Ryan

“The world runs,” Lowell said, “on the fuel of this endless, fathomless misery. People know it, but they don’t mind what they don’t see. Make them look and they mind, but you’re the one they hate, because you’re the one that made them look.”
― Karen Joy Fowler, We Are All Completely Beside Ourselves

“Fiona had never learned her mother's language and she had never shown much respect for the stories that it preserved-the stories that Grant had taught and written about, and still did write about, in his working life. She referred to their heroes as "old Njal" or "old Snorri." But in the last few years she had developed an interest in the country itself and looked at travel guides. She read about William Morris's trip, and Auden's. She didn't really plan to travel there. She said the weather was too dreadful. Also-she said-there ought to be one place you thought about and knew about and maybe longed for-but never did get to see.”
― Alice Munro, Hateship, Friendship, Courtship, Loveship, Marriage: Stories

“When life is a weariness and escape impossible, it is wonderful to have a friend who can bring us peace with the touch of a hand. After this Finna decided to tend the cow herself... Those were the good days. They were serene days and quite undemonstrative, like the best days in one's like; the boy never forgot them. Nothing happens; one simply lives and breathes and wishes for nothing more, and nothing more.”
― Halldór Laxness, Independent People

“Shortly afterwards it started raining, very innocently at first, but the sky was packed tight with cloud and gradually the drops grew bigger and heavier, until it was autumn’s dismal rain that was falling—rain that seemed to fill the entire world with its leaden beat, rain suggestive in its dreariness of everlasting waterfalls between the planets, rain that thatched the heavens with drabness and brooded oppressively over the whole countryside, like a disease, strong in the power of its flat, unvarying monotony, its smothering heaviness, its cold, unrelenting cruelty. Smoothly, smoothly it fell, over the whole shire, over the fallen marsh grass, over the troubled lake, the iron-grey gravel flats, the sombre mountain above the croft, smudging out every prospect. And the heavy, hopeless, interminable beat wormed its way into every crevice in the house, lay like a pad of cotton wool over the ears, and embraced everything, both near and far, in its compass, like an unromantic story from life itself that has no rhythm and no crescendo, no climax, but which is nevertheless overwhelming in its scope, terrifying in its significance. And at the bottom of this unfathomed ocean of teeming rain sat the little house and its one neurotic woman.”
― Halldór Laxness, Independent People