust spoke, why the sea-swift was sent to you:
to circle yourself and your island with this art.”
― Omeros
“Why couldn't they love the place, same way, together,
the way he always loved her, even with his sore?
Love Helen like a wife in good and bad weather,
in sickness and in health, its beauty in being poor?
The way the leaves loved her, not like a pink leaflet
printed with slogans of black people fighting war?”
― Omeros
the way he always loved her, even with his sore?
Love Helen like a wife in good and bad weather,
in sickness and in health, its beauty in being poor?
The way the leaves loved her, not like a pink leaflet
printed with slogans of black people fighting war?”
― Omeros
“These are the days when, however simple the future, we do not go
towards it but leave part of life in a lobby whose elevators
divide and enclose us, brightening digits that show
exactly where we are headed, while a young Polish woman
is emptying an ashtray, and we are drawn to a window
whose strings, if we pull them, widen an emptiness.”
― Omeros
towards it but leave part of life in a lobby whose elevators
divide and enclose us, brightening digits that show
exactly where we are headed, while a young Polish woman
is emptying an ashtray, and we are drawn to a window
whose strings, if we pull them, widen an emptiness.”
― Omeros
“History was fact,
History was a cannon, not a lizard; De Grasse
leaving Martinique, and Rodney crouching to act
in the right wind. Iounalo, my royal arse!
Hewanorra, my hole! Was the greatest battle
in naval history, which put the French to rout,
fought for a creature with a disposable tail
and elbows like a goalie?”
― Omeros
History was a cannon, not a lizard; De Grasse
leaving Martinique, and Rodney crouching to act
in the right wind. Iounalo, my royal arse!
Hewanorra, my hole! Was the greatest battle
in naval history, which put the French to rout,
fought for a creature with a disposable tail
and elbows like a goalie?”
― Omeros
