Audrey > Audrey's Quotes

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  • #1
    Robert Conquest
    “The behavior of any bureaucratic organization can best be understood by assuming that it is controlled by a secret cabal of its enemies.”
    Robert Conquest

  • #2
    Philip Larkin
    “They fuck you up, your mum and dad.
    They may not mean to, but they do.
    They fill you with the faults they had
    And add some extra, just for you.

    But they were fucked up in their turn
    By fools in old-style hats and coats,
    Who half the time were soppy-stern
    And half at one another's throats.

    Man hands on misery to man.
    It deepens like a coastal shelf.
    Get out as early as you can,
    And don't have any kids yourself.”
    Philip Larkin, High Windows

  • #3
    Czesław Miłosz
    “Language is the only homeland.”
    Czesław Miłosz

  • #4
    V.S. Naipaul
    “It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling...”
    V.S. Naipaul, Magic Seeds

  • #5
    J.D. Salinger
    “It's really too bad that so much crumby stuff is a lot of fun sometimes.”
    J. D. Salinger, The Catcher in the Rye

  • #6
    Pablo Picasso
    “Everything you can imagine is real.”
    Pablo Picasso

  • #7
    Vladimir Nabokov
    “Listen: I am ideally happy. My happiness is a kind of challenge. As I wander along the streets and the squares and the paths by the canal, absently sensing the lips of dampness through my worn soles, I carry proudly my ineffable happiness. The centuries will roll by, and schoolboys will yawn over the history of our upheavals; everything will pass, but my happiness , dear, my happiness will remain,in the moist reflection of a street lamp, in the cautious bend of stone steps that descend into the canal's black waters, in the smiles of a dancing couple, in everything with which God so generously surrounds human loneliness.”
    Vladimir Nabokov, Selected Letters, 1940-1977

  • #8
    Vasily Grossman
    “The history of humanity is the history of human freedom...Freedom is not, as Engels thought, "the recognition of necessity." Freedom is the opposite of necessity. Freedom is necessity overcome. Progress is, in essence, the progress of human freedom. Yes, and after all, life itself is freedom. The evolution of life is the evolution of freedom.”
    Vasily Grossman, Forever Flowing

  • #9
    Martin Amis
    “Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.”
    Martin Amis, House of Meetings

  • #10
    James Joyce
    “I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #11
    J.D. Salinger
    “I figured I could get a job at a filling station somewhere, putting gas and oil in people's cars. I didn't care what kind of job it was, though. Just so people didn't know me and I didn't know anybody. I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone.”
    J.D. Salinger, The Catcher in the Rye

  • #12
    J.D. Salinger
    “I held hands with her all the time...that doesn't sound like much, I realize, but she was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something.”
    J.D. Salinger, The Catcher in the Rye

  • #13
    Václav Havel
    “Man is not an omipotent master of the universe, allowed to do with impunity whatever he thinks, or whatever suits him at the moment. The world we live in is made of an immensely complex and mysterious tissue about which we know very little and which we must treat with utmost humility.”
    vaclav havel

  • #14
    Václav Havel
    “Keep the company of those who seek the truth- run from those who have found it”
    Vaclav Havel

  • #15
    Haruki Murakami
    “She waited for the train to pass. Then she said, "I sometimes think that people’s hearts are like deep wells. Nobody knows what’s at the bottom. All you can do is imagine by what comes floating to the surface every once in a while.”
    Haruki Murakami, Blind Willow, Sleeping Woman

  • #16
    Philip Larkin
    “I work all day, and get half-drunk at night.
    Waking at four to soundless dark, I stare.
    In time the curtain-edges will grow light.
    Till then I see what’s really always there:
    Unresting death, a whole day nearer now,
    Making all thought impossible but how
    And where and when I shall myself die.
    Arid interrogation: yet the dread
    Of dying, and being dead,
    Flashes afresh to hold and horrify.

    The mind blanks at the glare. Not in remorse
    —The good not done, the love not given, time
    Torn off unused—nor wretchedly because
    An only life can take so long to climb
    Clear of its wrong beginnings, and may never;
    But at the total emptiness for ever,
    The sure extinction that we travel to
    And shall be lost in always. Not to be here,
    Not to be anywhere,
    And soon; nothing more terrible, nothing more true.

    This is a special way of being afraid
    No trick dispels. Religion used to try,
    That vast moth-eaten musical brocade
    Created to pretend we never die,
    And specious stuff that says No rational being
    Can fear a thing it will not feel, not seeing
    That this is what we fear—no sight, no sound,
    No touch or taste or smell, nothing to think with,
    Nothing to love or link with,
    The anaesthetic from which none come round.

    And so it stays just on the edge of vision,
    A small unfocused blur, a standing chill
    That slows each impulse down to indecision.
    Most things may never happen: this one will,
    And realisation of it rages out
    In furnace-fear when we are caught without
    People or drink. Courage is no good:
    It means not scaring others. Being brave
    Lets no one off the grave.
    Death is no different whined at than withstood.

    Slowly light strengthens, and the room takes shape.
    It stands plain as a wardrobe, what we know,
    Have always known, know that we can’t escape,
    Yet can’t accept. One side will have to go.
    Meanwhile telephones crouch, getting ready to ring
    In locked-up offices, and all the uncaring
    Intricate rented world begins to rouse.
    The sky is white as clay, with no sun.
    Work has to be done.
    Postmen like doctors go from house to house.”
    Philip Larkin, Collected Poems

  • #17
    Joseph Brodsky
    “Judge: And what is your occupation in general?
    Brodsky: Poet, poet-translator.
    Judge: And who recognized you to be a poet? Who put you in the ranks of poet?
    Brodsky: No one. And who put me in the ranks of humanity?
    Judge: Did you study it?...How to be a poet? Did you attempt to finish an insitute of higher learning...where they prepare...teach
    Brodsky: I did not think that it is given to one by education.
    Judge: By what then?
    Brodsky: I think that it is from God.”
    Joseph Brodsky

  • #18
    W.H. Auden
    “Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can; all of them make me laugh.”
    W.H. Auden

  • #19
    W.H. Auden
    “SEPTEMBER 1, 1939

    I sit in one of the dives
    On Fifty-second Street
    Uncertain and afraid
    As the clever hopes expire
    Of a low dishonest decade:
    Waves of anger and fear
    Circulate over the bright
    And darkened lands of the earth,
    Obsessing our private lives;
    The unmentionable odour of death
    Offends the September night.

    Accurate scholarship can
    Unearth the whole offence
    From Luther until now
    That has driven a culture mad,
    Find what occurred at Linz,
    What huge imago made
    A psychopathic god:
    I and the public know
    What all schoolchildren learn,
    Those to whom evil is done
    Do evil in return.

    Exiled Thucydides knew
    All that a speech can say
    About Democracy,
    And what dictators do,
    The elderly rubbish they talk
    To an apathetic grave;
    Analysed all in his book,
    The enlightenment driven away,
    The habit-forming pain,
    Mismanagement and grief:
    We must suffer them all again.

    Into this neutral air
    Where blind skyscrapers use
    Their full height to proclaim
    The strength of Collective Man,
    Each language pours its vain
    Competitive excuse:
    But who can live for long
    In an euphoric dream;
    Out of the mirror they stare,
    Imperialism's face
    And the international wrong.

    Faces along the bar
    Cling to their average day:
    The lights must never go out,
    The music must always play,
    All the conventions conspire
    To make this fort assume
    The furniture of home;
    Lest we should see where we are,
    Lost in a haunted wood,
    Children afraid of the night
    Who have never been happy or good.

    The windiest militant trash
    Important Persons shout
    Is not so crude as our wish:
    What mad Nijinsky wrote
    About Diaghilev
    Is true of the normal heart;
    For the error bred in the bone
    Of each woman and each man
    Craves what it cannot have,
    Not universal love
    But to be loved alone.

    From the conservative dark
    Into the ethical life
    The dense commuters come,
    Repeating their morning vow;
    'I will be true to the wife,
    I'll concentrate more on my work,'
    And helpless governors wake
    To resume their compulsory game:
    Who can release them now,
    Who can reach the dead,
    Who can speak for the dumb?

    All I have is a voice
    To undo the folded lie,
    The romantic lie in the brain
    Of the sensual man-in-the-street
    And the lie of Authority
    Whose buildings grope the sky:
    There is no such thing as the State
    And no one exists alone;
    Hunger allows no choice
    To the citizen or the police;
    We must love one another or die.

    Defenseless under the night
    Our world in stupor lies;
    Yet, dotted everywhere,
    Ironic points of light
    Flash out wherever the Just
    Exchange their messages:
    May I, composed like them
    Of Eros and of dust,
    Beleaguered by the same
    Negation and despair,
    Show an affirming flame.”
    W.H. Auden, Another Time

  • #20
    W.H. Auden
    “Warm are the still and lucky miles,
    White shores of longing stretch away,
    A light of recognition fills
    The whole great day, and bright
    The tiny world of lovers' arms.

    Silence invades the breathing wood
    Where drowsy limbs a treasure keep,
    Now greenly falls the learned shade
    Across the sleeping brows
    And stirs their secret to a smile.

    Restored! Returned! The lost are borne
    On seas of shipwreck home at last:
    See! In a fire of praising burns
    The dry dumb past, and we
    Our life-day long shall part no more.”
    W.H. Auden

  • #21
    Czesław Miłosz
    “In Rome on the Campo dei Fiori
    Baskets of olives and lemons,
    Cobbles spattered with wine
    And the wreckage of flowers.
    Vendors cover the trestles
    With rose-pink fish;
    Armfuls of dark grapes
    Heaped on peach-down.

    On this same square
    They burned Giordano Bruno.
    Henchmen kindled the pyre
    Close-pressed by the mob.
    Before the flames had died
    The taverns were full again,
    Baskets of olives and lemons
    Again on the vendors' shoulders.

    I thought of the Campo dei Fiori
    In Warsaw by the sky-carousel
    One clear spring evening
    To the strains of a carnival tune.
    The bright melody drowned
    The salvos from the ghetto wall,
    And couples were flying
    High in the cloudless sky.

    At times wind from the burning
    Would drift dark kites along
    And riders on the carousel
    Caught petals in midair.
    That same hot wind
    Blew open the skirts of the girls
    And the crowds were laughing
    On that beautiful Warsaw Sunday.

    Someone will read as moral
    That the people of Rome or Warsaw
    Haggle, laugh, make love
    As they pass by martyrs' pyres.
    Someone else will read
    Of the passing of things human,
    Of the oblivion
    Born before the flames have died.

    But that day I thought only
    Of the loneliness of the dying,
    Of how, when Giordano
    Climbed to his burning
    There were no words
    In any human tongue
    To be left for mankind,
    Mankind who live on.

    Already they were back at their wine
    Or peddled their white starfish,
    Baskets of olives and lemons
    They had shouldered to the fair,
    And he already distanced
    As if centuries had passed
    While they paused just a moment
    For his flying in the fire.

    Those dying here, the lonely
    Forgotten by the world,
    Our tongue becomes for them
    The language of an ancient planet.
    Until, when all is legend
    And many years have passed,
    On a great Campo dei Fiori
    Rage will kindle at a poet's word.”
    Czesław Miłosz

  • #22
    Sue Townsend
    “Now I know I am an intellectual. I saw Malcolm Muggeridge on the television last night, and I understood nearly every word. It all adds up. A bad home, poor diet, not liking punk. I think I will join the library and see what happens.”
    Sue Townsend

  • #23
    Andrei D. Sakharov
    “Thousands of years ago tribes of human beings suffered great privations in the struggle to survive. In this struggle it was important not only to be able to handle a club, but also to possess the ability to think reasonably, to take care of the knowledge and experience garnered by the tribe, and to develop the links that would provide cooperation with other tribes. Today the entire human race is faced with a similar test. In infinite space many civilizations are bound to exist, among them civilizations that are also wiser and more "successful" than ours. I support the cosmological hypothesis which states that the development of the universe is repeated in its basic features an infinite number of times. In accordance with this, other civilizations, including more "successful" ones, should exist an infinite number of times on the "preceding" and the "following" pages of the Book of the Universe. Yet this should not minimize our sacred endeavors in this world of ours, where, like faint glimmers of light in the dark, we have emerged for a moment from the nothingness of dark unconsciousness of material existence. We must make good the demands of reason and create a life worthy of ourselves and of the goals we only dimly perceive.”
    Andrei Sakharov

  • #24
    Alan Bennett
    “The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you. Now here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out and taken yours.”
    Alan Bennett, The History Boys

  • #25
    Alan Bennett
    “What she was finding also was how one book led to another, doors kept opening wherever she turned and the days weren't long enough for the reading she wanted to do.”
    Alan Bennett, The Uncommon Reader

  • #26
    Pier Paolo Pasolini
    “The mark which has dominated all my work is this longing for life, this sense of exclusion, which doesn't lessen but augments this love of life.”
    Pier Paolo Pasolini

  • #27
    Siegfried Sassoon
    “The fact is that five years ago I was, as near as possible, a different person to what I am tonight. I, as I am now, didn't exist at all. Will the same thing happen in the next five years? I hope so.”
    Siegfried Sassoon

  • #28
    Robert Graves
    “There’s no money in poetry, but there’s no poetry in money, either”
    Robert Graves

  • #29
    A.E. Housman
    “Into my heart an air that kills
    From yon far country blows:
    What are those blue remembered hills,
    What spires, what farms are those?

    That is the land of lost content,
    I see it shining plain,
    The happy highways where I went
    And cannot come again.”
    A.E. Housman, A Shropshire Lad

  • #30
    Nikos Kazantzakis
    “My principle anguish and the source of all my joys and sorrows from my youth onward has been the incessant, merciless battle between the spirit and the flesh.”
    Nikos Kazantzakis, The Last Temptation of Christ



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