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Existential Psych...
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The Roots of Coin...
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Dec 02, 2025 03:46AM

 
The Stand
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by Stephen King (Goodreads Author)
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Dave Grohl
“After all, you are only as happy as your unhappiest child.”
Dave Grohl, The Storyteller: Tales of Life and Music

Nick Cave
“There’s a vegetarian takeaway place in Brighton called Infinity, where I would eat sometimes. I went there the first time I’d gone out in public after Arthur had died. There was a woman who worked there and I was always friendly with her, just the normal pleasantries, but I liked her. I was standing in the queue and she asked me what I wanted and it felt a little strange, because there was no acknowledgement of anything. She treated me like anyone else, matter-of-factly, professionally. She gave me my food and I gave her the money and – ah, sorry, it’s quite hard to talk about this – as she gave me back my change, she squeezed my hand. Purposefully. It was such a quiet act of kindness. The simplest and most articulate of gestures, but, at the same time, it meant more than all that anybody had tried to tell me – you know, because of the failure of language in the face of catastrophe. She wished the best for me, in that moment. There was something truly moving to me about that simple, wordless act of compassion.”
Nick Cave, Faith, Hope and Carnage

“The greatest act of self-love is to no longer accept a life you are unhappy with.”
Brianna Wiest, The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery

Nick Cave
“To be awed. To experience a communal sense of awe. I can feel it on stage and see it in people’s eyes. And I experience it too. It’s certainly something I have felt many, many times at other artists’ concerts. It’s about reaching an essential and shared state through music – sometimes for a moment, sometimes for an entire concert. We’ve all experienced that. Not just a physical release, although there is that, too, but to be held by an artist at the crucial moment of expression – to be awed, second by second, at the way a song or piece of music unfolds, to be held on the edge of tears by the drama of it all, and to be, as an audience member, an essential participant in the drama itself. That is a wonderful thing. […] So thank God, quite literally, for music, because it’s one of the last remaining places, beyond raw nature, that people can feel awed by something happening in real time, that feeling of reverence and wonder. […] These are sacred moments.”
Nick Cave, Faith, Hope and Carnage

Nick Cave
“I don’t know about you, but for me there is forever a
struggle between the rational side of myself and the side that is alert to glimpses or impressions of something otherworldly. And, of course, I know
there is no coherent argument to be had here. My rational self has all the weaponry, all the big guns – reason, science, common sense, normality – and all that far outweighs the side of me that only has suspicions and hints and signs of something else, something mysterious and quietly spoken. But, even still, it feels, under the circumstances, that to dismiss the existence of these things that live beyond our reasonable selves outright is, at best, ungenerous. Don’t you think? I mean, I don’t blindly succumb to these feelings, but still I remain watchful for that promise. This is how I have chosen to live my life – in uncertainty, and by doing so to be open to the
divine possibility of things, whether it exists or not. I believe this gives my life, and especially my work, meaning and potential and soul, too, beyond what the rational world has to offer.”
Nick Cave, Faith, Hope and Carnage

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