Anuja

“But mostly because the news was boring and I didn’t care what humans were doing to each other as long as I didn’t have to a) stop it or b) clean up after it.”
― Martha Wells, Artificial Condition

“Theater, my Star?” Baba asks. I listen carefully, but there’s no disappointment in his tone, only surprise. “Yes, Baba,” I say. “It’s been an interest of mine. And I think I might be good at it. But Ma—” Baba takes my hand in both of his. “My grandmother used to organize natok in the village for the children—she loved to act. There’s nothing wrong with telling a story onstage. It’s beautiful work; it brings people together. Rabindranath Tagore wrote plays, didn’t he? I’ll handle your mother—don’t worry about that.”
― Mitali Perkins, You Bring the Distant Near

“I found it odd that the transport was less interested in Sanctuary Moon, which took place on a colony, than Worldhoppers, which was about the crew of a large exploration ship. You’d think it would be too much like work—I avoided serials about survey teams and mining installations—but maybe familiar things were easier for”
― Martha Wells, Artificial Condition

“My skin is soft and smooth and the color reminds me of rain-drenched earth. But it’s as if the darkness of it keeps Ma from noticing my assets: curly hair, a round face that makes babies smile, deep dimples in both cheeks, big eyes that notice details other people miss. I like my face, even if Ma doesn’t. I resemble Baba, and he’s got presence.”
― Mitali Perkins, You Bring the Distant Near