Pixie Rose

“That’s the thing, those of us on this side of the disaster, we get so dazzled by the fireworks, by the conflagration I want to say, that we don’t see the gigantic expanse over there on the other side of the flames, but, you know. People have to live there.”
― John Darnielle, Devil House

“But we have each other. And we’ll keep choosing each other, and keep getting better, together”
― H.E. Edgmon, The Fae Keeper

“An aversion to the underland is buried in language. In many of the metaphors we live by, height is celebrated but depth is despised. To be ‘uplifted’ is preferable to being ‘depressed’ or ‘pulled down’. ‘Catastrophe’ literally means a ‘downwards turn’, ‘cataclysm’ a ‘downwards violence’. A bias against depth also runs through mainstream conventions of observation and representation. In his book Vertical, Stephen Graham describes the dominance of what he calls the ‘flat tradition’ of geography and cartography, and the ‘largely horizontal worldview’ that has resulted. We find it hard to escape the ‘resolutely flat perspectives’ to which we have become habituated, Graham argues – and he finds this to be a political failure as well as a perceptual one, for it disinclines us to attend to the sunken networks of extraction, exploitation and disposal that support the surface world.”
― Robert Macfarlane, Underland: A Deep Time Journey

“From an early age, you’d been in love with the world: there was so much in it, a life so full of surprises if you only stayed open to them, ready to receive the transmissions when they came. A devotee of the chance encounter, the found pleasure, the happy accident, your eyes always open, trying to spread some of your inner light around: that was you, the you everyone knew.”
― John Darnielle, Devil House