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Anthony
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“There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.'
Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words.
'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...'
'What don't I know?' asked Dumbledore calmly.
It was too much. Harry turned around, shaking with rage.
'I don't want to talk about how I feel, all right?'
'Harry, suffering like this proves you are still a man! This pain is part of being human--'
'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!'
'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--'
He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions.
'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.'
'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself.
'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.'
'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--'
But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.”
― Harry Potter and the Order of the Phoenix
Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words.
'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...'
'What don't I know?' asked Dumbledore calmly.
It was too much. Harry turned around, shaking with rage.
'I don't want to talk about how I feel, all right?'
'Harry, suffering like this proves you are still a man! This pain is part of being human--'
'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!'
'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--'
He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions.
'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.'
'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself.
'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.'
'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--'
But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.”
― Harry Potter and the Order of the Phoenix
“This I tell you: decay is inherent in all conditioned things. Work out your own salvation, with diligence.”
―
―
“He has never been known to use a word that might send a reader to the dictionary."
(on Ernest Hemingway”
―
(on Ernest Hemingway”
―
“T IME'S a circumference
Whereof the segment of our station seems
A long straight line from nothing into naught.
Therefore we say " progress, " " infinity " —
Dull words whose object
Hangs in the air of error and delights
Our boyish minds ahunt for butterflies.
For aspiration studies not the sky
But looks for stars; the victories of faith
Are soldiered none the less with certainties,
And all the multitudinous armies decked
With banners blown ahead and flute before
March not to the desert or th' Elysian fields,
But in the track of some discovery,
The grip and cognizance of something true,
Which won resolves a better distribution
Between the dreaming mind and real truth.
I cannot understand you.
'T is because
You lean over my meaning's edge and feel
A dizziness of the things I have not said.”
―
Whereof the segment of our station seems
A long straight line from nothing into naught.
Therefore we say " progress, " " infinity " —
Dull words whose object
Hangs in the air of error and delights
Our boyish minds ahunt for butterflies.
For aspiration studies not the sky
But looks for stars; the victories of faith
Are soldiered none the less with certainties,
And all the multitudinous armies decked
With banners blown ahead and flute before
March not to the desert or th' Elysian fields,
But in the track of some discovery,
The grip and cognizance of something true,
Which won resolves a better distribution
Between the dreaming mind and real truth.
I cannot understand you.
'T is because
You lean over my meaning's edge and feel
A dizziness of the things I have not said.”
―
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