Audrey

“What chatty Madam Shpolyanski mentioned had conjured up Mira's image with unusual force. This was disturbing. Only in the detachment of an incurable complaint, in the sanity of near death, could one cope with this for a moment. In order to exist rationally, Pnin had taught himself...never to remember Mira Belochkin - not because...the evocation of a youthful love affair, banal and brief, threatened his peace of mind...but because, if one were quite sincere with oneself, no conscience, and hence no consciousness, could be expected to subsist in a world where such things as Mira's death were possible. One had to forget - because one could not live with the thought that this graceful, fragile, tender young woman with those eyes, that smile, those gardens and snows in the background, had been brought in a cattle car and killed by an injection of phenol into the heart, into the gentle heart one had heard beating under one's lips in the dusk of the past.”
― Vladimir Nabokov, Pnin

“A few hours later, lying on a mat during rest time, Vladimir embraced the tiny curled-up creature beside him, his first best buddy, just as Mother had promised. Maybe tomorrow they could go to the Piskaryovka mass grave together with their grandmothers and lay flowers for their dead. Maybe they would even be inducted into the Red Pioneers side by side. What good fortune that he and Lionya were so alike and that neither of them had siblings...Now they would have each other! It was as if Mother had created someone just for him, as if she had guessed how lonely he had been in his sick bed with his stuffed giraffe, the months spinning away in twilight gloom until it was June again, time to go down to sunny Yalta to watch the Black Sea dolphins jump for joy.”
― Gary Shteyngart, The Russian Debutante's Handbook

“Written in ink, in German, in a small, hopelessly sincere handwriting, were the words "Dear God, life is hell." Nothing led up to or away from it. Alone on the page, and in the sickly stillness of the room, the words appeared to have the stature of an uncontestable, even classic indictment. X stared at the page for several minutes, trying, against heavy odds, not to be taken in. Then, with far more zeal than he had done anything in weeks, he picked up a pencil stub and wrote down under the inscription, in English, "Fathers and teachers, I ponder, 'What is Hell?' I maintain that it is the suffering of being unable to love.”
― J.D. Salinger, Nine Stories

“But from within the carton, Morty's American flag - which I know is folded there, at the very bottom, in the official way - tells me, "It's against some Jewish law," and so, on into the car he went with the carton, and then he drove it down to the beach, to the boardwalk, which was no longer there. The boardwalk was gone. Good-bye, boardwalk. The ocean had finally carried it away. The Atlantic is a powerful ocean. Death is a terrible thing. That's a doctor I never heard of. Remarkable. Yes, that's the word for it. It was all remarkable. Good-bye, remarkable. Egypt and Greece good-bye, and good-bye, Rome!”
― Philip Roth, Sabbath's Theater