Anuja

“ART said, "I want an apology."
I made an obscene gesture at the ceiling with both hands. (I know ART isn't the ceiling but the humans kept looking up there like it was.)
ART said, "That was unnecessary."
In a low voice, Ratthi commented to Overse, "Anyone who thinks machine intelligences don't have emotions needs to be in this very uncomfortable room right now.”
― Martha Wells, Network Effect

“Theater, my Star?” Baba asks. I listen carefully, but there’s no disappointment in his tone, only surprise. “Yes, Baba,” I say. “It’s been an interest of mine. And I think I might be good at it. But Ma—” Baba takes my hand in both of his. “My grandmother used to organize natok in the village for the children—she loved to act. There’s nothing wrong with telling a story onstage. It’s beautiful work; it brings people together. Rabindranath Tagore wrote plays, didn’t he? I’ll handle your mother—don’t worry about that.”
― Mitali Perkins, You Bring the Distant Near

“I liked protecting people and things. I liked figuring out smart ways to protect people and things. I liked being right.”
― Martha Wells, Artificial Condition

“I found it odd that the transport was less interested in Sanctuary Moon, which took place on a colony, than Worldhoppers, which was about the crew of a large exploration ship. You’d think it would be too much like work—I avoided serials about survey teams and mining installations—but maybe familiar things were easier for”
― Martha Wells, Artificial Condition